Concert Review: Robin Trower - The Academy 3, Manchester - 28 April 2006

I was fortunate to attend tonight’s concert at Manchester Academy with my wife, Sylvia, and daughter, Emma, to witness a triumphant performance by Robin Trower and his band; Dave Bronze on Bass, Pete Thompson on Drums, and Davey Pattison on Vocals.

The Academy’s acoustics, atmosphere, crowd and musicianship of Robin and his band provided the perfect ingredients for a truly memorable concert.

In his 61st year Robin has undoubtedly made his presence felt once again in his native homeland. He is not just a superlative master of the guitar; he is a first rate musician and songwriter. It should be evident by tonight’s reception that Robin enjoys a harmonious, loyal and appreciative fan base across the UK.

The seminal works, aka, "Day of the Eagle," "Bridge of Sighs," "Daydream," "Hannah," "Islands," and "Too Rolling Stoned" were absolutely breathtaking tonight. The band were perfectly in harmony, and appeared to play with renewed energy. Robin’s atmospheric and distinctive sound, combined with his unique soulfulness and emotion, and the musical intimacy of the band, combined to make this an awe-inspiring concert.

Robin’s music continues to somehow grab your heart and reside within; comparable to a close companion of honest warmth and integrity. Robin is a true contemporary of, Beck, Page, Clapton, Green, SRV - in effect, any guitarist you wish to a name. Those fortunate to attend tonight’s concert seen, heard, and witnessed an artist in full flight; liberated, and at the pinnacle of artistry.

Thanks to Robin, Davey, Dave, and Pete, for contributing to a great performance; also Steve Rusell and Laurie Brace - two genial guys who help to ensure the equipment and sound are at their best.

It was great to meet Steve Shail for the first time; Alan Howard who is always gracious and passionate about the music; David Knight and friend Tony Roberts, who I last met at Robin’s gig at the Life Café in the same city in March 2005.

Post gig we retired to the Kro Bar, Oxford Road, with fellow blues & rock fans, Heather Collier and Cassie McBirney. Enjoyable conversation, first-rate company, and a wide selection of beers contributed to an absolutely memorable evening/morning.

Set List: Twice removed from Yesterday; Hannah; Roads to Freedom; Too much joy; Islands; Day of the Eagle; Bridge of Sighs; 20th Century Blues; Victims of the Fury; Too rolling stoned; Go my way; Another time, another place; Little bit of sympathy. Encores: Lady Love; Daydream

Concert Review: Robin Trower - The Life Cafe, Manchester - 16 March 2005

I travelled from Belfast to Manchester with my wife, Sylvia, daughter, Emma, and son, Ricky, on the day of the concert. From my viewpoint I was wondering how the band would sound, the standard of playing, the nature of the set list (at least four tracks of Living Out of Time and two unrecorded tracks), and how a younger generation would assess the music and guitar playing of Robin Trower in concert?

It proved to be an exceptional performance from Robin and his band. They arrived on stage unannounced at 9.30pm sharp to a rapturous reception. Robin was handed his red and white Strat, and from thereon had the audience in the palm of his hand. Small venue, big sound, great atmosphere, and within six feet of Robin and his array of Fulltone Effect Pedals. Sure beats an arena any day.

It was apparent from the opening chord and flurry of notes by Robin, and the opening riff of "Too Rolling Stoned", that the sound and balance was great (a tremendous accomplishment by Laurie Brace, Sound Engineer for Robin Trower). Robin’s playing appears to have reached a higher level with an extensive array of incredible string bends, stunning use of feedback and tremolo arm, arpeggios, and long sustained notes - all played in his astounding soulful, bluesy, emotionally charged manner. And this was only the opening number.

While Robin has undoubtedly an extensive backlog of great songs, I was surprised at how well the new material sounded and was received: quite an accomplishment for Robin and the band. No artist of caliber should remain in a time warp. From the new album “What’s Your Name” - early in the set - was exceptional, if slightly short at three minutes. Next a great version of “Rise Up Like the Sun” of the 20th Century Blues album and Robin was really cookin’; soloing out with a great wah solo.

A soulful and bluesy version of “Daydream” followed: 11 minutes of mesmerising ecstasy; great bass lines from Dave Bronze, and drumming from Pete Thompson complimenting Robin’s playing. My wife, daughter, and son were astonished at the spiritual nature of the sound produced on stage (after the concert they expressed amazement at the emotion created, and Robin’s guitar playing style).

Just when I though things couldn’t get better the band burst into the title track of “Living out of Time”. Davey’s vocals were superb and Robin flashed several smiles at the other band members as he played the hypnotic riffs and chords; the band was definitely connecting and enjoying the performance. Great versions of “Day of the Eagle” and “Bridge of Sighs” (eleven minutes of pure soulfulness) followed, and were met by rapturous applause and ecstatic yells from the audience.

An unrecorded song followed called “Close Every Door” with great vocals by Davey, and a hard hitting wah lead by Robin at the end to the song was exceptional. Next “I want you to love me” of the 20th Century Blues album took the concert to new heights. Robin’s bluesy licks and passion, supported by Dave’s strong bass lines, and great drumming from Pete, made this a favourite with the crowd.

“Another Time Another Place” provided a wonderful vehicle for Davey to show his vocal skills with Robin providing great fill-ins throughout the song. The band finished with a blistering version of a “A Little bit of Sympathy” and left the stage to thunderous applause. The crowd was truly appreciative of a great performance by Robin and his band. The encores included an unrecorded song called “Come to Me” with its catchy wah riff, and bass lines which allowed Robin to solo using all his guitar playing arsenal and passion.

“Secret Place” proved to be a fitting end to the concert with its jazzy, bluesy chords and tempo. Robin’s guitar playing reached new heights of emotion and soulfulness which fully connected with the crowd.

I would like to thank Robin, the band and crew for a memorable concert.