DVD & CD Review: Rory Gallagher - 'Ghost Blues (The Story of Rory Gallagher)' & 'The Beat Club Sessions' - Release Date: 20 September 2010

A two-disc DVD titled Ghost Blues and The Beat Club Sessions was released on 20 September 2010 to celebrate the life and work of Rory Gallagher. While Rory was a consummate, charismatic, passionate musician and performer, I disagree with those who believe Rory never made a 'definitive' studio album. I still have fond memories of his first solo album Rory Gallagher (1971), his second album Deuce (1971), and Against the Grain (1975). Quite outstanding albums: full of diverse, remarkable songs; proof that Rory was a guitarist and songwriter of the first order.

Disc One: 'Ghost Blues'

The Story Of Rory Gallagher

The interviews with The Edge and Bill Wyman are interesting and engaging. Most of the concert footage will be known to Rory's many fans. The documentary contains little of Rory's early childhood, his favourite novels, films, how he relaxed, etc. It is sad that Rory is no longer alive to write an autobiography covering his life, personal vision, ambitions and music. Hearing it second-hand from some individuals who barely knew Rory, is, to say the least, disappointing.

Disc Two: 'The Beat Club Sessions'

I remember first hearing 'For The Last Time' on the radio one night in 1971. It was the initial track I heard of Rory's first 'solo' album. The track had an atmospheric pulse, wonderful bass sound and patterns. However, it was Rory's singing, guitar tone and potent soloing which held my attention. He seemed to be pushing himself to the limit with each passionate phrase and revealing fresh depths to his playing and song writing.

The level of inspiration, songwriting and musicianship throughout the album is exceptional. Five songs: 'I Fall Apart', Hands Up', 'For The Last Time', 'Can't Believe It's True', and 'Laundromat' are extraordinary songs: strong melodies and superb soloing on guitar and saxophone.

The early seventies, without doubt, opened up a new phase of creative songwriting and guitar playing for Rory. I just wish that 'live' versions of 'I Fall Apart', 'For The Last Time', Can't Believe It's True', and 'There's A Light' had been included in this package.

Another session during this period may have delivered these songs. Anyhow, there are many highlights to enjoy, and the version of 'Messin’ With The Kid' is a remarkable climax to the recordings. Rory's music still glows with unflagging integrity, spirit and passion. Not all professional musicians can say that and be taken seriously.

Track List

1. Laundromat
2. Hands Up
3. Sinnerboy
4. Just The Smile
5. Used To Be
6. In Your Town
7. Should’ve Learned My Lesson
8. Crest Of A Wave
9. Tore Down
10. Pistol Slapper Blues
11. I Don’t Know Where I’m Going
12. Going To My Hometown
13. I Could’ve Had Religion
14. McAvoy Boogie (?!)
15. Hoodoo Man
16. Messin’ With The Kid

A package worth it just for the 'live' footage of Rory from The Beat Club. An outstanding tribute to a gifted musical artist. Difficult to watch without tears of admiration for a genuine musician who played with so much heart, warmth and intensity.

http://www.rorygallagher.com/

DVD Review: Michael Schenker Group 'Live In Tokyo - 30th Anniversary Tour' [2010]



This performance was recorded on 13 January 2010 at the Nakano Sun Plaza, Tokyo during the band's 30th anniversary tour of Japan. Michael is joined by Gary Barden (vocals), Simon Phillips (drums), Wayne Findlay (guitar, keyboards, vocals) and Neil Murray (bass). While the audio and visuals are great, the lighting and fast alternating camera shots are disappointing, at times. The overall performance of the group, however, is astounding given that the tempo barely slackens during the entire 1 hour & 35 minute concert.

Gary's vocals are gritty, smoky, and one tends to wonder if his voice will hold out until the end of the show. I'm not a fan of hearing an audience sing the chorus of a song(s) while the vocalist temporarily takes a back seat, holding his microphone in their direction. It can be great for those attending the concert but frustrating for those watching & listening to the performance on DVD. Gary does make it to the end of the concert and he is refreshingly unpretentious. It's not an easy task for a rock vocalist to sing with such passion, vitality and feeling while seeking to be heard above the extensive volume produced by a band on stage.

The DVD is worth it alone for the renditions of 'Let Sleeping Dogs Lie' (Michael's soloing and the ending are outstanding, melodic and mind-blowing), "Cry For The Nations", and "Lost Horizons". Some of the tracks and guitar playing (aka "On and On") may be slightly superior on the Japan DVD released in 1995. Nonetheless, this quality DVD provides further proof that Michael is an excellent guitar player and musician who remains greatly underrated and widely imitated. 

Simon Phillips is a revelation on drums. His diverse and refined rhythm patterns accompanied by Neil Murray's superb bass playing and sound create strong pulses that give the overall music extreme energy and passion. Michael's soloing throughout the concert highlights that his unique guitar tone and playing remain a joy to behold. It's good to see Michael back on top where he belongs. Wayne Findlay, whether he is playing guitar or keyboards, is an excellent musician in his own right. His input is essential to the sound and music of the MSG. His imaginative playing and feel are integral to the charm and brilliance of this exceptional concert.

The extras include an interview with each band member, a group rehearsal, and backstage shots which include Michael adjusting his amp & pedal settings, and meeting a crowd of exhilarated fans. This DVD is a must for fans of heavy rock and virtuoso rock guitar playing as displayed throughout the concert by Michael Schenker.

Hard, heavy, metal rock - call it what you will - is a genre that doesn't just belong to the '80s as some musical commentators espouse. It continues to attract a large enthusiastic following world-wide (young & old) which ensures it is as relevant today as it was yesterday. Diverse music forms, for example, blues, jazz, R&B, rockabilly, country, classical, are still played with passion and relevance. As an art form, metal, hard, heavy, rock has the right to be treated with as much respect and value as other types of music. And it should be played loud. Listen to it before it's too late.

Track List

Amazon: DVD Release Date: 11 Oct 2010

Michael Schenker Official Site

Robin Trower - "The Playful Heart" - Studio CD - Release Date: 7 December 2010



The latest studio album from Robin Trower is certainly intriguing and compelling. I would recommend the album to anyone who enjoys classic rock, blues, and jazz. The musicianship from Robin, Pete, Glenn, and Davey is outstanding, as is the production by Livingston Brown. The songs are diverse, and most are weaved in magic.

Track Listing:

1. The Playful Heart
2. Don't Look Back
3. The Turning
4. Dressed In Gold
5. Find Me
6. Song For Those Who Fell
7. Maybe I Can Be A Friend
8. Prince Of Shattered Dreams
9. Camille
10. Not Inside - Outside
11. And We Shall Call It Love

Further details of album and ordering: Amazon and The Official Robin Trower Store

Robin Trower Official Youtube Channel

trowerpower.com

Concert Review: Jeff Beck - Brighton Centre, Brighton - 16/10/10

Concerts this inspiring don't come along too often. Some guitarist's flaunt their technical skill with fast playing, fast tempos, clichéd licks, have little interaction with their fellow-musicians on stage, and forget they are supposed to connect truthfully and emotionally with their audience. I see no point in grading guitar players as better or worse among themselves. The concept of who is/was the 'best' guitarist seems vacuous to me. All 'great' guitar players are born with a gift and I respect their genuine differences.

I guess Jeff's music and playing has a deep meaning for me and makes a genuine difference to my life; similar to other musicians I admire. Tonight, Jeff and his band exceed my expectations and give a performance rich in sound, delivery, creativity, emotion and inventive agility. When you watch and listen to Jeff playing live you hear each note he plays, the melody, the music. He constantly moves about the stage as if searching for fresh inspiration, new sounds.  His movements fixate the audience's attention. Tonight, Jeff shows breathtaking dexterity on the guitar in a wide range of musical styles. His excellent band never waver during the performance; kicking rhythmically in unison on each song while highlighting their individual artistic prowess.

From the opening track "Plan B" of the Jeff album (2003) it is evident this concert holds no false promises. The sound balance and Jeff's guitar tone are excellent. Also apparent is Jeff's willingness to give his group room to highlight their exceptional individual musicianship. When "Plan B" fully kicks in - an electronic, funky, haunting mix of beauty and steel - it enables Jeff to fire his powerful turbine of riffs over Rhonda's powerful, funky, bass lines, Narada Michael Walden's colourful, intuitive drumming, and Jason's exceptional, rich-sounding keyboard playing.

"Corpus Christi Carol" was as captivating and atmospheric 'live' as on the Emotion and Commotion CD, which didn't surprise me. What surprised me was that it didn't seem out of place on the set list. In fact, it sounded simultaneously mysterious and wonderful. If you were still enough, and concentrated on the music, the musicians, you felt part of it. A magnificent tenderness. The mood takes a powerful turn when Jeff hits the wah-wah pedal for the intro to "Hammerhead", a track that burns with passion, amazing soloing over hypnotic rhythms and riffs. Magical music with power and energy.

Jeff's rendition of "'Mná na h-Éireann" (Women of Ireland) composed by Seán Ó Riada, was moving and breathtaking. Jeff's soloing, on this song, was one of the highlights of the concert, as was Rhonda's bass solo. I prefer the 'live' version without violin. It felt, to me - and the audience, by their reception at its conclusion - that Jeff and the band delivered a haunting, evocative, and unforgettable version of the song. Truly wonderful.

Rhonda performed a stunning bass solo which included harmonics, bending the strings behind the nut of her bass guitar, hitting (caressing?!) its body, finger tapping, string bending, and then getting into some serious, eloquent, and powerful funky bass playing which had the crowd totally enthralled. Rhonda's playing was formidable and sexy. Am I allowed to state that? Hell, yes. Perhaps you should be over a certain age to witness Rhonda's compelling stage presence and musical talent!

Tonight, the music range is wide; embracing everything from blues to funk to jazz to classic British rock, and much more. The band play a wonderful version of "People Get Ready" and the vocals aren't missed. In fact, Jason plays some wonderful keyboards in the outro section of the song which create a strong groove. Then the concert goes up another notch; this time with a great version of "Big Block". Jeff's guitar soloing - alternating between light and shade - reaches a different level. In the hands of a master his guitar wails and sings with melody, riffs, single notes, harmonics, finger tapping, volume swells, whammy bends, and most of all, feel.  

"Brush With The Blues" lasts for about five minutes and is a complete masterclass in how to play music that connects with an audience, and why Jeff deserves to be placed high in the canon of musical geniuses. He plays with a lyrical beauty, spirit, and charisma that few guitar players, at present, can hope to reach.

The slow tempo of ""A Day In The Life" sounds rich, textured, melodious, and is a revelation - full of character, magic, exhilaration, sadness. Music that lingers in the memory. (Is that "Purple Haze" I hear? Is that a tribute to 'Jimi at the Monterey Pop Festival' at the end of the song?). John Lennon composed the beautiful, memorable song, and Jeff has reconfigured it to be heard in a different, and perhaps, for some, in a more powerful way.

Jeff and the group deserve the boisterous standing ovation at the close of the set. During the encores they preform a rousing, energetic version of "I Can Take You Higher" which highlights Rhonda's talent as a vocalist, as well as a musician. Jeff and the group are joined on stage by the leader of the support act, "Trombone" Shorty, which helps create a party feel. Jeff then pays tribute to the late "Great" Les Paul by adorning a Les Paul guitar and playing a rendition of "How High the Moon". Jeff and the group play in sync with a pre-recorded vocal tape. I believe the recording featured the vocalist, Imelda May.

Jeff reaches for his white, fender stratocaster and plays a beautiful, haunting version of "Nessun Dorma". He may not have played the songs everyone wanted to hear tonight, but no-one was left in any doubt they had witnessed an incredible show. A show performed by an outstanding group led by one of the greatest guitar players of our time. Music and guitar playing which tends to stay in the memory for a long, long time afterwards.



 

Jeff's set list signed by Rhonda

Postscript: Even though it was freezing outside the venue I'd like to thank Rhonda Smith and Narada Michael Walden for taking time to talk to fans outside the venue and signing memorabilia. The following photograph didn't come out as I hoped. I believe it was too cold and the flash decided not to work properly! It is still a good photograph and a great memento - along with the set list - of an outstanding concert.

Ronnie and Rhonda - post concert in chilly, cold Brighton 

Rhonda Smith Official Site 

Jeff Beck Official Site   

Jeff Beck - Official YouTube Channel

Jeff Beck UK Tour Dates - October 2010 / Live at Tokyo International Forum -12 & 13 April 2010 / Les Paul’s 95th Birthday

Jeff Beck and his band are undertaking a short UK tour during October 2010. Anyone who has never witnessed Jeff playing 'live' - and is attending one of the following concerts - will witness an amazing guitar player and a mind-blowing concert. I am disappointed Jeff is unable to include Belfast in his schedule. Perhaps Jeff will include the Ulster Hall, Belfast on a future tour.

I am attending the Brighton concert and will be posting a review.

UK Tour Dates 2010

15 Oct 2010 - Bournemouth International Centre [BIC] - Bournemouth
16 Oct 2010 - Brighton Centre - Brighton 
17 Oct 2010 - Symphony Hall - Birmingham
19 Oct 2010 - Guildhall - Preston
20 Oct 2010 - Clyde Auditorium - Glasgow
21 Oct 2010 - Apollo - Manchester
22 Oct 2010 - City Hall - Sheffield
24 Oct 2010 - Colston Hall - Bristol
25 Oct 2010 - St David's Hall - Cardiff
26 Oct 2010 - Royal Albert Hall - London
27 Oct 2010 - Royal Albert Hall - London

The line-up of Jeff's band includes bassist Rhonda Smith (played with Prince and Little Richard); keyboard player Jason Rebello (CV includes stints with Sting and Chaka Khan); and drummer Narada Michael Walden (a Grammy Award-winning producer who worked with Jeff on the 1976 album Wired).

Rhonda in full flight

 Videos of Jeff & Co. "live" at Tokyo International Forum -12 & 13 April 2010

Jeff Beck commemorated 'Les Paul’s 95th Birthday'  at the Iridium Jazz Club. Click on link for details, photos: Jeff beck Live at The Iridium, NYC June 8th & 9th 2010

Jeff Beck - Official YouTube Channel

Robin Trower - UK and European Tour - Sep & Oct 2010

Robin Trower and his band will be undertaking a UK and European tour during September and October 2010. Don't miss the opportunity to witness 'live' a truly creative guitarist with a distinctive sound and inspired song writing ability.

Some talented musicians grow into maturity and then decline swiftly or slowly. Robin isn’t one of those – he continues to mature musically, play with creativity and passion, and is an inspiration to musicians, fans and music lovers alike.

I am attending two concerts and will be posting a review of one of the shows.

Concert Dates:

03/09/10 - De Boerderij in Zoetermeer, Holland 

05/09/10 - Paradiso, Amsterdam

08/09/10 - The Globe, Cardiff

09/09/10 - Robin 2, Bilston

10/09/10 - Pacific Arts Centre, Birkenhead

11/09/10 - Academy, Glasgow

12/09/10 - Picturedrome, Holmfirth

15/09/10 - Waterfront, Norwich

16/09/10 - Academy, Newcastle

17/09/10 - Assembly Rooms, Derby

18/09/10 - Shepherds Bush Empire, London
19/09/10 - The Brook, Southampton 

22/09/10 - Komedia, Bath (Review)

23/09/10 - Featival, St. Ives, Cornwall

25/09/10 - The SoundHouse, Otford

26/09/10 - Komedia, Brighton

29/09/10 - Spirit of 66, Verviers, Belgium

01/10/10 - Café Hahn,  Koblenz, Germany

02/10/10 - Music Theatre Rex, Lorsch, Germany

03/10/10 - Musiktheater Piano Dortmund, Germany

05/10/10 - The Quasimodo, Berlin, Germany

06/10/10 - Barby, Magdeburg, Germany

08/10/10 - La Poudrière, Leffrinckouckel,  France 

09/10/10 - Bobino, Paris
10/10/10 - Le 112, Terville, France

12/10/10 - Aarburg, Switzerland

14/10/10 - TBA, Monaco

15/10/10 - International Blues Festival, Barcelona 

An important aspect of the tour will be the set list. Robin says it will include some new songs and [perhaps] restoration of some old favourites that are truly atmospheric live, for example, "Daydream" - a classic song.

Best wishes to Robin and the band for an enjoyable and successful tour in 2010.

This footage is dedicated to Robin, Pete, Davey, and Glenn. Thanks for the music and the vibe.

Robin Trower Official Youtube Channel

trowerpower.com

Concert Review: Robin Trower - Komedia, Bath - 22/9/10

I've attended good concerts and great concerts. Myself and my wife, and others whom we meet afterwards, agree we have witnessed an outstanding one. A compelling performance from beginning to end; a terrific triumph for Robin, Pete, Davey and Glenn (who astound with their energy, passion and musicianship) and for the audience an emotional, unbeatable, roller coaster ride.

I glance at Robin's set list and believe it is one of the strongest Robin has put together for recent tours in the UK. The strong riffs and rhythm of "Confessin' Midnight" followed by "Lady Love" will enable Robin to solo with a degree of aggression and passion right from the start and for the band to hit a tight rhythmic groove early in the show. I'm pleased a deep favourite of mine "Daydream" is included in the set. The first time on this tour. The gods have fortuitously shone down on me once again. Somehow I feel this is the right place, one of the right gigs to be at.

As the number of people flocking into the auditorium grows there is an increasing air of excitement and anticipation, and the slight electricity of whispering that occurs before such events. When Robin and his band appear on stage the audience give them a warm boisterous welcome.

"Confessin' Midnight" sounds razor sharp. The band come together and the song goes off like a flashbulb. Robin's guitar tone sounds amazing, especially when he hits the wah-wah pedal. Davey's vocals are superb and distinct tonight. In fact, his singing is a revelation and he wins many plaudits. Robin's soloing bites, twists and turns, and is pleasantly aggressive. A problem with a monitor is soon fixed by Laurie at the end of the song. Without losing ground the band launch into "Lady Love" which keeps the crowd energized. It says something about Robin's unique guitar style that songs from early in his career still retain a freshness and vitality on each hearing. Pete on drums and Glenn on bass combine to provide a sweeping, smoldering, strong rhythm which delights and catches hold of your spirit at the same time.  

The hypnotic, funky rhythm of "Somebody Calling" is particularly noteworthy powered by Robin's lead guitar work. Combined with Davey's vocals and enthusiastic backing by Pete and Glenn this song sounds better live than I expected. Robin's vibrato is used to killer effect alongside beautiful rhythmic chording and chord changes.

It's obvious that Robin loves to continually write and record new music. The inclusion of three "new" songs in the 14 song set, "Find Me," "The Turning," and " Not Inside - Outside" are well received by the audience. "Find Me" really kicks in when Davey sings in sync with Robin's guitar. During the song Robin plays beautiful understated solos which rise to a crescendo. This should be an interesting composition to listen to on Robin's forthcoming CD regarding the guitar parts and overdubs.

"Extermination Blues" has been dropped from tonight's show; a slow song which I believe can lose an audience no matter how great the guitar playing may be. I'm pleased it's been replaced by the classic "Daydream." Tonight "Daydream" is haunting and unforgettable due to Davey's outstanding vocal and Robin's graceful guitar playing and lush sound. The bass and drums sound just right and combine to make this one of the highlights of the show.

Robin's mastery of the guitar is highlighted to great affect on "Bridge of Sighs". He improvises with great feeling; moving from soulful tenderness to moving aggression. I'm glad this version was captured on film. Another new song, "The Turning" sounds excellent. The main riff, chord sequencing, rhythm - and the slow coda - make this a finely-crafted composition. The haunting beat from the outset creates an intoxicating sound. A truly memorable riff weaves its way through the song and make it impossible to remain still until the coda. A coda which is soft, beautiful, and gets large cheers from the audience.

Pete in full flow

Robin's Set List

The people I spoke to post-concert agreed this was one of the finest performances by Robin, Davey, Pete and Glenn they had witnessed. A great set list enabled Robin to ply his exceptional monster bends, licks, and classic vibrato with incredible energy for the whole concert. At 65, Robin deserves high praise for continuing to create music and play guitar at a level second to no other living guitarist.

Davey's singing was top notch and the sound mix was great for the audience. Pete's heart, soul and finesse shone in his drumming and Glenn's funky bass lines were a revelation. A truly superb performance by Robin and the band which produced many great musical moments to cherish. "Daydream" was the icing on the cake.

Postscript: The venue was great and all the staff were friendly and supportive. This helped to make the concert superb and unforgettable.

Davy Smith, Alan Howard, Ronnie Kerrigan (post concert)

trowerpower.com

 

Robin Trower Official Youtube Channel 

Robin Trower at: Amazon

CD Review: Robin Trower - A Tale Untold: the Chrysalis Years 1973-1976 [3 CD Box set] - Release Date: July 26, 2010

A 3 CD Box Set containing Robin's five Chrysalis albums released between 1973 -1976 [including bonus tracks: B-sides; previously unreleased tracks] was released on 26 July 2010.

Robin Trower fans will have most of the tracks on vinyl, CD and MP3. However, the collection is a valuable insight into the songwriting, music and superb guitar playing of Robin Trower. The recordings highlight the exceptional vocals of James Dewar which were important in the creation of so many musical  masterpieces. Jimmy's ability to compose strong lyrics, and his musical bass playing, are on clear display. 

The drumming styles and techniques of the late Reg Isadore and Bill Lordan smoothly integrate into the song structures and provide a hypnotic rhythmic feel which make the songs timeless and unforgettable.

The essential message is that the songs on this selection capture a musician and guitar player at the top of his game creating music which is compulsive listening from start to finish. Each track sounds remarkably fresh rather than jaded. Few artists or bands - past, or present - deserve this accolade.

I am still taken aback by the soulful vocals of James Dewar. They have a deep spiritual dimension which take hold of the listener the way sunlight takes hold of each flower, each tree, all things on this earth: life enhancing and breathtaking.

The end result is music of high quality, lyrical, other-worldly, passionate, and memorable. Each melody, guitar solo, lyric, remains woven in my memory, and provides a river I can bathe in, as I wish.

Rock and blues at its finest.

CD 1
  1. I Can’t Wait Much Longer (2010 Digital Remaster)
  2. Daydream (2010 Digital Remaster)
  3. Hannah (2010 Digital Remaster)
  4. Man Of The World (2010 Digital Remaster)
  5. I Can’t Stand It (2010 Digital Remaster)
  6. Rock Me Baby (2010 Digital Remaster)
  7. Twice Removed From Yesterday (2010 Digital Remaster)
  8. Sinner’s Song (2010 Digital Remaster)
  9. Ballerina (2010 Digital Remaster)
10. Take A Fast Train (B-side of ‘Man Of The World’) (2010 Digital Remaster)
11. Day Of The Eagle (2007 Digital Remaster)
12. Bridge Of Sighs (2007 Digital Remaster)
13. In This Place (2007 Digital Remaster)
14. The Fool And Me (2007 Digital Remaster)

CD 2
  1. Too Rolling Stoned (2007 Digital Remaster)
  2. About To Begin (2007 Digital Remaster)
  3. Lady Love (2007 Digital Remaster)
  4. Little Bit Of Sympathy (2010 Digital Remaster)
  5. Day Of The Eagle (Single Edit) (2010 Digital Remaster)
  6. Shame The Devil (2010 Digital Remaster)
  7. It’s Only Money (2010 Digital Remaster)
  8. Confessin’ Midnight (2010 Digital Remaster)
  9. Fine Day (2010 Digital Remaster)
10. Alethea (2010 Digital Remaster)
11. A Tale Untold (2010 Digital Remaster)
12. Gonna Be More Suspicious (2010 Digital Remaster)
13. For Earth Below (2010 Digital Remaster)
14. Too Rolling Stoned (Live) (2010 Digital Remaster)
15. Daydream (Live) (2010 Digital Remaster)
16. Rock Me Baby (Live) (2010 Digital Remaster)

CD 3
  1. Lady Love (Live) (2010 Digital Remaster)
  2. I Can’t Wait Much Longer (Live) (2010 Digital Remaster)
  3. Alethea (Live) (2010 Digital Remaster)
  4. Little Bit Of Sympathy (Live) (2010 Digital Remaster)
  5. Same Rain Falls (2010 Digital Remaster)
  6. Long Misty Days (2010 Digital Remaster)
  7. Hold Me (2010 Digital Remaster)
  8. Caledonia (2010 Digital Remaster)
  9. Pride (2010 Digital Remaster)
10. Sailing (2010 Digital Remaster)
11. S.M.O. (2010 Digital Remaster)
12. I Can’t Live Without You (2010 Digital Remaster)
13. Messin’ The Blues (2010 Digital Remaster)
14. Long Misty Days (7″ Edit) (2010 Digital Remaster)
15. Let Me Be The One (Outtake/B-side to ‘Long Misty Days’) (2010 Digital Remaster)

I'm pleased this is not an anthology. A Tale Untold mirrors the extraordinary gift Robin Trower has to produce music that is magical, exhilarating and which is capable of raising the human spirit on each hearing. For that, I remain thankful.

Track samples and order available at: Amazon

Link to articles about Robin on Your Way To Music: Robin Trower

http://www.trowerpower.com/

Album Review: "Valleys of Neptune" - Jimi Hendrix - Released March 2010

Everyday in the week I'm in a different city
If I stay too long people try to put me down
They talk about me like a dog
Talkin' about the clothes I wear
But they don't realise they're the ones who's square

                                                                  - Jimi Hendrix

I'm always cautious of posthumously released material from any artist. This album, however, confirms that Jimi Hendrix's music and art still has power, a story to tell, and will resonate for generations to come.  Jimi's premature death in London on Friday, September 18, 1970 sadly deprived the world of a musical genius.

While Jimi's career lasted less than four years, his music and guitar playing remain inspirational, unique, soulful, and relevant. Jimi pushed the boundaries of music creation, guitar playing, and performance to a limit which has never been surpassed by any other musician. Jimi remains the greatest, most innovative, and iconic guitarist of all time.

Eddie Kramer engineered most of Jimi's authorized recordings from Are You Experienced? to Hendrix in the West, and I'm glad to see he's involved in producing this album, together with John McDermott.

Track Listing:

Stone Free

Recorded: Record Plant, New York, April & May 1969

Vocal, Guitar: Jimi Hendrix

Bass: Billy Cox

Drums: Mitch Mitchell  

This reworking of "Stone Free" is intriguing for the hypnotic rhythmic variations Jimi uses to drive the song. The use of sliding octaves, pull-offs, string bending and Jimi's inventive approach to playing segments of songs differently throughout the recording enrich the take/recording. Jimi's vocals and phrasing are beautiful. His guitar tone is incredible. Words can't describe his explosive solo - full of melodic expression, passion, fire. Billy Cox's bass playing and tone is refreshing. I'm not surprised this is the first track on the album. The recording flows and Jimi sounds at ease and inspired.

Valleys Of Neptune

Recorded: Record Plant, New York, September 23, 1969; May 15, 1970

Vocal, Guitar: Jimi Hendrix

Drums: Mitch Mitchell

Bass: Billy Cox  

Beautiful chords, melody and Jimi in fine vocal form. It's such a great song that the absence of a solo, or further guitar parts, overdubs are not missed. The track has a transcendental feeling and is testament to Jimi's artistic gifts and his development as a songwriter. Love the fadeout.

Bleeding Heart 

(Elmore James)

Recorded: Record Plant, New York, April 24, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Billy Cox

Drums: Rocky Isaac 

This up-tempo version of " Bleeding Heart" is a revelation. Jimi's singing and rhythm playing are only eclipsed by his electrifying solos; his use of wah is electrifying. Jimi and Billy dig deep into their R&B and blues roots to create an exceptional sound, vibe. A wonderful track.

Hear My Train A Comin'

Recorded: Record Plant, New York, April 7, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

The definitive version remains the superb 'live' version recorded/filmed at the Berkeley Performance Centre, California, on May 30, 1970. However, this version is also memorable. The soloing is a source of tremendous melodic inventiveness. Also, Jimi incorporates some scat singing. Great bass and drum sound. 
 

Mr Bad Luck (Look Over Yonder)

Recorded: Olympic Studios, London, May 5, 1967

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

The driving rhythm ensures a memorable musical journey.  In addition to some clowning from Jimi his soloing is magical, upbeat and inspired -  'See that? - I've just broke a guitar string.' While it is well documented Jimi was a perfectionist this track still sounds exceptional.

Sunshine Of Your Love
(Jack Bruce/Pete Brown/Eric Clapton)

Recorded: Olympic Studios, London, February 16, 1969

Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

Jimi's energetic version of Cream's "Sunshine of your Love" shows the breadth of his inventiveness. It makes the original version by Cream seem pedestrian, even though it remains an iconic song with a memorable riff.  While this version elapses into an elongated jam it still retains an infectious rhythm which tends to drag you in. A great groove.

Lover Man

Recorded: Olympic Studios, London, February 16, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

Slow version of this song enhanced by a great sound from the bass and drums. Great fill-ins and soloing by Jimi. The outro solo evolves into a free form jam full of superb licks and melody. Evidence, if needed, of Jimi's creative potential during spontaneous jam sessions in the studio. 

Ships Passing Through The Night (Night Bird Flying)

Recorded: Record Plant, New York, April 14, 1969

Guitar, Vocals: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

Engaging riffs, rhythms, melody and rendition of a song which shows great potential. Again, beautiful soloing. Despite its failings this song still contains the seeds of something beautiful: Night Bird Flying. Jimi's solo performance at the coda of the song highlights his prodigious talent and guitar magic.

Fire

Recorded: Olympic Studios, London, February 17, 1969

Vocal, Guitar: Jimi Hendrix

Bass & Backing Vocals: Noel Redding

Drums: Mitch Mitchell 

Difficult to improve on the 'live' version included on The Jimi Hendrix Concerts CD released in 1990 - truly an incendiary performance - great drumming by Mitch Mitchell, and Jim's guitar playing is stratospheric. This version still contains some great playing. What the atmosphere was like in the studio is/was only known by a few individuals.

 

Red House

Recorded: Olympic Studios, London, February 17, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

A 'live' performance favourite and one of the greatest blues songs composed. A launching pad for Jimi to give a strong vocal performance and show his soloing and improvisation skills.

Lullaby For The Summer (Ezy Rider)

Recorded: Record Plant, New York, April 7, 1969

Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

An instrumental which evolved into "Ezy Rider". This version contains some tantalizing moments. It displays the development of a song. The composition has a great groove and riffs over which Jimi improvises. Which take is this? How many patterns were changed? Was the band in disarray? I don't know, and frankly, I don't care. The music speaks for itself.

Crying Blue Rain (Blue Window)

Recorded: Olympic Studios, London, February 16, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

A slow blues that morphs to a faster groove. The band are jamming and Jimi colours the instrumental with beautiful chord voicings and licks.

The album is well produced and most of the tracks highlight a genius at work. Even though marred by patches of weakness there is creativity and passion in the raw material, and - more importantly - honesty.

Jimi Hendrix was a human being - not a god - whose unique personality continues to shine through in his music, lyrics and guitar playing. To rise from a poverty-stricken background, to be black, left-handed, shy, and become a musical genius - always evolving, taking risks - and conquer the musical world, is testament to Jimi's perseverance amid a myriad of unwanted distractions and pressures.

This album - while imperfect - is testament to the creative mind of an exceptional artist who will be remembered as long as music exists.

Further details at Amazon

Jeff Beck - UK Tour 2010 & New Album: Emotion and Commotion (Release Date: April 2010)

Jeff Beck will be touring extensively in 2010 to promote his new album and is playing a string of UK shows in October 2010 culminating in a show at the Royal Albert Hall, London.

The line-up of his new band will include bassist Rhonda Smith (played with Prince and Little Richard); keyboard player Jason Rebello (CV includes stints with Sting and Chaka Khan); and drummer Narada Michael Walden (a Grammy Award-winning producer who worked with Beck on the 1976 album Wired).

Sorry to hear Tal will not be participating in Jeff's 2010 world tour because of scheduling issues. Jeff's loss, and, to me, Tal will be missed from the line-up, as will Vinnie. The Tal Wilkenfeld Quartet featuring Tal, Vinnie Colaiuta, John Beasley and Oz Noy will headline Berklee College Of Music's WesFest 5 benefit at the Roxy in L.A. on February 28th.

UK Tour Dates:

Oct. 15: Bournemouth BIC

Oct. 16: Brighton Centre
Oct. 17: Birmingham Symphony Hall
Oct. 20: Glasgow Clyde Auditorium
Oct. 21: Manchester Apollo
Oct. 22: Sheffield City Hall
Oct 24: Bristol Colston Hall
Oct. 25: Cardiff St. David’s Hall
Oct. 26: London Royal Albert Hall

Jeff's new album is due to be released on April 13, 2010. 

Disc 1: Studio
1.“Corpus Christi Carol”

2.“Hammerhead”
3.“Never Alone”
4.“Somewhere Over The Rainbow”
5.“I Put A Spell On You” - featuring Joss Stone
6.“Serene”
7.“Lilac Wine” - featuring Imelda May
8.“Nessun Dorma”
9.“There’s No Other Me” - featuring Joss Stone
10.“Elegy For Dunkirk” - featuring Olivia Safe

Disc 2: (bonus DVD - six live tracks from Jeff's 2007 Crossroads performance)
1. Stratus
2. Behind The Veil
3. Nadia
4. Big Block
5. Brush With The Blues
6. A Day In The Life

Hopefully, Jeff will find time during the tour to play at the Ulster Hall, Belfast. The reception Jeff and his band received the last time - 30 June 2009 - was exceptional, as was the performance.

Jeff Beck to play London O2 Arena with Eric Clapton - 13 & 14 February 2010

Jeff and Eric will take to the stage at the O2 Arena on 13 & 14 February 2010 to each play a retrospective set followed by a joint performance.

Jeff Beck said the two "had a blast" playing together in Japan, while E.C. heaped praise on his friend. "I've always considered Jeff to be one of the finest guitar players around. He's a friend, a great guy, and a truly gifted musician. We had such a fun time in Japan that it seemed natural to play together again."

Tickets for the O2 Arena gig go on sale on 28/9/09.

No doubt this project will prove beneficial and a success for both Jeff and E.C. I prefer to see Jeff playing on stage with his own band for the whole show. We are all exceptional cases, of course. I must confess I find Eric's appearance the only low-point on the DVD, "Jeff Beck: Performing This Week - Live At Ronnie Scott's" which tends to make the CD a bit special.

Double8Tickets was selling tickets cheap [sic] if you had the cash. When musicians you admire charge such high prices for a concert, and in the throes of an economic recession, you begin to wonder. The blame doesn't reside solely with "independent ticket brokers" ...

Arena Floor - (Block A) VERY FRONT ROW - £795.00!

Arena Floor - (Block A) - £395.00!

Who's that with long hair and white shirt - centre stage - enjoying the show? Ronnie Kerrigan? Surely not?