Showing posts with label Rory Gallagher. Show all posts
Showing posts with label Rory Gallagher. Show all posts

Monday, August 24, 2015

Taste: What's Going On - Live At The Isle Of Wight Festival 1970 - Release Date: 18 September 2015 (DVD, Blu-ray, Vinyl & CD), I'll Remember (Taste: Four CD Box Set) & The Final Split

Rory Gallagher's comprehensive story is finally being brought up to date. I'm pleased that Taste's performance at the The 1970 Isle Of Wight Music Festival is being released on DVD, Blu-ray, double-disc vinyl & CD formats on 18 September 2015. Any review of Rory's life, music and unique guitar playing would remain imbalanced and incomplete without footage of the seminal and inspirational music Rory created and performed at the outset of his career with Taste. I was fortunate at sixteen years old to be at the festival with my older brother and witness Taste's performance. From the opening riff of "What's Going On" Rory and Taste (Richard McCracken on bass and John Wilson on drums) had the crowd enthralled.
The extraordinary power, dynamism and breathtaking improvisation created by Taste, and Rory's magnificent and emotional guitar playing, was a shot in the arm - mid-afternoon - after some uninspiring performances from preceding artists. Taste were buoyant and their stellar performance generated a spirited and sincere rapport with the large crowd. Each song of their set was followed by a storm of applause. I'm disappointed that no footage of Taste performing 'I Feel So Good' is available. Rory's innovative and singing guitar sound reached a 'peak' on this song during their performance. Moreover, the bass and drum solos by Richard McCracken and John Wilson are sadly absent from the film. The fact that the tracks asterisked below contain incomplete, duplicated, or mostly crowd footage during the performance is also a disappointment.   

 Tracklisting DVD / Blu-Ray
What’s Going On
Sugar Mama
Morning Sun*
Gambling Blues
Sinner Boy
Same Old Story*
Catfish Blues

Tracklisting CD / Vinyl
What’s Going On
Sugar Mama
Morning Sun
Gambling Blues
Sinner Boy
I’ll Remember
I Feel So Good
Catfish Blues
Same Old Story
Blister On The Moon 

Fans of Taste and Rory Gallagher will welcome the bonus features which include a film on the history of Taste and three tracks from the German TV series Beat Club: 'Morning Sun', 'It’s Happened Before, It’ll Happen Again' and 'If The Day Was Any Longer.' I believe, however, that the P3 music promo videos for 'I’ll Remember', 'What’s Going On' and 'Born On The Wrong Side Of Time' are artistically banal in visual & narrative style, and, instead of enhancing the music, get in the way of it.


The successful performance of Taste at the Isle of Wight in 1970 established Rory Gallagher as a prodigious talent and a charismatic and passionate guitar player. Just as the popularity and fame of Taste was increasing with audiences, record buyers and critics, only an "inner circle" knew that the atmosphere within the blues/rock trio and its management was beset with dissatisfaction and sustained tensions. Given that Taste were still producing memorable live performances, receiving rave reviews in the music press, most of their fans had no knowledge, or reason, to think that disharmony was tearing the group apart. 

Rory was just twenty two years old in 1970. Taste had achieved considerable success in Europe and were attracting a growing audience with each passing gig and day. I remember reading the cover of Melody Maker in September 1970 and trying to take in the shock announcement: "TASTE SPLIT". What had caused the early disintegration of a supreme rock and blues trio led by Rory Gallagher, a rare talent and musical genius?
 
The vast majority of Rory's fans were not privy to the anxieties and problems that beset Taste, their management, agents, record company, or the mindset of group members on the cusp of success. What I do know is that the unpredictable demise of Taste ended with a short lap of honour which included concerts in Belfast and Dublin. The music and magic were still present. Fans watched and listened to "three" gifted musicians playing to the point of physical and emotional exhaustion.

The burden of leading a band brings great physical and psychological demands and can be exhausting to a passionate, sensitive artist whose own life places great value on integrity, honesty and commitment. I'm just glad that Taste existed and, in Rory Gallagher, produced a genuine musical legend who played in his own unique style with grace and passion, and enriched the lives of so many people worldwide. Moreover, Rory remains an inspiration for successive generations of guitar players. Daniel A. Muise's book: 'Gallagher, Marriott, Derringer and Trower: Their Lives and Music' provides, through interviews, a kaleidoscope of memories of Rory's life, music, and premature death which, at times, is difficult to read without experiencing profound sadness.

A four CD Box Set titled I'll Remember containing 'remastered' versions of Taste's studio albums Taste and On The Boards (as well as bonus tracks) will be released on 28 August 2015. The box set contains previously unreleased 'live' recordings from Stockholm’s Live at Konserthuset (1970), "Off-Air" recording at the Paris Theatre, London (1970) which includes blistering and dynamic renditions of 'I'll Remember' and 'Railway and Gun', and the Woburn Abbey Festival (1968); also, demos recorded in Belfast (1967) and sleeve notes with rare and previously unseen photographs. I'm thankful to have the 'original' vinyl albums of Taste I purchased in Belfast in the late '60s and early '70s and which still take 'pride of place' in my record collection. 
I believe that Rory Gallagher's musical career, at times, lost impetus and direction (similar to all established musicians), and his singing voice periodically wavered in its emotional resonance (due in part, to relentless tour schedules, long set lists, and the impassioned and organic nature of each performance). Sadly there was never to be the likelihood of Rory performing, during his solo career, any of the classic, timeless songs he composed and recorded with Taste which still touch the emotions in profound and unexpected ways.    

Re-issuing and re-packaging Rory's music is to be welcomed and will undoubtedly attract new listeners to his music and guitar playing. Words cannot do justice to Rory's looser live performances where the magic and the music really happened.

Wednesday, November 30, 2011

DVD & CD Review: Rory Gallagher - 'Ghost Blues (The Story of Rory Gallagher)' & 'The Beat Club Sessions' - Release Date: 20 September 2010

A two-disc DVD titled Ghost Blues and The Beat Club Sessions was released on 20 September 2010 to celebrate the life and work of Rory Gallagher. While Rory was a consummate, charismatic, passionate musician and performer, I disagree with those who believe Rory never made a 'definitive' studio album. I still have fond memories of his first solo album Rory Gallagher (1971), his second album Deuce (1971), and Against the Grain (1975). Quite outstanding albums: full of diverse, remarkable songs; proof that Rory was a guitarist and songwriter of the first order.

Disc One: 'Ghost Blues'
The Story Of Rory Gallagher

The interviews with The Edge and Bill Wyman are interesting and engaging. Most of the concert footage will be known to Rory's many fans. The documentary contains little of Rory's early childhood, his favourite novels, films, how he relaxed, etc. It is sad that Rory is no longer alive to write an autobiography covering his life, personal vision, ambitions and music. Hearing it second-hand from some individuals who barely knew Rory, is, to say the least, disappointing.

Disc Two: 'The Beat Club Sessions'

I remember first hearing 'For The Last Time' on the radio one night in 1971. It was the initial track I heard of Rory's first 'solo' album. The track had an atmospheric pulse, wonderful bass sound and patterns. However, it was Rory's singing, guitar tone and potent soloing which held my attention. He seemed to be pushing himself to the limit with each passionate phrase and revealing fresh depths to his playing and song writing.

The level of inspiration, songwriting and musicianship throughout the album is exceptional. Five songs: 'I Fall Apart', Hands Up', 'For The Last Time', 'Can't Believe It's True', and 'Laundromat' are extraordinary songs: strong melodies and superb soloing on guitar and saxophone.

The early seventies, without doubt, opened up a new phase of creative songwriting and guitar playing for Rory. I just wish that 'live' versions of 'I Fall Apart', 'For The Last Time', Can't Believe It's True', and 'There's A Light' had been included in this package.

Another session during this period may have delivered these songs. Anyhow, there are many highlights to enjoy, and the version of 'Messin’ With The Kid' is a remarkable climax to the recordings. Rory's music still glows with unflagging integrity, spirit and passion. Not all professional musicians can say that and be taken seriously.

Track List
  1. Laundromat
  2. Hands Up
  3. Sinnerboy
  4. Just The Smile
  5. Used To Be
  6. In Your Town
  7. Should’ve Learned My Lesson
  8. Crest Of A Wave
  9. Tore Down
  10. Pistol Slapper Blues
  11. I Don’t Know Where I’m Going
  12. Going To My Hometown
  13. I Could’ve Had Religion
  14. McAvoy Boogie (?!)
  15. Hoodoo Man
  16. Messin’ With The Kid

A package worth it just for the 'live' footage of Rory from The Beat Club. An outstanding tribute to a gifted musical artist. Difficult to watch without tears of admiration for a genuine musician who played with so much heart, warmth and intensity.

Thursday, October 06, 2011

Concert Review: Robin Trower - The Caves, Edinburgh - 25 September 2011


Some artists sound much the same from one gig to the next; playing songs 'note for note' as per the recorded versions. With Robin (as with Jimi Hendrix and Rory Gallagher, whom I both still idolise) no two concerts are the same regarding the length of songs and instrumentals, or the level of colour or mood they radiate to the audience. Robin's playing remains fluid, improvisational, and each concert represents a concert without precedent.

Tonight Robin is playing The Caves: a venue hard to find, but once you do, is truly an amazing place. The fact it is underground, a windowless cave with low lighting, brick walls, make for an intimate atmosphere, ideal for music, live or otherwise. The low stage, however, can make it difficult for some fans to see the group properly during the performance. Robin is joined on stage tonight by Richard Watts (bass and vocals) and Chris Taggart (drums).

 Richard Watts

From the opening number "Confessin' Midnight" I'm pleased to see how each musician commands the stage, and unify to deliver powerful, emotionally expressive, fresh versions of some of Robin's greatest songs. Robin seems genuinely delighted to be performing with this line-up, occasionally lighting his face with a warm smile. As Robin feeds of the response and affection of the audience I'm sure there are moments tonight when he feels overwhelmed.

On "Lady Love" Richard's vocals confirm he has progressed to be a strong, dynamic singer. He sang the lyric with total conviction; a blend of passion and freshness, while delivering a deep, strong bass line. Some of the audience - including myself - felt, at times, Richard's bass was too low in the mix. The energy level of the band, however, was high and they delivered expressive, inspirational versions of "Somebody Calling" and "For Earth Below." Richard and Chris creating deep, rich grooves for Robin to play his guitar with freedom, imagination, and in his own phenomenal style. The band played a song I haven't heard before: "When I Heard Your Name" which confirms Robin remains a prolific, creative musician.   

Chris Taggart

Chris Taggart is a revelation on drums, adding colour, texture and driving rhythm grooves which weave into phrases that create a rich, colourful backcloth that Robin can solo over with intense creativity. His cymbal work is an integral part of his fine and subtle performance. The musicianship of Richard and Chris combine to provide a new dimension and sound to Robin's music; creating an hypnotic, spellbinding atmosphere.

Some fans are perturbed and mystified to find that Robin is playing tonight with a new rhythm section. Personnel changes - especially in a trio - can blend to create a change in musical colours, expressions, patterns, and make it sound completely fresh. The overall impression is that this rhythm section are perfect for Robin at this time, and he is clearly inspired by the new combinations of sound. Meanwhile, only Robin knows what the future holds regarding his musical direction, and the musicians he will use to bring his creative ideas to life.


Robin's set list tonight confirms he prefers to play the old songs, but in the studio he continues to record an extensive range of fresh material. During the last three years he has released three CDs: Seven Moons (2008), What Lies Beneath (2009), and The Playful Heart (2010). Of the three recordings I believe What Lies Beneath is a true "Classic". Each fan has their favorite Robin Trower albums and tracks. I would like to see Robin revolutionize his set list by including songs such as: 'Into Dust', 'Blue For Soul', 'This Old World' (great riffs & vibe), 'Living Out of Time' (a classic track), 'I Can't Wait Much Longer' and tracks from What Lies Beneath.


Robin, Richard and Chris play a rousing version of "Day of the Eagle" which flows softly into "Bridge of Sighs". At times, I close my eyes to listen to the music flowing from the stage. Whether mid-tempo, or slow, it sounds unified, fresh, spiritual, mood altering. As if time has slowed down. Richard's vocals ring out throughout the venue, and the sound of the guitar, bass and drums pulsate, weave patterns, and make that vital connection with the crowd. While I believe "The Turning" is a good song the change to a slower tempo at the coda doesn't enrich the composition. In fact, it negates the intensive flow and driving rhythm the song generates in the first place. The song still goes down well with the crowd.

 

Someone asks me tonight why Robin's music affects me the way it does? Simple words can't describe the feelings one gets when one finds music that really matters to you, whether it is recorded or live. Robin's music and guitar playing remain embedded in my mind to be accessed when needed; still touching and moving me today as much as yesterday. Long may Robin continue to compose songs and music of substance, record, tour, and reach people with his musical talent.


Robin's guitar pick & set list

There's definitely a strong case for Robin to tour the UK/Europe & US in 2012 with this line-up (other commitments permitting). They are engaging, lively, superb musicians. In conversation with fans (post concert) most agreed tonight's concert had been a revelation; that Robin and his band looked and sounded energized, driven, and give a high octane performance. In essence, the stage pulsated with talent tonight, and credit is due to Robin, Richard and Chris for their contributions.


After the concert it was a pleasure to meet "long-time" Robin Trower fan Davy Smith again; Laurie Brace (Road Manager/Sound Engineer for Robin Trower), Chris Taggart, Robin Trower's drummer, and other Trower fans whose names I unfortunately forget. The conversation was memorable as was the concert. The talents of the late Jimmy Dewar, Davey Pattison, Pete Thompson, Dave Bronze, Glenn Letsch, the late Rory Gallagher (and other musicians) brought forth fond memories of gigs in Belfast, Edinburgh and Glasgow. Also, favourite songs and albums. A wondrous night, indeed.


Tuesday, October 04, 2011

1970 Isle of Wight Music Festival Exhibition (40th Anniversary) - Swansea Museum (17/09/11 - 31/12/12) - Jimi Hendrix & Rory Gallagher (Taste)


An exhibition of circa 100 rarely seen photographs of the 1970 Isle of Wight Music Festival are on display at Swansea Museum from 17 September until 31 December 2011. The images include Jimi Hendrix, The Who, Rory Gallagher (Taste), Jethro Tull, Miles Davis, Leonard Cohen, et al. The photographs were taken by Charles Everest.

At the Festival Charles Everest was in charge of press liaison which give him the opportunity to take photographs of the performers - not only on stage - but behind the scenes, giving him a unique perspective of the event. I was fortunate to be at this amazing festival with my brother. It is heartbreaking to reflect on the number of remarkable musicians who played at the event and have since died.



Wednesday, September 02, 2009

CD Review: Crest of a Wave - The Best of Rory Gallagher (Release Date: 25 August 2009)


I'm not a fan of compilation CDs or DVDs whether the artistic form is rock, blues, or classical music. It brings out the worse in those involved in the music business: record companies, managers and marketers. In essence, everyone except the artists who created and recorded the music in the first instance. This is not the first compilation to be made using Rory Gallagher's name or 'brand'.

The Best Of Taste - Amazon - (16 tracks)



This current double disc highlights Rory's tremendous musicianship, outstanding guitar playing and artistic passion. In the music business these attributes do not always equate with happiness and success. Rory was a cult hero to his fans. In fact, Rory attracted extraordinary affection and warmth; a mutual bond with his audience which few musicians attain throughout their career. While Rory always pushed himself to the limit on stage, I believe he never reached the pinnacle of success he sought, or deserved. It takes a rare talent, courage and extreme energy to create the music, sing the songs, play the guitar, and to be the main focus of a band over decades.

CD Tracklisting  

I'm thankful that Rory received a degree of success. It must be hard to survive in the music business without moments of despair, and the mental and physical exhaustion that comes with creativity and the pressure of live performance.

It's great for Rory's many fans that the Internet exists. Sites such as YouTube and Rory Gallagher's official website enable individuals to share footage of Rory and Taste in concert. New listeners can explore Rory's outstanding musical talent on videos posted by his many fans worldwide. The live performances capture a phenomenal guitar player who was truly inspired on stage. And who took his audience with him to indescribable heights of elation during each concert.