Showing posts with label Jeff Beck. Show all posts
Showing posts with label Jeff Beck. Show all posts

Saturday, April 05, 2014

Jeff Beck: New Band, New Three-track CD "Yosogai", UK/Ireland Tour Dates 2014, Rolling Stone Magazine Interview & "Hammerhead" (Live in Tokyo)


The next phase of Jeff Beck's musical career and vision incorporates changes to the personnel in his band. On his refreshed website Jeff reveals his wish to explore unique and fresh musical territory. Rehearsals, recording, and recent 'live' performances feature an interesting line-up of musicians: Rhonda Smith on bass, Jonathan Joseph on drums, Lizzie Ball on violin, and Nicolas Meier on guitar.

Jeff's follow up album to Emotion & Commotion (released in April 2012) has still to be finalised and a release date announced. However, to mark the beginning of Jeff's World Tour in Japan a three track CD titled Yosogai was released on 5 April. The tracklisting includes: "Loaded," "Why Give It Away" (featuring Sophie Delila), and "Danny Boy" (featuring Imelda May - recorded live at The Moody Theater, Austin, TX). Click on the album cover to listen to track samples.
http://www.cdjapan.co.jp/product/WPCR-15682

As part of his forthcoming 'World Tour' Jeff and his new line-up will play seven shows in the UK & Ireland. 

UK/Ireland Tour Dates 2014

13 May - Southend Cliffs Pavilion, Southend
14 May - Royal Albert Hall, London
16 May - Colston Hall, Bristol
17 May - New Theatre, Oxford
19 May - Bridgewater Hall, Manchester
20 May - Symphony Hall, Birmingham
21 May - Olympia Theatre, Dublin

I'm surprised that Jeff's 'new' band has a second guitarist albeit of the caliber of Nicolas Meier. No doubt Nicolas' guitar style and inventiveness will prove fruitful during the rehearsal and recording stages. I prefer Jeff with a rhythm section of drums, bass and keyboards - a line-up sound that has a different voice. One that suits Jeff's lyrical, graceful and compelling guitar virtuosity. 

I hope the music on the forthcoming album is inspirational and emotive and meets Jeff's expectations of producing a distinctive sound. Jeff recently talked to Rolling Stone magazine about the new album, his collaboration with Brian Wilson and the possibility of working with Jimmy Page.



Saturday, June 08, 2013

Beth Hart & Jeff Beck perform "I'd Rather Go Blind" at the 35th Annual Kennedy Center Honors 2012 for Blues Legend Buddy Guy


Jeff Beck has been one of Beth Hart’s most ardent supporters for years and asked her to sing with him at the 35th Annual Kennedy Center Honors held in December 2012. They performed the Etta James classic “I’d Rather Go Blind” as part of a musical tribute to honour the blues legend, Buddy Guy. The recording speaks for itself. In fact, Beth's rendition of the song is indescribable.

This video from the concert is one of the greatest recordings of a female vocalist singing live I have experienced. The rapport between Beth, Jeff, the band, and the audience is close, immediate and emotional. If it doesn't bring a tear to your eye I would be surprised.

 



Monday, April 30, 2012

Jeff Beck announces New Band & Album, Performing on 'SNL' (19/05/12) with Tal Wilkenfeld, Vinny Colaiuta & Mick Jagger. Also, with Sir Mick at The White House (21/12/12) performing 'Commit a Crime'


Some musicians find it hard to keep a group together and have to engage backing musicians who are sometimes not as good as their predecessors. Jeff Beck seems to attract the crème de la crème with each new project. Jeff has recently formed a new power-trio following a period of universal critical acclaim touring his Emotion and Commotion album, and numerous awards culminating in the 'Living Legend Award' at the '2011 Classic Rock Awards' at London’s Roundhouse in November.

Jeff's upward spiral in status as a musician, guitar player and innovator are, in part, due to his fans, the response of audiences, record buyers, the superlative musical talent of members of his group(s), critical acclaim, musical awards and management.

His musical vision and exploration for a fresh sound within the power-trio format culminates in Narada Michael Walden being replaced on drums by Veronica Bellino, who will record and tour with Jeff and bass player, Rhonda Smith, in 2012.



I hope the recordings produce an album hailed as innovative and imaginative, and reveal fresh depths to Jeff's guitar playing and music. No doubt Jeff opened a highly creative and productive phase with the four-piece unit incorporating Tal Wilkenfeld (bass), Vinnie Colaiuta (drums) and Jason Rebello (keyboards). Numerous recorded and filmed performances are testament to the inspired music created; the qualities of classic, precision and eloquence, come to mind.

I admit to disappointment when Jeff announced a new touring band in 2010: Narada Michael Walden (drums) and Rhonda Smith (bass) to join Jason Rebello on keyboards. It proved, however, to be a successful collaboration. The music - like the rhythms - changed, as did the performances. Jeff is, once more, seeking out new creative territory. I trust it proves successful, both musically and emotionally. Finally, it would be great to see Jeff reuniting with Tal & Vinny for an album and tour.




Monday, January 10, 2011

'Concert for Killing Cancer' - Hammersmith Apollo, London - 13 January 2011


A charity fund-raising concert will be held at the Hammersmith Apollo, London, on 13 January 2011. The current line-up includes The Who, Jeff Beck, Richard Ashcroft, Debbie Harry, and Bryan Adams.

The event is being organized by promoter Harvey Goldsmith and Bill Curbishley, manager of The Who and Robert Plant. The concert will raise funds to benefit the Killing Cancer charity, specifically, to raise awareness of Photodynamic Therapy (PDT). 

The inspiring commitment and generosity of those involved in making the event feasible - Harvey G. and Bill C., the artists, the Hammersmith Apollo, and others - are to be warmly applauded. Their vision and passion will ensure valuable funds are raised for cancer research.

I am attending the concert and hope to write a review.

Harvey Goldsmith - News & Press Release 15/11/10

Tuesday, November 02, 2010

Concert Review: Jeff Beck - Brighton Centre, Brighton - 16/10/10


Concerts this inspiring don't come along too often. Some guitarist's flaunt their technical skill with fast playing, fast tempos, clichéd licks, have little interaction with their fellow-musicians on stage, and forget they are supposed to connect truthfully and emotionally with their audience. I see no point in grading guitar players as better or worse among themselves. The concept of who is/was the 'best' guitarist seems vacuous to me. All 'great' guitar players are born with a gift and I respect their genuine differences.

I guess Jeff's music and playing has a deep meaning for me and makes a genuine difference to my life; similar to other musicians I admire. Tonight, Jeff and his band exceed my expectations and give a performance rich in sound, delivery, creativity, emotion and inventive agility. When you watch and listen to Jeff playing live you hear each note he plays, the melody, the music. He constantly moves about the stage as if searching for fresh inspiration, new sounds.  His movements fixate the audience's attention. Tonight, Jeff shows breathtaking dexterity on the guitar in a wide range of musical styles. His excellent band never waver during the performance; kicking rhythmically in unison on each song while highlighting their individual artistic prowess.


From the opening track "Plan B" of the Jeff album (2003) it is evident this concert holds no false promises. The sound balance and Jeff's guitar tone are excellent. Also apparent is Jeff's willingness to give his group room to highlight their exceptional individual musicianship. When "Plan B" fully kicks in - an electronic, funky, haunting mix of beauty and steel - it enables Jeff to fire his powerful turbine of riffs over Rhonda's powerful, funky, bass lines, Narada Michael Walden's colourful, intuitive drumming, and Jason's exceptional, rich-sounding keyboard playing.

"Corpus Christi Carol" was as captivating and atmospheric 'live' as on the Emotion and Commotion CD, which didn't surprise me. What surprised me was that it didn't seem out of place on the set list. In fact, it sounded simultaneously mysterious and wonderful. If you were still enough, and concentrated on the music, the musicians, you felt part of it. A magnificent tenderness. The mood takes a powerful turn when Jeff hits the wah-wah pedal for the intro to "Hammerhead", a track that burns with passion, amazing soloing over hypnotic rhythms and riffs. Magical music with power and energy.

Jeff's rendition of "'Mná na h-Éireann" (Women of Ireland) composed by Seán Ó Riada, was moving and breathtaking. Jeff's soloing, on this song, was one of the highlights of the concert, as was Rhonda's bass solo. I prefer the 'live' version without violin. It felt, to me - and the audience, by their reception at its conclusion - that Jeff and the band delivered a haunting, evocative, and unforgettable version of the song. Truly wonderful.


Rhonda performed a stunning bass solo which included harmonics, bending the strings behind the nut of her bass guitar, hitting (caressing?!) its body, finger tapping, string bending, and then getting into some serious, eloquent, and powerful funky bass playing which had the crowd totally enthralled. Rhonda's playing was formidable and sexy. Am I allowed to state that? Hell, yes. Perhaps you should be over a certain age to witness Rhonda's compelling stage presence and musical talent!


Tonight, the music range is wide; embracing everything from blues to funk to jazz to classic British rock, and much more. The band play a wonderful version of "People Get Ready" and the vocals aren't missed. In fact, Jason plays some wonderful keyboards in the outro section of the song which create a strong groove. Then the concert goes up another notch; this time with a great version of "Big Block". Jeff's guitar soloing - alternating between light and shade - reaches a different level. In the hands of a master his guitar wails and sings with melody, riffs, single notes, harmonics, finger tapping, volume swells, whammy bends, and most of all, feel.  

"Brush With The Blues" lasts for about five minutes and is a complete masterclass in how to play music that connects with an audience, and why Jeff deserves to be placed high in the canon of musical geniuses. He plays with a lyrical beauty, spirit, and charisma that few guitar players, at present, can hope to reach.

The slow tempo of ""A Day In The Life" sounds rich, textured, melodious, and is a revelation - full of character, magic, exhilaration, sadness. Music that lingers in the memory. (Is that "Purple Haze" I hear? Is that a tribute to 'Jimi at the Monterey Pop Festival' at the end of the song?). John Lennon composed the beautiful, memorable song, and Jeff has reconfigured it to be heard in a different, and perhaps, for some, in a more powerful way.

Jeff and the group deserve the boisterous standing ovation at the close of the set. During the encores they preform a rousing, energetic version of "I Can Take You Higher" which highlights Rhonda's talent as a vocalist, as well as a musician. Jeff and the group are joined on stage by the leader of the support act, "Trombone" Shorty, which helps create a party feel. Jeff then pays tribute to the late "Great" Les Paul by adorning a Les Paul guitar and playing a rendition of "How High the Moon". Jeff and the group play in sync with a pre-recorded vocal tape. I believe the recording featured the vocalist, Imelda May.


Jeff reaches for his white, fender stratocaster and plays a beautiful, haunting version of "Nessun Dorma". He may not have played the songs everyone wanted to hear tonight, but no-one was left in any doubt they had witnessed an incredible show. A show performed by an outstanding group led by one of the greatest guitar players of our time. Music and guitar playing which tends to stay in the memory for a long, long time afterwards.


 
Jeff's set list signed by Rhonda

Postscript: Even though it was freezing outside the venue I'd like to thank Rhonda Smith and Narada Michael Walden for taking time to talk to fans outside the venue and signing memorabilia. The following photograph didn't come out as I hoped. I believe it was too cold and the flash decided not to work properly! It is still a good photograph and a great memento - along with the set list - of an outstanding concert.


Ronnie and Rhonda - post concert in chilly, cold Brighton 

Rhonda Smith Official Site 

Jeff Beck Official Site   

Jeff Beck - Official YouTube Channel

Wednesday, September 29, 2010

Jeff Beck UK Tour Dates - October 2010 / Live at Tokyo International Forum -12 & 13 April 2010 / Les Paul’s 95th Birthday


Jeff Beck and his band are undertaking a short UK tour during October 2010. Anyone who has never witnessed Jeff playing 'live' - and is attending one of the following concerts - will witness an amazing guitar player and a mind-blowing concert. I am disappointed Jeff is unable to include Belfast in his schedule. Perhaps Jeff will include the Ulster Hall, Belfast on a future tour.

I am attending the Brighton concert and will be posting a review.

UK Tour Dates 2010

15 Oct 2010 - Bournemouth International Centre [BIC] - Bournemouth
16 Oct 2010 - Brighton Centre - Brighton 
17 Oct 2010 - Symphony Hall - Birmingham
19 Oct 2010 - Guildhall - Preston
20 Oct 2010 - Clyde Auditorium - Glasgow
21 Oct 2010 - Apollo - Manchester
22 Oct 2010 - City Hall - Sheffield
24 Oct 2010 - Colston Hall - Bristol
25 Oct 2010 - St David's Hall - Cardiff
26 Oct 2010 - Royal Albert Hall - London
27 Oct 2010 - Royal Albert Hall - London

The line-up of Jeff's band includes bassist Rhonda Smith (played with Prince and Little Richard); keyboard player Jason Rebello (CV includes stints with Sting and Chaka Khan); and drummer Narada Michael Walden (a Grammy Award-winning producer who worked with Jeff on the 1976 album Wired).

Rhonda in full flight

 Videos of Jeff & Co. "live" at Tokyo International Forum -12 & 13 April 2010






Jeff Beck commemorated 'Les Paul’s 95th Birthday'  at the Iridium Jazz Club. Click on link for details, photos: Jeff beck Live at The Iridium, NYC June 8th & 9th 2010


Tuesday, May 18, 2010

Rock And Roll Hall Of Fame 25th Anniversary Shows - 29/30 October 2009 - New York City: Jeff Beck & Billy Gibbons play "Foxy Lady" as a tribute to Jimi Hendrix


It was great to see Jeff Beck and Billy Gibbons performing "Foxy Lady" by Jimi Hendrix on the second night of this event with images of Jimi emblazoned on a large screen above the stage. Jeff and Billy both play solos, each sounding fantastic, highlighting their own guitar style, tone and licks. Jeff preformed a second song with Billy Gibbons: "Rough Boy" - (some of the finest soloing and guitar tone recorded - Eliminator, 1983) - beautiful song and solos (available on YouTube - embedded by request).


Jeff's set list included: "Drown in My Own Tears", "People Get Ready", "Freeway Boogie", "Cause We've Ended as Lovers", "Let Me Love You", "Big Block", "Rice Pudding", and "A Day in the Life".

On the first night Jeff Beck accompanied Stevie Wonder on "Superstition".

Thursday, December 10, 2009

Jeff Beck - UK Tour 2010 & New Album: Emotion and Commotion (Release Date: April 2010)



Jeff Beck will be touring extensively in 2010 to promote his new album and is playing a string of UK shows in October 2010 culminating in a show at the Royal Albert Hall, London.

The line-up of his new band will include bassist Rhonda Smith (played with Prince and Little Richard); keyboard player Jason Rebello (CV includes stints with Sting and Chaka Khan); and drummer Narada Michael Walden (a Grammy Award-winning producer who worked with Beck on the 1976 album Wired).

Sorry to hear Tal will not be participating in Jeff's 2010 world tour because of scheduling issues. Jeff's loss, and, to me, Tal will be missed from the line-up, as will Vinnie. The Tal Wilkenfeld Quartet featuring Tal, Vinnie Colaiuta, John Beasley and Oz Noy will headline Berklee College Of Music's WesFest 5 benefit at the Roxy in L.A. on February 28th.

UK Tour Dates:

Oct. 15: Bournemouth BIC
Oct. 16: Brighton Centre
Oct. 17: Birmingham Symphony Hall
Oct. 20: Glasgow Clyde Auditorium
Oct. 21: Manchester Apollo
Oct. 22: Sheffield City Hall
Oct 24: Bristol Colston Hall
Oct. 25: Cardiff St. David’s Hall
Oct. 26: London Royal Albert Hall

Jeff's new album is due to be released on April 13, 2010. 

Disc 1: Studio
1.“Corpus Christi Carol”
2.“Hammerhead”
3.“Never Alone”
4.“Somewhere Over The Rainbow”
5.“I Put A Spell On You” - featuring Joss Stone
6.“Serene”
7.“Lilac Wine” - featuring Imelda May
8.“Nessun Dorma”
9.“There’s No Other Me” - featuring Joss Stone
10.“Elegy For Dunkirk” - featuring Olivia Safe

Disc 2: (bonus DVD - six live tracks from Jeff's 2007 Crossroads performance)
1. Stratus
2. Behind The Veil
3. Nadia
4. Big Block
5. Brush With The Blues
6. A Day In The Life


Hopefully, Jeff will find time during the tour to play at the Ulster Hall, Belfast. The reception Jeff and his band received the last time - 30 June 2009 - was exceptional, as was the performance.

Thursday, September 24, 2009

Jeff Beck to play London O2 Arena with Eric Clapton - 13 & 14 February 2010


Jeff and Eric will take to the stage at the O2 Arena on 13 & 14 February 2010 to each play a retrospective set followed by a joint performance.

Jeff Beck said the two "had a blast" playing together in Japan, while E.C. heaped praise on his friend. "I've always considered Jeff to be one of the finest guitar players around. He's a friend, a great guy, and a truly gifted musician. We had such a fun time in Japan that it seemed natural to play together again."

Tickets for the O2 Arena gig go on sale on 28/9/09.

No doubt this project will prove beneficial and a success for both Jeff and E.C. I prefer to see Jeff playing on stage with his own band for the whole show. We are all exceptional cases, of course. I must confess I find Eric's appearance the only low-point on the DVD, "Jeff Beck: Performing This Week - Live At Ronnie Scott's" which tends to make the CD a bit special.

Double8Tickets was selling tickets cheap [sic] if you had the cash. When musicians you admire charge such high prices for a concert, and in the throes of an economic recession, you begin to wonder. The blame doesn't reside solely with "independent ticket brokers" ...

Arena Floor - (Block A) VERY FRONT ROW - £795.00!

Arena Floor - (Block A) - £395.00!


Who's that with long hair and white shirt - centre stage - enjoying the show? Ronnie Kerrigan? Surely not?

Sunday, August 30, 2009

Concert Review: Jeff Beck, Royal Albert Hall, London - 4 July 2009

It is Sunday, 5 July 2009. The sun has come out and reflects strongly on the buildings, windows, buses, and cars below as I gaze from my hotel room. I'm interested to hear who Kirsty Young's castaway will be this morning on "Desert Island Discs". As I drink tea I'm pleased to hear it is the impresario and promoter, Harvey Goldsmith CBE - Jeff Beck's manager from January this year. I sit down and listen. As he speaks, it is clear he is knowledgeable, intelligent, determined, temperamental, someone who deals with conflicts and obstacles swiftly and effectively, and has a talent for organisation, and getting things done.

I am intrigued regarding his choice of music ranging from "Kasmir" (Led Zeppelin), "Baba O'Reilly" (The Who - his favourite 'live' band at their peak with Keith Moon), to the live version of " Nadia" of Jeff's amazingly, successful DVD/CD, Performing This Week - Live At Ronnie Scott's. His insights into the music industry, management, and the organisation of large-scale events proves compelling. Indeed, his passionate statements that Jeff Beck is a "genius," and that "... the artist has to change emotions inside you. Few musicians have this ability ..." are painstakingly legitimate.

Jeff Beck has become one of the most striking performer's in the history of the guitar. While he has played the guitar for several decades he continually seeks new ways to ply his art, develop, and renew his music. Indeed, his musical output, and guitar playing, is a delicate fusion of all the influences he has sought, explored, and absorbed. He is a guitar player with a "real" difference who tends not to sound bland. No easy task. 

Jeff's return to The Royal Albert Hall has attracted fans from around the globe. Outside the venue I spoke to some people who had traveled from Sweden, Italy, and New Jersey. An exuberant, tribal gathering had come to secure Jeff's place as one of rock's genuine icons. Inside, the hall was packed to capacity; the audience murmured with expectation. I was fortunate to be seated in the eighteenth row with a clear view of the stage.

From the moment the band took to the stage, and began the whispered, rhythmic accompaniment to "Beck's Bolero" - Jeff entered "stage right" clad all in white, playing the melody on his cream and white strat - it was clear the sound was warm and mixed to perfection. Not as loud as in Belfast, but the band performed with incredible confidence, bar some momentary glitches. While Jeff's confidence is clearly at an all time high - long may it last - there were moments during the concert when Jeff - and fellow band members - appeared overly conscious and, to a degree, overawed by the intimacy and atmosphere of the occasion. However, an exchange of smiles, a flurry of nimble fingers, and drum sticks, restored calm, and once more the band scaled new heights of musical triumph.

The hypnotic rhythm to "Pump" made you want to clap your hands, stand up, and rush the stage. Not acceptable behavior at the venue, I'm sorry to say. However, the combination of
Tal Wilkenfeld's bass playing and sound, combined with Vinnie Colaiuta's drumming was intoxicating. Then Jeff entered with his beautiful tone, melodies, and virtuosity which the rest of the group complemented, driving him to play licks that astound, confound, inspire, taking you on a beautiful journey.

A run of songs let Jeff and the band explore different rhythms and sounds which were a delight to the eyes and ears. From the achingly beautiful melodies and rhythms, of "Behind the Veil," "Angel," and "Nadia," to wonderful, intricate, drumming by Vinnie, the characteristic weaving of lines by Tal on her bass, overlaid with keyboard voicings by
Jason Rebello, made "Space Boogie," and "Led Boots" alternatively sweet and nasty. 

Sometimes the music appeared to be stretched in a particular direction - like an elastic band - to a point where it is about to break, then it turned, and retracted in another direction. Jeff continually displayed an ability to play with restraint and subtlety, without losing intensity.

Sometimes when Jeff plays the introduction to "Goodbye Pork Pie Hat" I wish he would play the full version as included on the Wired album, and play "Brush with the Blues" separately. Tonight belonged to Jeff and his band, and perhaps my preference for only "one guest" on stage was at variance with others in attendance. So be it.

After a great, fast, rocky version of "Blue Wind" the band was joined by Imelda May to sing "Lilac Wine," (a song written by James Shelton in 1950). In my opinion, however, Imelda does not possess the raw, haunting voice required 'live' to create the emotion and passion the song deserves.

The music Jeff and his band played tonight went beyond black and white. It contained a myriad of different colours and shades that danced and stimulated an engrossed audience. Jeff, Tal, Vinnie, and Jason bowed, and left the stage amid resounding applause, and a standing ovation. Tonight Jeff, and his band not only touched the hearts of the faithful, but - I believe - those witnessing them for the first time.

For two of the encores, Jeff and his band were joined on stage by David Gilmore to perform "Jerusalem," and "Hi Ho Silver Lining". Some fans speculated that Jimmy Page, or Eric Clapton, would participate at the event. In the end David Gilmore proved to be a good choice. Both guitarist's seemed to enjoy playing together, and while each has a distinctive style and tone, they proved inventive, and appeared to play their guitar's without effort. Jeff returned and played "Where were You". His performance was emotional and beautiful.

After the show I walked to the stage door where a considerable number of fans were waiting for Jeff to sign albums, CDs, DVDs, and other memorabilia. Most people seemed to be singing or humming "Hi Ho Silver Lining," while others' talked about the emotional and entertaining performance. I heard strands of, "How does he play like that?" Several fans took photographs of Jeff's set list I had acquired from the stage.

I was aware an "after-party" may be in progress to celebrate the success of the event for Jeff, the band, the crew, and organisers'. Needless to say, some fans had flights to catch in the middle of the night. I caught the bus to King's Cross, and made my way to Islington. As I walked, the breathtaking music from the concert flooded through my mind.

Jeff's Set List



Jeff, Vinnie, Tal, and Jason in full swing



Blowing up a storm






I just happen to be the guy with the long hair and the white shirt center stage - the first to get out of his seat and go to the front before the encores. What a great night.

Thursday, July 23, 2009

Concert Review: Jeff Beck - Ulster Hall, Belfast - 30 June 2009

Belfast is anything but dull. The city centre oscillates between menace and refurbished high culture. The recently renovated Ulster Hall is a fitting venue for Jeff Beck's first concert in Ireland. The Victorian Hall has played host to some of the finest artists and groups to grace this planet, including Rory Gallagher, Taste, Led Zeppelin, The Kinks, and Fleetwood Mac with Peter Green.

I'm sitting in the sixth row - centre stage - I give in to nostalgia, and think of some of the great concerts I have experienced at this venue. I visualise the artists, and hear fragments of their music with each beat of my pulse. After the support act, I believe the absence of a vocalist will not be missed when the main act takes to the stage. The auditorium is silent, in semi-darkness; the stage looks larger. I gaze at the red backdrop which creates a sunken world of calm and expectation. The lights dim.

Tonight a sold-out audience is treated to an absorbing performance by Jeff Beck and his powerhouse of a band incorporating drummer, Vinnie Colaiuta; keyboardist, Jason Rebello; and bass guitarist, Tal Wilkenfeld. Time to forget the 'Credit Bubble', the Internet, DVDs, CDs, vinyl: most fans want to see their musical heroes in the flesh. And there is no substitute for the atmosphere, tension, and emotion, an inspired and engaging band can generate live in concert.

The success of Jeff's recent release, 'Jeff Beck: Performing This Week - Live At Ronnie Scott's' on DVD, Blu-Ray and CD, the celebrated performance at the "Crossroads Guitar Festival' in Chicago, 2007," Jeff's induction into the "Rock and Roll Hall of Fame" on 4 April 2009, and new management - Harvey Goldsmith - have helped to invigorate Jeff's career, and standing in the music industry.

Tonight, Jeff walks onto the stage dressed in black, with a white scarf draped around his neck, and cradling his cream and white stratocaster. The applause is deafening, heartfelt. I believe Jeff and the band are genuinely taken aback by the warm reception. The band starts the performance with 'Becks Bolero' and it is clear the sound balance is excellent, and each band member is crystal clear in the mix. Somehow, Jeff and his band make the music sound fresh, as if woven for the first time.

What makes a good performance? Perhaps, dialogue between the musicians on stage. While creating their own voice and space - each musician, tonight - seems to bend and shape the music to maximum effect, and the combined output goes straight to your emotions, your soul. Something, not all musicians achieve.

Vinnie and Tal begin the hypnotic rhythm to 'Pump', and Tal's bass sound is beautifully warm; you could listen to it all night. A lot of people comment on her playing - which speaks for itself - but the diverse tones she gets from her bass, amps, and effects pedals are astounding. During the sixteen-number set it is evident the deep intuitive skills displayed by Vinnie, Tal, and Jason, provide a strong canvas for Jeff to paint a colourful array of sounds from his guitar.

Jeff plays with warmth, finesse, and an impish quality which permeates the group, and creates an extraordinary bond with the audience. The band truly seem astounded by the warm reception after each song, and exchange smiles. A great version of 'You Never Know ' follows, which sets the high standard of musicianship, and sound, that Jeff and his band reach during the rest of the performance.

Who could not be moved by the sublime 'Cause We've Ended as Lovers' - beautiful sounds and melodies emanating from Jeff's guitar, and inspired soloing by Tal. It digs deep into the twilight room of the soul, creating a dizzy sense of magic.

Does music get better than this? I doubt it. During the set Jeff moves around the stage, sometimes changing direction when the music changes course. Periodically, he exchanges a cheerful smile with a fellow band member, and continues to play his guitar with a naturalness few guitarist's attain. Each song was a highlight.

Jeff and his band were visibly moved by the two 'five minute' standing ovations they received.

After the concert Jeff, Tal, Jason and Vinnie are generous with their time and in great spirits. The warm and passionate reception they received tonight will be just as engaging if they return to Belfast again. I hope they do.  


Jeff Beck's Set List, Belfast


Jeff Beck Signing the Set List


Tal Wilkenfeld and Ronnie Kerrigan - Stage Door , Belfast



Tal Wilkenfeld