CD Review: Robin Trower - 'State to State: Live Across America 1974-1980' (Audio CD) - Release Date: October 04, 2013

A two CD set released on October 04, 2013 includes twenty-four previously unissued 'live' performances by the Robin Trower band. The album includes performances recorded in Philadelphia and California (1974), Illinois (1976), Oklahoma (1977) and Missouri (1980).

The late and supremely gifted James Dewar sings on each track on the album, and plays bass guitar on all but two tracks on Disc 2: 'Somebody Calling' and 'Bluebird'. Robin was feeling his way into a new phase of his career and brought in Rustee Allen on bass guitar with the intention of exploring, to an extent, funkier rhythms and sounds. Robin believed this would enable Jimmy Dewar to concentrate on fresh ways of delivering his distinctive and expressive voice. Whether this experiment was successful, or not, is left to the listener to decide and those fortunate to see the different groups in performance. I believe the personnel change, while transforming the scope of Robin's music, left James Dewar both musically and personally exposed on stage without his bass guitar.
             
All of the tracks on Disc 1 feature the magnificent drumming of the late Reg Isidore. Disc 2 highlights a significant change to the group: Bill Lordan replacing Reg Isidore on drums. Both excellent musicians with different musical identities and style. I believe that Bill Lordan's musicianship and presence improved the sound of the group both in performance and in the studio. His drumming is inspired and dynamic and enabled Robin to explore different musical concepts. The version of 'Alethea' recorded in California in 1974 highlights the contrasting techniques and creative abilities of both drummers.  
    
This 'live' collection contains music of a high caliber (even where the recordings are of a low standard and Robin's guitar tone is adversely affected by feedback and malfunctioning effects pedals) played by superb musicians and fronted by a guitar player who pushes himself to the limit each time he takes to the stage.

The highlights of the performances are those recorded in Illinois during 1976. All of the tracks, especially: 'Daydream', the wonderful 'Same Rain Falls' and 'Too Rolling Stoned' contain some of Robin's most expressive, moving and inventive guitar playing. His excellent musicianship, guitar tone and use of effects confirm that Robin had arrived at an artistic peak. This, however, could not have been achieved without the evocative, subtle and tremendous James Dewar on vocals & bass and Bill Lordan on drums, who both combined to create a tight and superb rhythm section.

The track 'Sailing' is remarkable and atmospheric. Jimmy is in great voice and the melodic groove is of deep emotional depth. Robin's guitar tone on 'Long Misty Days' resembles a jet aircraft taking-off with its huge brooding sound. The live performance is magnificent, transcends the studio version, and contains some of Robin's most eloquent and emotive playing. It would be great to hear other songs from the Illinois performance. Robin, Jimmy and Bill are outstandingly cohesive and, in terms of sound and inspiration, generate a well of sublime music which doesn't fail to get the adrenaline flowing.   

A striking feature of the recordings is the power, texture and soulful voice of James Dewar. At times, the unique quality of Jimmy's voice elevates itself above the atmospheric music, and the listener is drawn to the magical and beautiful expressiveness of his vocals. Truly breathtaking music.        

Pre-order at Amazon 

Listen to MP3 samples at Amazon

Robin Trower Official Site

Jimmy Dewar

Michael Schenker's "Temple of Rock" UK/Ireland Tour Dates - April/July 2013

Michael Schenker's current group goes under the banner 'Temple of Rock' and includes ex-Scorpions Herman Rarebell (drums) and Francis Buchholz (bass); Wayne Findlay (keyboards/guitar) and Doogie White (ex Rainbow/Yngwee Malmsteen) on vocals.

The 'Temple Of Rock 2013' concerts will include hits spanning Michael Schenker’s artistic career such as UFOs 'Rock Bottom' and 'Doctor Doctor' (I hope Michael includes a few more), MSGs 'Armed and Ready' and 'Into the Arena' ('Desert Song' would be great), and the Scorpions classics 'Another Piece of Meat' and 'Rock You like a Hurricane.' Songs from the Temple of Rock album (released in September 2011) will be included in the set. So expect 'Before the Devil Knows You´re Dead', 'Miss Claustrophobia' and 'Hanging On.'

I've read reviews disparaging the quality of some of the songs, vocals, and production on the Temple of Rock album. I believe that most of the tracks will stand the test of time. As will Michael's guitar riffs, strong song melodies, guitar solos and guitar tone. Michael's past continues to shine in his music. Catch him in performance while you can. The guy's a genius. A truly magnificent guitar player.

No Belfast date: Am I surprised? No. Just another in a long list of artists who play shows in the Irish Republic but don't include Northern Ireland in their tour schedule. 

Temple of Rock Tour Dates:

09 April - Stockton ARC  
10 April - Aberdeen The Lemon Tree
11 April - Edinburgh HMV Picture House
12 April - Newcastle O2 Academy
13 April - Holmfirth, Picturedrome
14 April - Warrington Parr Hall
16 April - Falmouth Princess Pavilion
17 April - Bristol O2 Academy
18 April - Salisbury City Hall  
19 April - Oxford O2 Academy
20 April - Nottingham Rock City
21 April - Norwich The Waterfront
22 April - Vicar Street , Dublin
31 May - O2 Shepherd's Bush Empire, London 
19 July - 53 Degrees, Preston 
20 July - The Robin 2, Bilston, Wolverhampton
27 July - Sheffield Plug, Matilda Street, Sheffield  

Michael Schenker Official Site

DVD & CD Review: Rory Gallagher - 'Ghost Blues (The Story of Rory Gallagher)' & 'The Beat Club Sessions' - Release Date: 20 September 2010

A two-disc DVD titled Ghost Blues and The Beat Club Sessions was released on 20 September 2010 to celebrate the life and work of Rory Gallagher. While Rory was a consummate, charismatic, passionate musician and performer, I disagree with those who believe Rory never made a 'definitive' studio album. I still have fond memories of his first solo album Rory Gallagher (1971), his second album Deuce (1971), and Against the Grain (1975). Quite outstanding albums: full of diverse, remarkable songs; proof that Rory was a guitarist and songwriter of the first order.

Disc One: 'Ghost Blues'

The Story Of Rory Gallagher

The interviews with The Edge and Bill Wyman are interesting and engaging. Most of the concert footage will be known to Rory's many fans. The documentary contains little of Rory's early childhood, his favourite novels, films, how he relaxed, etc. It is sad that Rory is no longer alive to write an autobiography covering his life, personal vision, ambitions and music. Hearing it second-hand from some individuals who barely knew Rory, is, to say the least, disappointing.

Disc Two: 'The Beat Club Sessions'

I remember first hearing 'For The Last Time' on the radio one night in 1971. It was the initial track I heard of Rory's first 'solo' album. The track had an atmospheric pulse, wonderful bass sound and patterns. However, it was Rory's singing, guitar tone and potent soloing which held my attention. He seemed to be pushing himself to the limit with each passionate phrase and revealing fresh depths to his playing and song writing.

The level of inspiration, songwriting and musicianship throughout the album is exceptional. Five songs: 'I Fall Apart', Hands Up', 'For The Last Time', 'Can't Believe It's True', and 'Laundromat' are extraordinary songs: strong melodies and superb soloing on guitar and saxophone.

The early seventies, without doubt, opened up a new phase of creative songwriting and guitar playing for Rory. I just wish that 'live' versions of 'I Fall Apart', 'For The Last Time', Can't Believe It's True', and 'There's A Light' had been included in this package.

Another session during this period may have delivered these songs. Anyhow, there are many highlights to enjoy, and the version of 'Messin’ With The Kid' is a remarkable climax to the recordings. Rory's music still glows with unflagging integrity, spirit and passion. Not all professional musicians can say that and be taken seriously.

Track List

1. Laundromat
2. Hands Up
3. Sinnerboy
4. Just The Smile
5. Used To Be
6. In Your Town
7. Should’ve Learned My Lesson
8. Crest Of A Wave
9. Tore Down
10. Pistol Slapper Blues
11. I Don’t Know Where I’m Going
12. Going To My Hometown
13. I Could’ve Had Religion
14. McAvoy Boogie (?!)
15. Hoodoo Man
16. Messin’ With The Kid

A package worth it just for the 'live' footage of Rory from The Beat Club. An outstanding tribute to a gifted musical artist. Difficult to watch without tears of admiration for a genuine musician who played with so much heart, warmth and intensity.

http://www.rorygallagher.com/

Concert Review: Robin Trower - The Caves, Edinburgh - 25 September 2011

Some artists sound much the same from one gig to the next; playing songs 'note for note' as per the recorded versions. With Robin (as with Jimi Hendrix and Rory Gallagher, whom I both still idolise) no two concerts are the same regarding the length of songs and instrumentals, or the level of colour or mood they radiate to the audience. Robin's playing remains fluid, improvisational, and each concert represents a concert without precedent.

Tonight Robin is playing The Caves: a venue hard to find, but once you do, is truly an amazing place. The fact it is underground, a windowless cave with low lighting, brick walls, make for an intimate atmosphere, ideal for music, live or otherwise. The low stage, however, can make it difficult for some fans to see the group properly during the performance. Robin is joined on stage tonight by Richard Watts (bass and vocals) and Chris Taggart (drums).

 Richard Watts

From the opening number "Confessin' Midnight" I'm pleased to see how each musician commands the stage, and unify to deliver powerful, emotionally expressive, fresh versions of some of Robin's greatest songs. Robin seems genuinely delighted to be performing with this line-up, occasionally lighting his face with a warm smile. As Robin feeds of the response and affection of the audience I'm sure there are moments tonight when he feels overwhelmed.

On "Lady Love" Richard's vocals confirm he has progressed to be a strong, dynamic singer. He sang the lyric with total conviction; a blend of passion and freshness, while delivering a deep, strong bass line. Some of the audience - including myself - felt, at times, Richard's bass was too low in the mix. The energy level of the band, however, was high and they delivered expressive, inspirational versions of "Somebody Calling" and "For Earth Below." Richard and Chris creating deep, rich grooves for Robin to play his guitar with freedom, imagination, and in his own phenomenal style. The band played a song I haven't heard before: "When I Heard Your Name" which confirms Robin remains a prolific, creative musician.   

Chris Taggart

Chris Taggart is a revelation on drums, adding colour, texture and driving rhythm grooves which weave into phrases that create a rich, colourful backcloth that Robin can solo over with intense creativity. His cymbal work is an integral part of his fine and subtle performance. The musicianship of Richard and Chris combine to provide a new dimension and sound to Robin's music; creating an hypnotic, spellbinding atmosphere.

Some fans are perturbed and mystified to find that Robin is playing tonight with a new rhythm section. Personnel changes - especially in a trio - can blend to create a change in musical colours, expressions, patterns, and make it sound completely fresh. The overall impression is that this rhythm section are perfect for Robin at this time, and he is clearly inspired by the new combinations of sound. Meanwhile, only Robin knows what the future holds regarding his musical direction, and the musicians he will use to bring his creative ideas to life.



Robin's set list tonight confirms he prefers to play the old songs, but in the studio he continues to record an extensive range of fresh material. During the last three years he has released three CDs: Seven Moons (2008), What Lies Beneath (2009), and The Playful Heart (2010). Of the three recordings I believe What Lies Beneath is a true "Classic". Each fan has their favorite Robin Trower albums and tracks. I would like to see Robin revolutionize his set list by including songs such as: 'Into Dust', 'Blue For Soul', 'This Old World' (great riffs & vibe), 'Living Out of Time' (a classic track), 'I Can't Wait Much Longer' and tracks from What Lies Beneath.

Robin, Richard and Chris play a rousing version of "Day of the Eagle" which flows softly into "Bridge of Sighs". At times, I close my eyes to listen to the music flowing from the stage. Whether mid-tempo, or slow, it sounds unified, fresh, spiritual, mood altering. As if time has slowed down. Richard's vocals ring out throughout the venue, and the sound of the guitar, bass and drums pulsate, weave patterns, and make that vital connection with the crowd. While I believe "The Turning" is a good song the change to a slower tempo at the coda doesn't enrich the composition. In fact, it negates the intensive flow and driving rhythm the song generates in the first place. The song still goes down well with the crowd.

 

Someone asks me tonight why Robin's music affects me the way it does? Simple words can't describe the feelings one gets when one finds music that really matters to you, whether it is recorded or live. Robin's music and guitar playing remain embedded in my mind to be accessed when needed; still touching and moving me today as much as yesterday. Long may Robin continue to compose songs and music of substance, record, tour, and reach people with his musical talent.

Robin's guitar pick & set list

There's definitely a strong case for Robin to tour the UK/Europe & US in 2012 with this line-up (other commitments permitting). They are engaging, lively, superb musicians. In conversation with fans (post concert) most agreed tonight's concert had been a revelation; that Robin and his band looked and sounded energized, driven, and give a high octane performance. In essence, the stage pulsated with talent tonight, and credit is due to Robin, Richard and Chris for their contributions.

After the concert it was a pleasure to meet "long-time" Robin Trower fan Davy Smith again; Laurie Brace (Road Manager/Sound Engineer for Robin Trower), Chris Taggart, Robin Trower's drummer, and other Trower fans whose names I unfortunately forget. The conversation was memorable as was the concert. The talents of the late Jimmy Dewar, Davey Pattison, Pete Thompson, Dave Bronze, Glenn Letsch, the late Rory Gallagher (and other musicians) brought forth fond memories of gigs in Belfast, Edinburgh and Glasgow. Also, favourite songs and albums. A wondrous night, indeed.

Robin Trower Official Site

Robin Trower Page at Amazon

CD Review: "Robin Trower - At the BBC 1973 -1975" - [2 CD Set] - Release Date: 7 February 2011


This 'Double CD' collection contains most of Robin Trower's BBC sessions from 1973-1975 recorded for John Peel, Bob Harris, and the 'BBC In Concert' series. The tracks highlight the genesis of a group destined to create memorable music both in the studio and in live performance. Illustrious music destined to help mark out the lives of people fortunate to hear it. In fact, it has become an essential part of some of the lives of Robin's fans throughout the world.

The recordings emphasize the importance of having outstanding songs: a 'collective gift' to built on their foundation with sensitive, soulful singing; melodic, emotional guitar playing; and excellent, illuminating, drumming to produce music of power, soul and passion that words alone fail to portray. The music, itself, engenders a mixture of feeling and recall - not unlike poetry - where each melody is remembered by those who love them.

The BBC Radio 1 Live In Concert  CD released by Windsong International in 1992 was a disappointment due to falsified crowd noise and the absence of "Two Rolling Stoned" which was included in the original broadcast. The inclusion, however, of a full version of "Rock Me Baby" made purchase of the CD irresistible. I'm fortunate my brother taped the original broadcast of the radio. It remains one of my favourite recordings of the Robin Trower Band in concert. A true classic.

The collection is a must for any fan of Robin Trower, Jimmy Dewar, Reg Isidore, Bill Lordan, or any affectionate of classic rock and blues at its finest: soulful, passionate, emotional, sincere, moving.  Robin Trower remains one of the greatest exponents of blues and rock guitar on this planet. Jimmy Dewar was an outstanding vocalist both in the studio and live. All the tracks are testament to Jimmy's beautiful, soulful voice, and Robin's fluid, melodic, dreamy guitar playing. 

I believe the overdubbing of guitars on the John Peel Sessions, especially on "In This Place" (CD1) and the four songs on (CD2), was unnecessary given the profound depth and emotion each song already embodies. It would have been magical to hear "In This Place" played live without guitar overdubs.

Bugbears: Did anyone proofread the CD liner notes? The misspelling of 'Alethea' and other typos' ... It's not too much to ask, is it? The absence of a photograph of the late Reg Isadore - a genuine oversight, or not - is shameful.

The music still sounds haunting, magnificent, with a magic heart at its core. Enjoy.

CD1

1. Twice Removed From Yesterday (John Peel Session)
2. Man Of The World (John Peel Session)
3. Daydream (John Peel Session)
4. Sinner's Song (John Peel Session)
5. Day Of The Eagle (Bob Harris Session)
6. Little Bit Of Sympathy (Bob Harris Session)
7. Lady Love (Bob Harris Session)
8. Daydream (Bob Harris Session)
9. The Fool And Me (Bob Harris Session)
10. Alethea (Bob Harris Session)
11. Too Rolling Stoned (Bob Harris Session)
12. I Can't Wait Much Longer (Bob Harris Session)
13. Bridge Of Sighs (John Peel Session)
14. In This Place (John Peel Session)
15. Alethea (John Peel Session)
16. Little Bit Of Sympathy (John Peel Session)

CD2

1. Fine Day (John Peel Session)
2. Confessing Midnight (John Peel Session)
3. It's Only Money (John Peel Session)
4. Gonna Be More Suspicious (John Peel Session)
5. Day Of The Eagle (BBC In Concert)
6. Bridge Of Sighs (BBC In Concert)
7. Gonna Be More Suspicious (BBC In Concert)
8. Fine Day (BBC In Concert)
9. Lady Love (BBC In Concert)
10. Daydream (BBC In Concert)
11. Too Rolling Stoned (BBC In Concert)
12. I Can't Wait Much Longer (BBC In Concert)
13. Alethea (BBC In Concert)
14. A Little Bit Of Sympathy (BBC In Concert)

Album and MP3s of songs available at Amazon

Jeff Beck UK Tour Dates - October 2010 / Live at Tokyo International Forum -12 & 13 April 2010 / Les Paul’s 95th Birthday

Jeff Beck and his band are undertaking a short UK tour during October 2010. Anyone who has never witnessed Jeff playing 'live' - and is attending one of the following concerts - will witness an amazing guitar player and a mind-blowing concert. I am disappointed Jeff is unable to include Belfast in his schedule. Perhaps Jeff will include the Ulster Hall, Belfast on a future tour.

I am attending the Brighton concert and will be posting a review.

UK Tour Dates 2010

15 Oct 2010 - Bournemouth International Centre [BIC] - Bournemouth
16 Oct 2010 - Brighton Centre - Brighton 
17 Oct 2010 - Symphony Hall - Birmingham
19 Oct 2010 - Guildhall - Preston
20 Oct 2010 - Clyde Auditorium - Glasgow
21 Oct 2010 - Apollo - Manchester
22 Oct 2010 - City Hall - Sheffield
24 Oct 2010 - Colston Hall - Bristol
25 Oct 2010 - St David's Hall - Cardiff
26 Oct 2010 - Royal Albert Hall - London
27 Oct 2010 - Royal Albert Hall - London

The line-up of Jeff's band includes bassist Rhonda Smith (played with Prince and Little Richard); keyboard player Jason Rebello (CV includes stints with Sting and Chaka Khan); and drummer Narada Michael Walden (a Grammy Award-winning producer who worked with Jeff on the 1976 album Wired).

Rhonda in full flight

 Videos of Jeff & Co. "live" at Tokyo International Forum -12 & 13 April 2010

Jeff Beck commemorated 'Les Paul’s 95th Birthday'  at the Iridium Jazz Club. Click on link for details, photos: Jeff beck Live at The Iridium, NYC June 8th & 9th 2010

Jeff Beck - Official YouTube Channel

Concert Review: Robin Trower - Komedia, Bath - 22/9/10

I've attended good concerts and great concerts. Myself and my wife, and others whom we meet afterwards, agree we have witnessed an outstanding one. A compelling performance from beginning to end; a terrific triumph for Robin, Pete, Davey and Glenn (who astound with their energy, passion and musicianship) and for the audience an emotional, unbeatable, roller coaster ride.

I glance at Robin's set list and believe it is one of the strongest Robin has put together for recent tours in the UK. The strong riffs and rhythm of "Confessin' Midnight" followed by "Lady Love" will enable Robin to solo with a degree of aggression and passion right from the start and for the band to hit a tight rhythmic groove early in the show. I'm pleased a deep favourite of mine "Daydream" is included in the set. The first time on this tour. The gods have fortuitously shone down on me once again. Somehow I feel this is the right place, one of the right gigs to be at.

As the number of people flocking into the auditorium grows there is an increasing air of excitement and anticipation, and the slight electricity of whispering that occurs before such events. When Robin and his band appear on stage the audience give them a warm boisterous welcome.

"Confessin' Midnight" sounds razor sharp. The band come together and the song goes off like a flashbulb. Robin's guitar tone sounds amazing, especially when he hits the wah-wah pedal. Davey's vocals are superb and distinct tonight. In fact, his singing is a revelation and he wins many plaudits. Robin's soloing bites, twists and turns, and is pleasantly aggressive. A problem with a monitor is soon fixed by Laurie at the end of the song. Without losing ground the band launch into "Lady Love" which keeps the crowd energized. It says something about Robin's unique guitar style that songs from early in his career still retain a freshness and vitality on each hearing. Pete on drums and Glenn on bass combine to provide a sweeping, smoldering, strong rhythm which delights and catches hold of your spirit at the same time.  

The hypnotic, funky rhythm of "Somebody Calling" is particularly noteworthy powered by Robin's lead guitar work. Combined with Davey's vocals and enthusiastic backing by Pete and Glenn this song sounds better live than I expected. Robin's vibrato is used to killer effect alongside beautiful rhythmic chording and chord changes.

It's obvious that Robin loves to continually write and record new music. The inclusion of three "new" songs in the 14 song set, "Find Me," "The Turning," and " Not Inside - Outside" are well received by the audience. "Find Me" really kicks in when Davey sings in sync with Robin's guitar. During the song Robin plays beautiful understated solos which rise to a crescendo. This should be an interesting composition to listen to on Robin's forthcoming CD regarding the guitar parts and overdubs.

"Extermination Blues" has been dropped from tonight's show; a slow song which I believe can lose an audience no matter how great the guitar playing may be. I'm pleased it's been replaced by the classic "Daydream." Tonight "Daydream" is haunting and unforgettable due to Davey's outstanding vocal and Robin's graceful guitar playing and lush sound. The bass and drums sound just right and combine to make this one of the highlights of the show.

Robin's mastery of the guitar is highlighted to great affect on "Bridge of Sighs". He improvises with great feeling; moving from soulful tenderness to moving aggression. I'm glad this version was captured on film. Another new song, "The Turning" sounds excellent. The main riff, chord sequencing, rhythm - and the slow coda - make this a finely-crafted composition. The haunting beat from the outset creates an intoxicating sound. A truly memorable riff weaves its way through the song and make it impossible to remain still until the coda. A coda which is soft, beautiful, and gets large cheers from the audience.

Pete in full flow

Robin's Set List

The people I spoke to post-concert agreed this was one of the finest performances by Robin, Davey, Pete and Glenn they had witnessed. A great set list enabled Robin to ply his exceptional monster bends, licks, and classic vibrato with incredible energy for the whole concert. At 65, Robin deserves high praise for continuing to create music and play guitar at a level second to no other living guitarist.

Davey's singing was top notch and the sound mix was great for the audience. Pete's heart, soul and finesse shone in his drumming and Glenn's funky bass lines were a revelation. A truly superb performance by Robin and the band which produced many great musical moments to cherish. "Daydream" was the icing on the cake.

Postscript: The venue was great and all the staff were friendly and supportive. This helped to make the concert superb and unforgettable.

Davy Smith, Alan Howard, Ronnie Kerrigan (post concert)

trowerpower.com

 

Robin Trower Official Youtube Channel 

Robin Trower at: Amazon

Concert Review: Robin Trower & Jack Bruce - The Music Hall, Worpswede, Germany - 1 March 2009

The venue for the concert is 25km north of Bremen. The village of Worpswede is intimate, quite and beautiful. As my brother and I walk towards the The Music Hall I am intrigued that such a  music venue exists so far from noisy, densely populated towns and cities. It is 5.30pm and the band are going through a sound check. The songs are "Seven Moons" and "Lives of Clay" and sound great. At the rear entrance to the hall there are a number of vans with cables running from the stage area. The performance is being recorded for broadcast on Radio Bremen.

I meet a music journalist from Hamburg and we talk about the broadcast and the venue. My brother and I talk to a number of people from different parts of Germany and Sweden who are big Jack Bruce fans. It's good to see Laurie Brace (Road Manager/Sound Engineer for Robin Trower) and Steve Russell (responsible for Jack Bruce's instruments and amplification). We talk about tonight's gig, the previous night's performance in Nijmegen, Holland and exchange a few pleasantries and jokes. Two great guys kept busy making sure all the musical equipment is working, in the right place and ready for the musicians to perform. Also, ensuring that the sound balance is as close to perfection as possible given the restraints of the venue.

Steve Russell, Ronnie, and Laurie Brace

The program and posters outside and inside the venue intrigue me. The only musician displayed is Jack Bruce. It appears Jack is the main act and Robin and Gary are supporting musicians. I understand this is the way the music industry sometimes works. Two formidable musicians collaborate on three albums, organize a short tour in Europe, and only one musician is given recognition and billing. When I discovered the set list included the entire Seven Moons album I tried to curtail judgment, but couldn't. The album has a number of great songs, but also has its share of average, unmelodic tracks.

I notice Robin's Deja Vibe is absent from his pedals. This rules out the possibility of the trio inserting other songs in the set to provide contrast: up-tempo, funkier rhythms; the chance to hear Jack playing bass and singing on "Bridge of Sighs" or "Day of the Eagle."  A view shared by numerous Robin Trower devotees and musicians at the front of the stage. Indeed, the absence of songs from earlier collaborations - BLT & Truce - is a major talking point before, during and after the concert with fans. Tracks such as: "Into Money," "No Island Lost," "Won't Let You Down," "Gonna Shut You Down," "Gone Too Far," "Fall In Love," "Little Boy Lost" would have enhanced the set and experience.

Frankly, I despair of CD/DVD/concert reviews which make you wonder if the person was at the concert. or has listened to the music on disc. Some reviews on the internet, and in magazines appear to be “cut & pasted” and follow a familiar pattern with comparisons of Robin to ... well, you know who. A review bereft of originality and sincerity does a disservice to any impassioned and skilled musical artist. 

The show started around 9:00 pm to a hall packed with eager fans. At the outset Robin's guitar sound seems low in the mix. This fails, however, to make "Seven Moons" or "Lives of Clay" any less engaging. Two powerful tracks back to back. Robin's soloing is a revelation. In fact, it is noticeable that Robin and Jack are enjoying playing together.

The sound is uncluttered and Robin's guitar sound becomes more visible during the pedestrian "Distant Places Of The Heart". During the song Robin uses his considerable vibrato and guitar voicings to great effect. A wonderful, creative journey. A masterclass in sensitive, passionate soloing. The outro solo is stunning. Jack Bruce at the finish of the song says, “Life isn't so bad after all ...”  I believe, for the moment, he's right.

Tonight Robin's Strat is plugged into a 100-watt custom built Cornell amp. I prefer his guitar tone when he uses Marshall. In fact, towards the end of the set Robin's guitar sound appears to oscillate in volume; a combination of amp and faulty connections, perhaps.

After a passionate and enthusiastic version of “Sunshine of Your Love” the tempo slows for a rendition of “Carmen.” The live version misses the guitar overdubs and outstanding vocal Jack produced on the original recording. Not an easy song to sing, whatever your age, or state of health.

At some point I begin to feel Gary Husband is prone to over-drum - a la Buddy Miles - and the sensitivity of some songs, while still moving, are executed with undue rigidity.

Following “We're Going Wrong,” “So Far To Yesterday,” “ Just Another Day” the infectious rhythm of “Perfect Place” enables Robin to use the wah pedal to create haunting, biting, riffs that make the song seem too short. During the song the trio create a wondrous groove which the audience share with vocal enthusiasm.

I'm grateful that supreme musicians such as Robin Trower and Jack Bruce still grace this planet, share their music, their gift, and voice wherever, and whenever, possible. Both musicians have enriched my life and those of numerous others. I hope they tour together again without constraints and a different set list. I acknowledge they call the shots. Me? I'm someone who enjoys music played "live" with passion, vigor and creativity. So who am I to talk? I knew you would understand.

Link to photographs of the performance on 'The Music Hall' site: Photos + Videos

The concert was recorded and broadcast by Radio Bremen. Click on the following link for the whole concert: Robin Trower & Jack Bruce 

Set list signed by Robin Trower and Jack Bruce

trowerpower.com

Robin Trower Interview - Cornell

JackBruce.com

Concert Review: Jimi Hendrix - The 1970 Isle Of Wight Music Festival

Isle Of Wight Festival 1970

Jimi Hendrix

'Yeah ... Thank you very much for showing up, man, you all look really beautiful and outa sight ... And thanks for waiting. It has been a long time, hasn't it? ... That does mean peace not this ... Peace ... OK give us about a minute to tune up, all right? Give us about a minute' - Jimi Hendrix addresses the festival crowd - Monday, Aug. 31, 1970

It is summer and I'm sixteen. I look down at my brother who is asleep on a small patch of ground. A patch of ground that has been our home for three days and nights. We have sleeping bags, some food and drink, body aches, and above us a dark blue sky patterned with stars and planets. Someone stole our tent the day we arrived. Our musical pilgrimage has included travel by ferries, hitchhiking day and night, sharing cars and vans with some people who engendered - within us - curiosity, terror, or both. Why such a daunting and exuberant journey? Well, to hear and feel music played by some of the greatest musicians and bands ever to grace this planet.

Despite negativity in the media regarding management of the festival, unrest amongst fans, overt commercialization, drug dealers, heavy security, the attendance of Hell's Angels and so-called anarchists, I feel instilled in a carefree happy environment. The vibe is cool and the people in our vicinity are friendly and - like my brother and I - are engrossed in the diversity of music and performers. Everyone enjoys gazing at other people in the crowd: mainly at clothes, painted faces, hair, partial nakedness.

As I walk through the crowd I regain energy from the music weaving through the air. The sounds of acoustic guitars, drums, singing and chanting bring a sense of joy and comfort. The human landscape of multi-coloured clothes, tousled hair of every shade and length, and pretty girls - some dancing in erotic fashion as the evening sun glints in their hair - arouse delight and passion within me. The mood and smells are intoxicating. I suddenly wish to be older. Finding my brother, and our mutual space, is aided by our closeness to the stage, and the positioning of numerous flags rich in diversity and colour which act as an aide-mémoire.

Most people have witnessed memorable performances by Taste, Free, Chicago, Family, The Who, Jethro Tull, Miles Davis, The Doors and other artists: music of all genres played by superlative musicians and bands. Days and hours of invigorating music and beautiful images fill our minds, hearts and souls. Utterly magnificent and indescribable.

It is a cold dark morning. A collective cry of joy and relief raises from the crowd (circa 600,000) as Jimi's arrival on stage is announced. 

Shortly after 2.00 a.m. the eyes of those lucky to be awake and standing are centered on one individual walking towards the front of the stage. Jimi Hendrix is dressed in a colourful garment with long trailing sleeves. He is cradling a black and white fender stratocaster. There is no crush or discomfort: just lights, colours, darkness, people waking, coughing and rubbing their eyes. I try to wake my brother. Gradually, he opens his eyes and sits motionless. I tell him Jimi Hendrix is on stage. My brother rubs both his eyes and attempts to stand with some difficulty.

A calm cold beauty descends as I gaze at this amazing human being and his backdrop of daisy-chained Marshall stacks. For a moment I'm fearful of tumbling, being crushed, or losing my brother, as people start to move closer to the stage. I think of some of the inventive music and guitar solos Jimi has created. The first time I heard "Purple Haze" is ingrained in my memory. How could someone compose such a sublimely inventive and haunting song? The opening riff using tritones is unforgettable. I can hardly grasp that I 'm going to witness Jimi Hendrix in concert for the first time.

Music, to my mind, is an emotional roller-coaster to be experienced live: to be captured with your eyes and ears, and if it fails to change your emotions and feelings then move on to music that does. A live performance cannot be captured on vinyl, video, CD or DVD, etc. Such mediums fail to convey the potpourri of images, colours, sounds, vibrations and volume which make your inner being glow.

As Jimi speaks, sings, plays his guitar, the crowd watch in silence mesmerized by his magical charisma, stage presence, mercurial rhythms and soaring solos. I cheer and shout - like most people - after each song. My tiredness replaced by immense energy (I can't remember the last time I rested or slept).

The frost melts as Jimi plays "Spanish Castle Magic". It sounds like a hot bright light breaking through the black, blue and white formations created by the stage lights. Jimi's guitar playing reaches a higher level: soaring, electrifying, intense. His vocals are full of sensuality and power, and during the final solo his guitar sound becomes surreal - distortion and feedback combine to create an expansive dreamy sound.

' . . . That's if we travel by our dragonfly . . . '

While it is evident there are technical problems with Jimi's amplification, pedals and guitars (mostly going out of tune) his voice, phrasing and guitar playing are, at times, exceptional and soul-stirring. He establishes rhythms that are startling and utterly original. Jimi sings "All Along the Watchtower" passionately. His soloing is enhanced by feedback and infectious interplay with Billy Cox on bass. I believe Jimi is blessed to have Mitch Mitchell on drums and Billy Cox on bass as his rhythm section. They bring out the best in Jimi. Mitch shows he is an imaginative and multi-dimensional drummer, and Billy plays fluid and tight, with a deep intuitive skill, matching Jimi pattern for pattern. Jimi's playing is remarkable as it takes different twists and turns.

The patterns weaved by Jimi and Billy Cox are hypnotic during “ Machine Gun” and once again Jimi creates some outstanding runs and sounds. Jimi plays soft, raw, loud, continually bending and moving in the direction of the sound he is trying to create. At times it appears to be a struggle and there is a haunting tension and passion in his playing. Then the rhythm changes and the trio synthesize again to paint a different musical landscape.

Adorning a Flying V Jimi plays a powerful yet turbulent rendition of “ Red House”. I watch and listen as Jimi deliveries his guitar phrases and vocals with a wrestling intensity. It is great to hear new numbers: “Freedom,” ”Dolly Dagger” and “Hey Baby (Land of the New Rising Sun)”. 

Jimi pulled a blistering version of "Voodoo Child (Slight Return)" out of the bag. His guitar sounded heavily distorted and the notes rained down sprinkled with Jimi's unique creative powers.

For Jimi, the band and some of the audience - who were awake and standing - the show may have been uneven. All I know is that Jimi's performance at the festival shook and moved me and that for a while I was wrapped in its warmth and magic. I was shocked - similar to millions of people worldwide - when news of Jimi's death was announced on September 18, 1970, and facts surrounding his physical and emotional health were released.  

I still believe Jimi's set was the defining moment of the festival. His set showed an innovator and experimenter reaching out to his audience with his musical genius.  For those fortunate to come of age during the 1960's Jimi Hendrix raised the bar and brought unparalleled power, sensuality and sustained resurrection to guitar playing, song writing and performance. He exuded a contagious charisma and spirit rarely witnessed by any musician, past or present.

No one but Jimi Hendrix knows what his state of mind was during his last month on this earth. I believe, however, he had new horizons to explore musically, emotionally and spiritually. It is often forgotten that while Jimi was a guitar virtuoso, and an instrumentalist of profound influence, he was also an incredibly gifted, first-rate songwriter. Jimi's musical genius will continue to astound future listeners' as long as music exists and his memorable riffs, songs and lyrics will reverberate wherever sound can be heard.

Set List: God Save the Queen; Sgt Pepper's Lonely Hearts Club Band; Spanish Castle Magic; All Along the Watchtower; Machine Gun; Lover Man; Freedom; Red House; Dolly Dagger; Midnight Lightning; Foxey Lady; Message to Love; Hey Baby (Land of the New Rising Sun); Ezy Rider; Hey Joe; Purple Haze; Voodoo Child (Slight Return); In from the Storm.

I didn't mean to take up all your sweet time
I'll give it right back one of these days
If I don't see you any more in this world

I'll meet you in the next one

And don't be late,

Don't be late

'Cos I'm a Voodoo Child

God knows I'm a Voodoo Child

                                                             - Jimi Hendrix

DVD Review: "Live In Tokyo" - The Michael Schenker Group - Released July 2005

While it's not the same as witnessing Michael Schenker live in concert, and the visual (one camera?!) and audio quality are patently substandard, this DVD still captures Michael's original, melodic, fluid guitar playing at its best.

The DVD is good value: two concerts; forty songs, 236 minutes in length, an excellent interview with Michael Schenker, and all the band members are in outstanding form.

Sometimes the best recorded shows available on DVD do not always catch an artist/group giving their finest performance. However, this DVD provides proof that Michael is an outstanding guitar player who remains grossly underrated and highly imitated.

Let's be thankful Michael is still playing and looks to be back on track.

Track listing:
1. In the Search of the Peace of Mind (Scorpions)
2. Doctor Doctor (UFO)
3. Let it Roll (UFO)
4. Natural Thing (UFO)
5. Lights Out (UFO)
6. Only You Can Rock Me (UFO)
7. Another Piece of Meat (Scorpions)
8. Into the Arena (Michael Schenker Group)
9. Are You Ready to Rock (Michael Schenker Group)
10. Assault Attack (Michael Schenker Group)
11. Captain Nemo (Michael Schenker Group
12. No Time for Losers (McAuley Schenker Group)
13. Save Yourself (McAuley Schenker Group)
14. All the Way from Memphis (Contraband)
15. Pushed to the Limit (UFO)
16. Written in the Sand (Michael Schenker Group)
17. Back to Life (Michael Schenker Group)
18. Love Never Dies (Michael Schenker Group)
19. Essence (Michael Schenker Group)
20. Never Ending Nightmare (McAuley Schenker Group)
21. Bijou Pleasurette (Michael Schenker Group)
22. Positive Forward (Michael Schenker)
23. Lost Horizon (Michael Schenker Group)
24. Too Hot to Handle (UFO)
25. Attack of the Mad Axeman (Michael Schenker Group)
26. Love to Love (UFO)
27. On and On (Michael Schenker Group)
28. Armed and Ready (Michael Schenker Group)
29. Feels Like a Good Thing (Michael Schenker Group)
30. Rock Bottom (UFO)

Bonus video - taken from the Unforgiven World Tour, Japan 2001:
1. Cry for the Nations
2. Let Sleeping Dogs Lie
3. Rock My Nights Away
4. Fish Dancing
5. Pilot of Your Soul
6. In and Out of Time
7. The Mess I've Made
8. Hello Angel
9. Fat City
10. Looking for Love

Further details available at: Amazon

      

Seven Moons "Live" - Robin Trower with Jack Bruce

The "Seven Moons" live album is now available to order at Amazon.co.uk. delivered free in the UK with Super Saver Delivery.

Track Listings:

01. Seven Moons
02. Lives Of clay
03. Distant Places Of The Heart
04. Sunshine Of Your Love
05. Carmen
06. She's Not The One
07. So Far To Yesterday
08. Just Another Day
09. Perfect Place
10. Bad Case Of Celebrity
11. The Last Door
12. Come To Me
13. White Room
14. Politician

It is strange this album is not listed at the official Robin Trower Store - or that Jack Bruce is not included on the "Links" page of Robin's official site. I'm not suprised that "We're Going Wrong" and "I'm Home" are not included on the 'Live' CD - they sounded listless and lacking in atmosphere in concert. Jack's vocal delivery on both tracks was poor live, and I was grateful when both songs ended.

The release of "What Lies Beneath" - in my view - overshadows Robin's recent collaboration with Jack Bruce in the studio, and in concert. I'd like to see Robin touring again with Livingston Brown on bass and vocals, and Pete Thompson on drums. Call it "The What Lies Beneath" tour. Robin has reached new heights of creativity on his recent album, which I believe, surpasses most of the music of "Seven Moons".

Concert Review: Jeff Beck - Ulster Hall, Belfast - 30 June 2009

Belfast is anything but dull. The city centre oscillates between menace and refurbished high culture. The recently renovated Ulster Hall is a fitting venue for Jeff Beck's first concert in Ireland. The Victorian Hall has played host to some of the finest artists and groups to grace this planet, including Rory Gallagher, Taste, Led Zeppelin, The Kinks, and Fleetwood Mac with Peter Green.

I'm sitting in the sixth row - centre stage - I give in to nostalgia, and think of some of the great concerts I have experienced at this venue. I visualise the artists, and hear fragments of their music with each beat of my pulse. After the support act, I believe the absence of a vocalist will not be missed when the main act takes to the stage. The auditorium is silent, in semi-darkness; the stage looks larger. I gaze at the red backdrop which creates a sunken world of calm and expectation. The lights dim.

Tonight a sold-out audience is treated to an absorbing performance by Jeff Beck and his powerhouse of a band incorporating drummer, Vinnie Colaiuta; keyboardist, Jason Rebello; and bass guitarist, Tal Wilkenfeld. Time to forget the 'Credit Bubble', the Internet, DVDs, CDs, vinyl: most fans want to see their musical heroes in the flesh. And there is no substitute for the atmosphere, tension, and emotion, an inspired and engaging band can generate live in concert.

The success of Jeff's recent release, 'Jeff Beck: Performing This Week - Live At Ronnie Scott's' on DVD, Blu-Ray and CD, the celebrated performance at the "Crossroads Guitar Festival' in Chicago, 2007," Jeff's induction into the "Rock and Roll Hall of Fame" on 4 April 2009, and new management - Harvey Goldsmith - have helped to invigorate Jeff's career, and standing in the music industry.

Tonight, Jeff walks onto the stage dressed in black, with a white scarf draped around his neck, and cradling his cream and white stratocaster. The applause is deafening, heartfelt. I believe Jeff and the band are genuinely taken aback by the warm reception. The band starts the performance with 'Becks Bolero' and it is clear the sound balance is excellent, and each band member is crystal clear in the mix. Somehow, Jeff and his band make the music sound fresh, as if woven for the first time.

What makes a good performance? Perhaps, dialogue between the musicians on stage. While creating their own voice and space - each musician, tonight - seems to bend and shape the music to maximum effect, and the combined output goes straight to your emotions, your soul. Something, not all musicians achieve.

Vinnie and Tal begin the hypnotic rhythm to 'Pump', and Tal's bass sound is beautifully warm; you could listen to it all night. A lot of people comment on her playing - which speaks for itself - but the diverse tones she gets from her bass, amps, and effects pedals are astounding. During the sixteen-number set it is evident the deep intuitive skills displayed by Vinnie, Tal, and Jason, provide a strong canvas for Jeff to paint a colourful array of sounds from his guitar.

Jeff plays with warmth, finesse, and an impish quality which permeates the group, and creates an extraordinary bond with the audience. The band truly seem astounded by the warm reception after each song, and exchange smiles. A great version of 'You Never Know ' follows, which sets the high standard of musicianship, and sound, that Jeff and his band reach during the rest of the performance.

Who could not be moved by the sublime 'Cause We've Ended as Lovers' - beautiful sounds and melodies emanating from Jeff's guitar, and inspired soloing by Tal. It digs deep into the twilight room of the soul, creating a dizzy sense of magic.

Does music get better than this? I doubt it. During the set Jeff moves around the stage, sometimes changing direction when the music changes course. Periodically, he exchanges a cheerful smile with a fellow band member, and continues to play his guitar with a naturalness few guitarist's attain. Each song was a highlight.

Jeff and his band were visibly moved by the two 'five minute' standing ovations they received.

After the concert Jeff, Tal, Jason and Vinnie are generous with their time and in great spirits. The warm and passionate reception they received tonight will be just as engaging if they return to Belfast again. I hope they do.  

Jeff Beck's Set List, Belfast

Jeff Beck Signing the Set List

Tal Wilkenfeld and Ronnie Kerrigan - Stage Door , Belfast

Tal Wilkenfeld

Transformation CD (2007)