Concert Review: Robin Trower - The Caves, Edinburgh - 25 September 2011

Some artists sound much the same from one gig to the next; playing songs 'note for note' as per the recorded versions. With Robin (as with Jimi Hendrix and Rory Gallagher, whom I both still idolise) no two concerts are the same regarding the length of songs and instrumentals, or the level of colour or mood they radiate to the audience. Robin's playing remains fluid, improvisational, and each concert represents a concert without precedent.

Tonight Robin is playing The Caves: a venue hard to find, but once you do, is truly an amazing place. The fact it is underground, a windowless cave with low lighting, brick walls, make for an intimate atmosphere, ideal for music, live or otherwise. The low stage, however, can make it difficult for some fans to see the group properly during the performance. Robin is joined on stage tonight by Richard Watts (bass and vocals) and Chris Taggart (drums).

 Richard Watts

From the opening number "Confessin' Midnight" I'm pleased to see how each musician commands the stage, and unify to deliver powerful, emotionally expressive, fresh versions of some of Robin's greatest songs. Robin seems genuinely delighted to be performing with this line-up, occasionally lighting his face with a warm smile. As Robin feeds of the response and affection of the audience I'm sure there are moments tonight when he feels overwhelmed.

On "Lady Love" Richard's vocals confirm he has progressed to be a strong, dynamic singer. He sang the lyric with total conviction; a blend of passion and freshness, while delivering a deep, strong bass line. Some of the audience - including myself - felt, at times, Richard's bass was too low in the mix. The energy level of the band, however, was high and they delivered expressive, inspirational versions of "Somebody Calling" and "For Earth Below." Richard and Chris creating deep, rich grooves for Robin to play his guitar with freedom, imagination, and in his own phenomenal style. The band played a song I haven't heard before: "When I Heard Your Name" which confirms Robin remains a prolific, creative musician.   

Chris Taggart

Chris Taggart is a revelation on drums, adding colour, texture and driving rhythm grooves which weave into phrases that create a rich, colourful backcloth that Robin can solo over with intense creativity. His cymbal work is an integral part of his fine and subtle performance. The musicianship of Richard and Chris combine to provide a new dimension and sound to Robin's music; creating an hypnotic, spellbinding atmosphere.

Some fans are perturbed and mystified to find that Robin is playing tonight with a new rhythm section. Personnel changes - especially in a trio - can blend to create a change in musical colours, expressions, patterns, and make it sound completely fresh. The overall impression is that this rhythm section are perfect for Robin at this time, and he is clearly inspired by the new combinations of sound. Meanwhile, only Robin knows what the future holds regarding his musical direction, and the musicians he will use to bring his creative ideas to life.



Robin's set list tonight confirms he prefers to play the old songs, but in the studio he continues to record an extensive range of fresh material. During the last three years he has released three CDs: Seven Moons (2008), What Lies Beneath (2009), and The Playful Heart (2010). Of the three recordings I believe What Lies Beneath is a true "Classic". Each fan has their favorite Robin Trower albums and tracks. I would like to see Robin revolutionize his set list by including songs such as: 'Into Dust', 'Blue For Soul', 'This Old World' (great riffs & vibe), 'Living Out of Time' (a classic track), 'I Can't Wait Much Longer' and tracks from What Lies Beneath.

Robin, Richard and Chris play a rousing version of "Day of the Eagle" which flows softly into "Bridge of Sighs". At times, I close my eyes to listen to the music flowing from the stage. Whether mid-tempo, or slow, it sounds unified, fresh, spiritual, mood altering. As if time has slowed down. Richard's vocals ring out throughout the venue, and the sound of the guitar, bass and drums pulsate, weave patterns, and make that vital connection with the crowd. While I believe "The Turning" is a good song the change to a slower tempo at the coda doesn't enrich the composition. In fact, it negates the intensive flow and driving rhythm the song generates in the first place. The song still goes down well with the crowd.

 

Someone asks me tonight why Robin's music affects me the way it does? Simple words can't describe the feelings one gets when one finds music that really matters to you, whether it is recorded or live. Robin's music and guitar playing remain embedded in my mind to be accessed when needed; still touching and moving me today as much as yesterday. Long may Robin continue to compose songs and music of substance, record, tour, and reach people with his musical talent.

Robin's guitar pick & set list

There's definitely a strong case for Robin to tour the UK/Europe & US in 2012 with this line-up (other commitments permitting). They are engaging, lively, superb musicians. In conversation with fans (post concert) most agreed tonight's concert had been a revelation; that Robin and his band looked and sounded energized, driven, and give a high octane performance. In essence, the stage pulsated with talent tonight, and credit is due to Robin, Richard and Chris for their contributions.

After the concert it was a pleasure to meet "long-time" Robin Trower fan Davy Smith again; Laurie Brace (Road Manager/Sound Engineer for Robin Trower), Chris Taggart, Robin Trower's drummer, and other Trower fans whose names I unfortunately forget. The conversation was memorable as was the concert. The talents of the late Jimmy Dewar, Davey Pattison, Pete Thompson, Dave Bronze, Glenn Letsch, the late Rory Gallagher (and other musicians) brought forth fond memories of gigs in Belfast, Edinburgh and Glasgow. Also, favourite songs and albums. A wondrous night, indeed.

Robin Trower Official Site

Robin Trower Page at Amazon

Robin Trower - "The Playful Heart" - Studio CD - Release Date: 7 December 2010



The latest studio album from Robin Trower is certainly intriguing and compelling. I would recommend the album to anyone who enjoys classic rock, blues, and jazz. The musicianship from Robin, Pete, Glenn, and Davey is outstanding, as is the production by Livingston Brown. The songs are diverse, and most are weaved in magic.

Track Listing:

1. The Playful Heart
2. Don't Look Back
3. The Turning
4. Dressed In Gold
5. Find Me
6. Song For Those Who Fell
7. Maybe I Can Be A Friend
8. Prince Of Shattered Dreams
9. Camille
10. Not Inside - Outside
11. And We Shall Call It Love

Further details of album and ordering: Amazon and The Official Robin Trower Store

Robin Trower Official Youtube Channel

trowerpower.com

Robin Trower - UK and European Tour - Sep & Oct 2010

Robin Trower and his band will be undertaking a UK and European tour during September and October 2010. Don't miss the opportunity to witness 'live' a truly creative guitarist with a distinctive sound and inspired song writing ability.

Some talented musicians grow into maturity and then decline swiftly or slowly. Robin isn’t one of those – he continues to mature musically, play with creativity and passion, and is an inspiration to musicians, fans and music lovers alike.

I am attending two concerts and will be posting a review of one of the shows.

Concert Dates:

03/09/10 - De Boerderij in Zoetermeer, Holland 

05/09/10 - Paradiso, Amsterdam

08/09/10 - The Globe, Cardiff

09/09/10 - Robin 2, Bilston

10/09/10 - Pacific Arts Centre, Birkenhead

11/09/10 - Academy, Glasgow

12/09/10 - Picturedrome, Holmfirth

15/09/10 - Waterfront, Norwich

16/09/10 - Academy, Newcastle

17/09/10 - Assembly Rooms, Derby

18/09/10 - Shepherds Bush Empire, London
19/09/10 - The Brook, Southampton 

22/09/10 - Komedia, Bath (Review)

23/09/10 - Featival, St. Ives, Cornwall

25/09/10 - The SoundHouse, Otford

26/09/10 - Komedia, Brighton

29/09/10 - Spirit of 66, Verviers, Belgium

01/10/10 - Café Hahn,  Koblenz, Germany

02/10/10 - Music Theatre Rex, Lorsch, Germany

03/10/10 - Musiktheater Piano Dortmund, Germany

05/10/10 - The Quasimodo, Berlin, Germany

06/10/10 - Barby, Magdeburg, Germany

08/10/10 - La Poudrière, Leffrinckouckel,  France 

09/10/10 - Bobino, Paris
10/10/10 - Le 112, Terville, France

12/10/10 - Aarburg, Switzerland

14/10/10 - TBA, Monaco

15/10/10 - International Blues Festival, Barcelona 

An important aspect of the tour will be the set list. Robin says it will include some new songs and [perhaps] restoration of some old favourites that are truly atmospheric live, for example, "Daydream" - a classic song.

Best wishes to Robin and the band for an enjoyable and successful tour in 2010.

This footage is dedicated to Robin, Pete, Davey, and Glenn. Thanks for the music and the vibe.

Robin Trower Official Youtube Channel

trowerpower.com

Concert Review: Robin Trower - Komedia, Bath - 22/9/10

I've attended good concerts and great concerts. Myself and my wife, and others whom we meet afterwards, agree we have witnessed an outstanding one. A compelling performance from beginning to end; a terrific triumph for Robin, Pete, Davey and Glenn (who astound with their energy, passion and musicianship) and for the audience an emotional, unbeatable, roller coaster ride.

I glance at Robin's set list and believe it is one of the strongest Robin has put together for recent tours in the UK. The strong riffs and rhythm of "Confessin' Midnight" followed by "Lady Love" will enable Robin to solo with a degree of aggression and passion right from the start and for the band to hit a tight rhythmic groove early in the show. I'm pleased a deep favourite of mine "Daydream" is included in the set. The first time on this tour. The gods have fortuitously shone down on me once again. Somehow I feel this is the right place, one of the right gigs to be at.

As the number of people flocking into the auditorium grows there is an increasing air of excitement and anticipation, and the slight electricity of whispering that occurs before such events. When Robin and his band appear on stage the audience give them a warm boisterous welcome.

"Confessin' Midnight" sounds razor sharp. The band come together and the song goes off like a flashbulb. Robin's guitar tone sounds amazing, especially when he hits the wah-wah pedal. Davey's vocals are superb and distinct tonight. In fact, his singing is a revelation and he wins many plaudits. Robin's soloing bites, twists and turns, and is pleasantly aggressive. A problem with a monitor is soon fixed by Laurie at the end of the song. Without losing ground the band launch into "Lady Love" which keeps the crowd energized. It says something about Robin's unique guitar style that songs from early in his career still retain a freshness and vitality on each hearing. Pete on drums and Glenn on bass combine to provide a sweeping, smoldering, strong rhythm which delights and catches hold of your spirit at the same time.  

The hypnotic, funky rhythm of "Somebody Calling" is particularly noteworthy powered by Robin's lead guitar work. Combined with Davey's vocals and enthusiastic backing by Pete and Glenn this song sounds better live than I expected. Robin's vibrato is used to killer effect alongside beautiful rhythmic chording and chord changes.

It's obvious that Robin loves to continually write and record new music. The inclusion of three "new" songs in the 14 song set, "Find Me," "The Turning," and " Not Inside - Outside" are well received by the audience. "Find Me" really kicks in when Davey sings in sync with Robin's guitar. During the song Robin plays beautiful understated solos which rise to a crescendo. This should be an interesting composition to listen to on Robin's forthcoming CD regarding the guitar parts and overdubs.

"Extermination Blues" has been dropped from tonight's show; a slow song which I believe can lose an audience no matter how great the guitar playing may be. I'm pleased it's been replaced by the classic "Daydream." Tonight "Daydream" is haunting and unforgettable due to Davey's outstanding vocal and Robin's graceful guitar playing and lush sound. The bass and drums sound just right and combine to make this one of the highlights of the show.

Robin's mastery of the guitar is highlighted to great affect on "Bridge of Sighs". He improvises with great feeling; moving from soulful tenderness to moving aggression. I'm glad this version was captured on film. Another new song, "The Turning" sounds excellent. The main riff, chord sequencing, rhythm - and the slow coda - make this a finely-crafted composition. The haunting beat from the outset creates an intoxicating sound. A truly memorable riff weaves its way through the song and make it impossible to remain still until the coda. A coda which is soft, beautiful, and gets large cheers from the audience.

Pete in full flow

Robin's Set List

The people I spoke to post-concert agreed this was one of the finest performances by Robin, Davey, Pete and Glenn they had witnessed. A great set list enabled Robin to ply his exceptional monster bends, licks, and classic vibrato with incredible energy for the whole concert. At 65, Robin deserves high praise for continuing to create music and play guitar at a level second to no other living guitarist.

Davey's singing was top notch and the sound mix was great for the audience. Pete's heart, soul and finesse shone in his drumming and Glenn's funky bass lines were a revelation. A truly superb performance by Robin and the band which produced many great musical moments to cherish. "Daydream" was the icing on the cake.

Postscript: The venue was great and all the staff were friendly and supportive. This helped to make the concert superb and unforgettable.

Davy Smith, Alan Howard, Ronnie Kerrigan (post concert)

trowerpower.com

 

Robin Trower Official Youtube Channel 

Robin Trower at: Amazon

Concert Review: Robin Trower - The Rescue Rooms, Nottingham - 15 May 2008

It is obvious by tonight’s gig that Robin Trower possesses a rare power and spirit that has not been diminished by his long musical career. His music and playing continues to have an indefinable purity – it blends blues, soul, funk, R&B, jazz, etc., with a passion and fire other musicians only possess in their dreams.

Over the course of the show, backed by Pete Thompson (drums), Davey Pattison (vocals) and Glenn Letsch (bass) Robin took himself, and the audience, on an emotional voyage of ecstasy, blissfulness, serenity, cool and just rolling with it; sometimes going from a whisper to a storm-force howl in an instant. I believe Robin and his management must now be aware a strong fan base exists in the UK that appreciates his great songs, great playing, and consider him to be one of the finest musicians to originate from England.

The sound mix was not the RTB’s friend at the start, but the flames of the opening "Twice Removed From Yesterday" was enough to ignite the audience. Davey Pattison has an impressive set of lungs (believed to be stored in a bank vault in Glasgow) but it’s a shame the sound quality and mix let him down – during the earlier parts of the set his voice, and also the rhythm section, were completely buried by the sheer volume of Robin’s guitar.

When Davey performed on the slow songs his quality shone through: ‘For Earth Below’, ‘Bridge Of Sighs’ and ‘Another Time, Another Place’. The expressive rhythm section of Pete Thompson (drums) and Glenn Letsch (bass) are proving more dynamic as the tour progresses and, on occasions, were so tight it was evident they were inspiring Robin’s guitar playing to greater heights of passion, soulfulness and intensity. He seemed to be pushing it as far as it could go – visible by his facial expressions and fervour.Although Glenn was experiencing difficulty now and then hearing his bass in the mix he provided some superb bass lines, especially the central section of ‘Hannah’, ‘The Fool and Me’, ‘No Time’ and ‘Gonna Be More Suspicious’ - the swing of the rhythm section made you wish these songs would go on forever.

Robin’s guitar tone and expressive, melodic licks and phrasing were outstanding during ‘No Time’, ‘The Fool And Me’, ‘Rise Up Like The Sun’, ‘Gonna Be More Suspicious’ and ‘Bridge of Sighs’. I closed my eyes a few times to listen solely to the music – spontaneous, yet ephemeral. Yes, it was L-O-U-D and the venue was hot, and sometimes you had to clench your teeth, but it was still an amazing gig. Thanks to Robin, Davey, Pete and Glenn & Laurie (road manager) for putting on a great show. Nice talking to you all after the show and also Dave from Derby who was transfixed by the music and musicianship he had witnessed.Me? – I headed back to the hotel, drained, but refreshed, if that’s not too paradoxical to imagine?


Setlist: Twice Removed From Yesterday, Shame The Devil, For Earth Below, No Time, The Fool And Me, Roads To Freedom, Islands, Day Of The Eagle, Bridge Of Sighs, Rise Up Like The Sun, Victims Of The Fury, Gonna Be More Suspicious, Hannah, Little Bit Of Sympathy, Too Rolling Stoned,Go My Way Another Time Another Place,

Concert Review: Robin Trower - The Academy 3, Manchester - 28 April 2006

I was fortunate to attend tonight’s concert at Manchester Academy with my wife, Sylvia, and daughter, Emma, to witness a triumphant performance by Robin Trower and his band; Dave Bronze on Bass, Pete Thompson on Drums, and Davey Pattison on Vocals.

The Academy’s acoustics, atmosphere, crowd and musicianship of Robin and his band provided the perfect ingredients for a truly memorable concert.

In his 61st year Robin has undoubtedly made his presence felt once again in his native homeland. He is not just a superlative master of the guitar; he is a first rate musician and songwriter. It should be evident by tonight’s reception that Robin enjoys a harmonious, loyal and appreciative fan base across the UK.

The seminal works, aka, "Day of the Eagle," "Bridge of Sighs," "Daydream," "Hannah," "Islands," and "Too Rolling Stoned" were absolutely breathtaking tonight. The band were perfectly in harmony, and appeared to play with renewed energy. Robin’s atmospheric and distinctive sound, combined with his unique soulfulness and emotion, and the musical intimacy of the band, combined to make this an awe-inspiring concert.

Robin’s music continues to somehow grab your heart and reside within; comparable to a close companion of honest warmth and integrity. Robin is a true contemporary of, Beck, Page, Clapton, Green, SRV - in effect, any guitarist you wish to a name. Those fortunate to attend tonight’s concert seen, heard, and witnessed an artist in full flight; liberated, and at the pinnacle of artistry.

Thanks to Robin, Davey, Dave, and Pete, for contributing to a great performance; also Steve Rusell and Laurie Brace - two genial guys who help to ensure the equipment and sound are at their best.

It was great to meet Steve Shail for the first time; Alan Howard who is always gracious and passionate about the music; David Knight and friend Tony Roberts, who I last met at Robin’s gig at the Life Café in the same city in March 2005.

Post gig we retired to the Kro Bar, Oxford Road, with fellow blues & rock fans, Heather Collier and Cassie McBirney. Enjoyable conversation, first-rate company, and a wide selection of beers contributed to an absolutely memorable evening/morning.

Set List: Twice removed from Yesterday; Hannah; Roads to Freedom; Too much joy; Islands; Day of the Eagle; Bridge of Sighs; 20th Century Blues; Victims of the Fury; Too rolling stoned; Go my way; Another time, another place; Little bit of sympathy. Encores: Lady Love; Daydream

Concert Review: Robin Trower - The Rescue Rooms, Nottingham - 19 April 2006

 

Robin Trower and his band of "merry" men, Davey Pattison (vocals), Dave Bronze (bass), and Pete Thompson (drums) - it was Robin Hood territory after all - took to the stage at 9.00 pm and adorned their armaments ready for battle. The venue, while compact, proved an excellent setting to see Robin and the band up close and personal. To paraphrase the late Phil Lynott of Thin Lizzy, "the band were red hot, I mean they were steaming," right from the opening chords of "Twice Removed from Yesterday".

As the set progressed it was evident the stifling heat in the venue was a burden the band would have to endure, which to their credit they did, combining superlative musicianship with the delivery of music of the utmost quality during the entire set. The heat took its toll and the group looked visibly exhausted and drained at the end of the gig.

While the overall sound was extremely loud, Dave's powerful and melodic bass lines, and Pete's drumming finesse were clearly audible in the mix; no mean achievement. It was evident the band were in excellent form, wholly in sync, and intensely immersed in the music.

Proof is in the delivery, and did Robin and the band deliver? Definitely, yes - the version of "Hannah" was excellent; strong bass lines clearly audible with Dave Bronze totally immersed in the music in perfect harmony with Pete Thompson's exceptional drumming; a great rhythm partnership which enabled Robin to layer the song with his unique guitar sound and style. Accompanied by a strong soulful vocal by Davey this song was exceptional on the night.

"Too Much Joy" was pure magic. I though Robin might sing it, but the vocal duties were taken by Davey. It proved to be one of the finest songs with Robin playing searing bluesy licks over a hypnotic tempo; lead guitar playing at its finest - passionate and soulful.

The version of "Day of the Eagle" was powerful, and the best I've heard on the recent UK tours. It would be great to hear a slightly longer play out by Robin in the slow coda prior to starting "Bridge of Sighs" which creates a unique atmosphere to enable Robin to play his guitar like no other musician; soulful, bluesy, and with tremendous feel.

"20th Century Blues" would be a brilliant opening number on this tour (April/May in UK before heading to the US; so catch the band on their current dates) and is clearly going to be a crowd favourite. The riff, rhythm, and solid bass lines make this an ideal vehicle for Robin to use his range of guitar playing techniques. The emotion it generated was clearly visible on Robin's contorted face as he bent his strings in all directions in combination with his formidable vibratos.

The rehabilitation of "Victims of the Fury" is proving popular with Robin's fans. Without doubt the harmonies during the chorus from Davey, and Dave, enhance the song, together with Robin's use of the wah pedal. The solos during the song were paramount to virtuoso guitar playing at its zenith.

Also sounding great and inspired were the versions of "Go My Way" (scorching wah soloing by Robin over a pulsating, harmonized rhythm provided by Dave and Pete ), and "Sweet Little Angel" - blues playing of the highest caliber - a strong rhythm enabling Robin to reach dizzy heights of passion and soulfulness, and Davey to sing his heart out. Truly memorable.

Other highlights were "Too Rolling Stoned" and "Little bit of sympathy". "Daydream" is always first-rate. The heat on stage must have been unbearable and Robin and his 'merry' men definitely earned the applause and adulation tonight.

This tour was promoting the release of Another Days Blues - a brand new album - and the 'Living Out Of Time - Live' DVD and CD from Robin.

Do yourself a big favour - catch Robin and his band on tour while you can, and purchase music that rocks and taps into your emotions.

Set list: Twice removed from Yesterday; Hannah; Roads to Freedom; Too much joy; Sweet little angel; Islands; Day of the Eagle; Bridge of Sighs; 20th Century Blues; Victims of the Fury; Too rolling stoned; Go my way; Another time, another place; Little bit of sympathy. Encores: Lady Love; Daydream

Ronnie, Davey, Pete, Dave and Alan

Concert Review: Robin Trower - The Irish Centre, Leeds - 22 November 2005

This was special - why? - it just happened to be my birthday, so tickets, flights and accommodation were booked well in advance. My wife and I flew from Belfast the day before the concert. I must admit I still felt slightly exhausted following the Bristol concert - but hell it was worth it. On the day of the Leeds concert I regained my energy and as the clock ticked by my eagerness to witness again the finesse of the Robin Trower Band in concert heightened by the minute.

There has been immense hype in the media regarding the purported musical highlights of 2005: the reunion of ‘Cream’ (tickets selling beyond face value for as much as £1,500; no room for genuine fans unless immensely lucky - mostly corporate sycophants sitting in the front stalls, as with other major music events held these days), and ‘Live 8’ (worthy cause - all form, but modest musical substance).

For quite a few music fans in the UK a main highlight has been the return of one of its 'unsung heroes' to the live circuit in the personage of Robin Trower on the ‘Living Out Of Time’ Tour. Just don't rely on the music press - including guitar magazines - to inform you. This tour has confirmed that Robin should be recognised as one of the top guitar players of all time (up there with Clapton, Page, Beck, SRV, and the greatly underrated Rory Gallagher). Robin is a guitar master with a unique and distinctive sound, and inspired song writing ability.

Sylvia and I went by taxi to the venue and when the doors opened made straight for the front of the stage and met Laurie Brace, Sound Engineer for Robin Trower, and Steve Russell, Backline. These guys have been instrumental in ensuring Robin, Dave, Davey and Pete have achieved the sound and success this tour has generated, and it has been a pleasure meeting them; their friendliness and banter at each venue I attended has been greatly appreciated. Prior to the show we went to the dressing room and had a picture taken for posterity – whoever Prosperity is?

I noticed Robin’s amplification had been augmented on stage with the addition of two Leslie Cabinets to enable Robin to hear his guitar clearer, and to facilitate a better sound balance for the whole band. I felt he had played too loud at the Cambridge gig and this had impacted on the overall performance on the night.

Shortly after nine the band took to the stage and the crowd moved forward to the front of the stage. The atmosphere was electric and it was obvious from the opening chord progression of ‘Twice Removed From Yesterday’ that the sound balance was superior to the Cambridge and Bristol gigs I had attended lately - also the tone of Robin’s guitar. The crowd was totally mesmerised from the start and each instrument could be heard clearly, even Robin’s voiced parts during the song were audible.

I must admit I prefer the band opening with ‘Too Rolling Stoned’ as it enables the crowd and the band to get into a hypnotic groove early in the concert. But everyone has their favourite songs . . . including Robin. ‘Hannah’ again proved superlative with Robin playing beautiful arpeggios during the chord sequences supported by Dave’s ‘stellar’ bass lines (sounding Newtonian at times!), strong drumming from Pete, and great vocals from Davey (which tonight could be heard clearly). This definitely made the gig more moving and enjoyable.

I was slightly disappointed ‘What’s Your Name’ and ‘Living out of Time’ had not been included on the set list again – perhaps more flexibility with the set list would be a plus for the group and the fans on any future tour(s) . . . only planting seeds; The Fool and Me; Alethea; Secret Place. This, however, was compensated by the inclusion of ‘Fine Day’ - song writing at its best; and incredible lead playing during the solos.



The version of ‘Bridge of Sighs’ tonight was breath-taking and the solo fully highlighted the formidable vibrato, awesome string bending, and tremendous guitar tone which Robin possesses - truly emotional with melodic phrasing. The experience is augmented by the smaller type venue which, on this tour, has proved intimate for Robin, his band, and the fans, giving the atmosphere an electric charge not facilitated at larger venues.

Next was the instrumental ‘Islands’; a melodic masterpiece which enabled the trio of Robin, Dave and Pete to take the concert to a different emotional level. Another great song live is ‘Rise up like the Sun’ which allows Robin to solo over a great rhythm provided by Pete and Dave. Robin’s soloing once again reaching heights of raw emotion and soulfulness simultaneously - a joy to behold.

Other highlights included ‘Victims Of The Fury’; ‘Too Rolling Stoned’ ‘Go My Way’; and ‘Another Time Another Place’ which highlighted Davey’s excellent vocals and Robin’s beautifully placed fill-ins. The encores included ‘Lady Love’ and ‘Daydream’.

On the night Sylvia and I agreed ‘Daydream’ was in a class of its own due to the crystallization of the band emotionally and musically - something I am sure Robin appreciates – it enables him to let his guitar soar ever higher in search of that ‘buzz’ which somehow bonds with the audience. A truly memorable night. It is obvious Robin likes to play live and hopefully this band will tour in 2006 . . . just keep the fingers crossed.

Afterwards I bought the DVD and had it signed by the band. A lot of bantering, humour, and laughing on the night after the gig as evidenced by the subsequent photographs. A big thank you to Robin, Dave, Davey and Pete; also Laurie and Steve, for making my birthday special, and also the concerts I attended in Manchester, London, Southampton, Cambridge, Bristol and Leeds. It has been an adventure full of great memories, and fantastic music played by superlative musicians.

Pete & Ronnie

The Three Tenors aka Davey, Ronnie and Dave – 'Who said vaudeville was dead?'

Set list: Twice Removed From Yesterday; Hannah; Roads To Freedom; Fine Day; Islands; Day Of the Eagle; Bridge Of Sighs; Rise Up Like The Sun; Victims Of The Fury; Too Rolling Stoned; Go My Way; Another Time, Another Place; Little Bit Of Sympathy; Encore: Lady Love; Daydream

Concert Review: Robin Trower - The Fleece and Firkin, Bristol - 17/11/05

To escape the freezing dark air of Bristol I had a few drinks in the Seven Stars - a pub blessed with warmth and character, pleasant bar staff, and fellow Robin Trower fans’ seeking heat and refreshment prior to the gig being held literally next door. It was great to meet fans from South Wales; sadly I forget their names - great conversation about Robin, his guitar playing, his music and contemporaries.

As the crowd waited to gain access to The Fleece I talked to Laurie Brace, Sound Engineer for Robin Trower (always has a warm welcome) about the recent gigs. The venue had character and intimacy, and an appreciative crowd assembled as Robin, Davey, Dave and Pete took to the stage shortly after nine.

From the opening chord sequence of "Twice Removed From Yesterday" it was apparent the sound was superior to the recent gig I had attended in Cambridge with my brother. Every instrument could be heard clearly, including Davey’s vocals, and Robin’s guitar tone sounded smoother - less harsh - and definitely not as piercing.

The song "Hannah" has proved a crowd favourite on this part of the tour with Robin playing in his usual soulful manner, supported by Dave’s harmonious stellar bass lines, great drumming from Pete, and incredible vocals from Davey. The change in tempo mid section enabled the band to descend into a great groove along with the audience.

It takes a live gig to see and hear how the members of the band crystallize, emotionally and musically; something I am sure Robin appreciates. It obviously elevates his playing as evidenced by his solos tonight. "Fine Day" sounded great with its beautiful chord structure and rhythm which enabled Robin to solo with intensity and passion. Shame Robin wasn’t using the Mu-tron II on this song tonight; a great chorus / wah pedal which gives chords extra depth and punch.

"Victims of the Fury" has also proved popular in the set. A strong rhythm; great harmonies during the chorus from Davey and Dave; and Robin using the wah pedal to great affect during the chorus and leads.

Other highlights were "Another Time Another Place" which highlighted Davey’s passionate vocals; "Too Rolling Stoned"; "Bridge of Sighs" and "Go My Way". The encores included "Lady Love" and "Daydream".

I must confess I missed "What’s Your Name" and "Living out of Time" from the set list. To summarise - great musicians; great music; great sound; astounding guitar playing and a great night. A big thank you to the group and crew for delivering the goods on this tour once again. I was drained at the end – where do these guys get the energy from? Long may it continue.

Concert Review: Robin Trower, The Junction, Cambridge - 8 November 2005

 

It was a ‘Fine Day’ and a ‘Fine Night’. After attending gigs on the first leg of the ‘Living Out Of Time’ tour, it was great to see the set list for the second leg had been changed by Robin. This impacted on two levels: Robin, Dave, Pete and Davey appeared revitalised by the new set; and the crowd were noticeably jubilant to be given the opportunity to hear diverse songs from Robin’s extensive back catalogue. No 'Alethea', 'The Fool and Me', 'Take What You Need (From Me)', 'Over You', 'Blue For Soul', 'Living out of time', 'I want to take you with me', 'Back It Up', 'Rock Me Baby' . . . As the saying goes, ‘you can’t have everything'.

From the opening number it was patent the volume level was 10 and rising, as evidenced by the opening chord sequence of "Twice Removed From Yesterday". It was great to see this song performed live and with such power. The acoustics of the venue were problematic; causing reverberation difficulties not helpful to the band, or audience. The band really took off during the next song "Hannah" (the sound more evenly balanced) Robin playing in his usual passionate and emotional manner, supported by Dave’s strong bass lines, great drumming from Pete, and incredible vocals from Davey.

Following "Roads to Freedom" the opening chord of "Fine Day" took the concert to a new level. It has got to be one of the best songs Robin has written; the heavier sound and rhythm ‘live’ transcends the recorded version which I feel is on the softer side. Robin’s guitar playing reached new heights of emotion and soulfulness during the lead breaks in this song. I felt exhausted when it finished! A true gem.

I was surprised how good "Victims of the Fury" sounded; a great version – stronger rhythm, emotion and Robin using the wah pedal to great affect during the chorus and leads. Next was "Too Rolling Stoned" and the band was really in sync. Robin using his arsenal of techniques to great affect: string bends, use of feedback and tremolo arm, arpeggios, long sustained notes - which have to be seen and heard ‘live’ to be believed.

Other ‘highlights’ were "Another Time Another Place" showing Davey’s vocal prowess at its finest, with Robin’s guitar fill-ins enhancing the mood of the song; and a scorching version of "Little Bit of Sympathy".

The band left the stage to thunderous applause and shouts for ‘more’ from numerous hoarse voices in the crowd including myself, my brother, John K., John Waters and Martin Hughes. The encores included "Lady Love" and "Daydream". I must confess the version of "Daydream" was, for myself and my brother, the superlative song on the night on account of Robin’s guitar playing (at times amazing and truly emotional), the outstanding sound and bass playing of Dave, the pure drumming dexterity of Pete, augmented by Davey’s superb vocals. Spellbinding.

Robin & Ronnie post gig

Finally, it was great meeting up with John and Martin at the concert, and for drinks and conversation back at the hotel with Pete Thompson and Dave Bronze. Great night. Don’t forget the ‘WASP’ joke. Thanks to Robin, Dave, Pete and Davey for being so understanding in the presence of over zealous fans, and listening to our ‘ramblings’ with straight faces. Also, Laurie Brace and Steve Russell for their thoughtfulness and overall contribution to the sound at the gig.

Concert Review: Robin Trower - The Brook, Southampton - 22 April 2005

I travelled from Belfast for my third gig of the 2005 tour - I have a very understanding wife. While collecting my ticket mid-afternoon at the venue I was delighted to meet Laurie Brace, Road Manager/Sound Engineer for Robin Trower, and Steve Russell, Backline. We discussed the success of the European tour, the high standard of musicianship of the band, the great sound balance at the gigs in Manchester and London, and their respective backgrounds in the music business. It was great to talk to them and a pleasure.

The venue doors didn’t open until eight o’clock. I was fortunate, however, to meet John and Martin from London who both helped the wait in the queue to be enjoyable even though the weather was quite cool. When the doors opened we made straight for the area in front of Robin’s pedals and stayed there throughout the gig.

Robin and the band took to the stage unannounced and for over one and a half hours captivated the audience who burst into bouts of applause and yells at the end of each solo, and sustained appreciation for the quality of the playing and material throughout the concert, even though it was apparent it was very warm for the group on stage. After the obligatory opening flurry of notes by Robin, the band started into "Too Rolling Stoned". It was apparent the band was again in great form and fully in sync with each other throughout the set.

Robin again demonstrated his capacity for incorporating impromptu licks in his guitar solos’ throughout the set. This is refreshing as some “major league” guitar players are content (restricted!) to reproduce in meticulous fashion at each concert every lick and guitar solo played on the original recording. This, in my humble opinion, makes the music generally lack - to a degree - a certain critical factor, namely ‘soul’. Even at the age of sixty there is no doubt Robin’s playing has reached a superior level, even exceeding his earlier periods in the 70’s and 80’s. It is, however, still delivered in his unique soulful and bluesy manner, evidenced by his formidable vibrato, awesome string bending, facial contortions (mostly with his eyes closed) and tremendous guitar tone.

The songs of the new album, particularly, “What’s Your Name”, “Another Time, Another Place” and the title track “Living out of Time”, went down a storm. I was slightly disappointed Robin didn’t include “Ain’t Gonna Wait” and “I Want To Take You With Me” from the new CD, but maybe in the Autumn (Part 2 of tour) ...?

Other highlights included a great version of “Rise Up Like the Sun” with Robin playing a great wah solo; a soulful and bluesy “Daydream”; “Day of the Eagle” and “Bridge of Sighs”. Robin played some outstanding blues licks on “I want you to love me” supported by Dave’s strong bass lines and great drumming from Pete. Once again the band finished with a blistering version of a “Little bit of Sympathy” and left the stage to well earned applause and shouts for more. The smaller type venue is definitely more intimate for Robin, his band, and the fans, and the atmosphere was electric at times. The encores included “Come to Me”, and “Secret Place” which proved a fitting end to the concert with its jazzy, bluesy chords and tempo. Robin’s guitar playing was at times amazing and truly emotional during this instrumental.

I would like to thank Robin, the band, and crew, for a memorable concert. I spoke to Robin afterwards and told him he should be proud of the standard of the songs on “Living Out Of Time”. I bought the re-mixed CD at the venue and got the whole group to sign it.

I would also like to thank Dylan and the staff of The Brook who were obliging beyond belief, and helped me obtain a poster, meet with Robin and the band, and obtain autographs. Indeed, a great venue in all aspects. Cheers to you all. Might see some of you on the second part of the 2005 tour in the Autumn. Here’s hoping it comes off.

Concert Review: Robin Trower - The Life Cafe, Manchester - 16 March 2005

I travelled from Belfast to Manchester with my wife, Sylvia, daughter, Emma, and son, Ricky, on the day of the concert. From my viewpoint I was wondering how the band would sound, the standard of playing, the nature of the set list (at least four tracks of Living Out of Time and two unrecorded tracks), and how a younger generation would assess the music and guitar playing of Robin Trower in concert?

It proved to be an exceptional performance from Robin and his band. They arrived on stage unannounced at 9.30pm sharp to a rapturous reception. Robin was handed his red and white Strat, and from thereon had the audience in the palm of his hand. Small venue, big sound, great atmosphere, and within six feet of Robin and his array of Fulltone Effect Pedals. Sure beats an arena any day.

It was apparent from the opening chord and flurry of notes by Robin, and the opening riff of "Too Rolling Stoned", that the sound and balance was great (a tremendous accomplishment by Laurie Brace, Sound Engineer for Robin Trower). Robin’s playing appears to have reached a higher level with an extensive array of incredible string bends, stunning use of feedback and tremolo arm, arpeggios, and long sustained notes - all played in his astounding soulful, bluesy, emotionally charged manner. And this was only the opening number.

While Robin has undoubtedly an extensive backlog of great songs, I was surprised at how well the new material sounded and was received: quite an accomplishment for Robin and the band. No artist of caliber should remain in a time warp. From the new album “What’s Your Name” - early in the set - was exceptional, if slightly short at three minutes. Next a great version of “Rise Up Like the Sun” of the 20th Century Blues album and Robin was really cookin’; soloing out with a great wah solo.

A soulful and bluesy version of “Daydream” followed: 11 minutes of mesmerising ecstasy; great bass lines from Dave Bronze, and drumming from Pete Thompson complimenting Robin’s playing. My wife, daughter, and son were astonished at the spiritual nature of the sound produced on stage (after the concert they expressed amazement at the emotion created, and Robin’s guitar playing style).

Just when I though things couldn’t get better the band burst into the title track of “Living out of Time”. Davey’s vocals were superb and Robin flashed several smiles at the other band members as he played the hypnotic riffs and chords; the band was definitely connecting and enjoying the performance. Great versions of “Day of the Eagle” and “Bridge of Sighs” (eleven minutes of pure soulfulness) followed, and were met by rapturous applause and ecstatic yells from the audience.

An unrecorded song followed called “Close Every Door” with great vocals by Davey, and a hard hitting wah lead by Robin at the end to the song was exceptional. Next “I want you to love me” of the 20th Century Blues album took the concert to new heights. Robin’s bluesy licks and passion, supported by Dave’s strong bass lines, and great drumming from Pete, made this a favourite with the crowd.

“Another Time Another Place” provided a wonderful vehicle for Davey to show his vocal skills with Robin providing great fill-ins throughout the song. The band finished with a blistering version of a “A Little bit of Sympathy” and left the stage to thunderous applause. The crowd was truly appreciative of a great performance by Robin and his band. The encores included an unrecorded song called “Come to Me” with its catchy wah riff, and bass lines which allowed Robin to solo using all his guitar playing arsenal and passion.

“Secret Place” proved to be a fitting end to the concert with its jazzy, bluesy chords and tempo. Robin’s guitar playing reached new heights of emotion and soulfulness which fully connected with the crowd.

I would like to thank Robin, the band and crew for a memorable concert.