Rock Band Europe - Ireland/UK Tour Dates "Live and Loud in March 2015" - Ulster Hall, Belfast, 3 March 2015

Thank God for rock bands like Europe. The band are bringing their atmospheric, melodic and energetic music to the Ulster Hall, Belfast on 3 March 2015. Their superlative performance at the Sweden Rock Festival on 7 June 2013, in front of 30,000 people, is proof that the band have entered a highly creative and inspired musical phase.  

Most musicians and bands reach an impasse, sooner rather than later. It takes self-determination, spirit, vision and genuine talent to invigorate a career that alternates between highs and lows and the breakup of a band. Presently, Joey Tempest is singing with supreme range, power and stamina. And guitarist John Norum is a truly talented musician who plays with great artistry, superb tone and inspired phrasing.                

The 'Live and Loud' Tour coincides with the release of a new album "War of Kings" in the UK on 2 March 2015. The album is being hailed as Europe's strongest record in years and contains some of the band's best creative work. A powerful reminder that Europe are capable of rock-music making of the highest order. 

Joining Europe on the tour are Black Star Riders featuring Scott Gorham (Thin Lizzy) and Ricky Warwick (vocals/guitar) who was born in Newtownards, Northern Ireland. The Belfast date should be a memorable gig for Ricky. Black Star Riders set will include songs from their new release "The Killer Instinct" and Thin Lizzy. Special guests on the bill are all-girl rock band The Amorettes.

Europe Official Site

Postscript: Unfortunately, some artists and bands fail to include Belfast or Dublin on their gig schedule when touring Great Britain. This deprives music fans of witnessing their favourite group in performance. Travelling to a concert in England, Scotland or Wales may not always be possible for music fans by reason of financial or health issues.

I have been lucky to attend concerts in many wonderful indoor music venues in Ireland, the UK, Europe and the United States. I can honestly say that the Odyssey Arena in Belfast qualifies as one of the worst venues I have had the misfortune to experience. The acoustics, seating, and security personnel [sic] verge on the abysmal. The management encourage irresponsible drinking during concerts which is both disheartening and inappropriate. A venue to be avoided unless you're already inebriated or have complimentary admittance.

Robin Trower Tour Dates: United States 2014 & European/UK Dates 2015

It's inspiring news that Robin Trower is touring the United States in 2014 starting in St Louis on October, 4, and culminating with a concert in Fort Lauderdale on November, 14. North American fans will also be delighted that Robin is planning concerts in the Southern and Western states in the summer of 2015.

Following a short tour of the Netherlands beginning on March 11, 2015 in Arnhem, Robin will play concerts in England and Scotland. The following tour dates are confirmed and 'Presale tickets' are available.

Robin Trower: UK Tour Dates March/April 2015 

26 Mar - The Engine Shed, University of Lincoln, Lincoln 
27 Mar - The Apex, Bury St Edmunds
28 Mar - Birmingham Town Hall, Birmingham
29 Mar - The Lowry, Salford, Greater Manchester
02 Apr - The Live Rooms, Chester
03 Apr - The Sage Gateshead, Gateshead
04 Apr - The Arches, Glasgow
05 Apr - The Lemon Tree, Aberdeen

07 Apr - Arc (Stockton Arts Centre), Stockton-on-Tees

08 Apr - The York Barbican, York
09 Apr - Sheffield City Hall, Sheffield
10 Apr - Holmfirth Picturedrome, Holmfirth 
11 Apr - O2 Shepherds Bush Empire, London
14 Apr - Hawth Theatre, Crawley, West Sussex
15 Apr - Exeter Corn Exchange, Exeter
16 Apr - City Hall, Salisbury, Wiltshire
17 Apr - The Stables, Milton Keynes 

Robin Trower will be joined on the US & European tours by Richard Watts (bass and vocals) and Chris Taggart (drums). Robin has experimented, recorded and played concerts with this 'new' line-up, and appears to be satisfied that his music is best explored, created and delivered, at this stage of his career, with different musicians.

I hope Robin's 'present' musical vision is successful and, in terms of sound, quality, emotion, dynamics and group cohesiveness, that each concert on the United States & European tours highlight how revered Robin's guitar playing really is.

Robin Trower Facebook

Richard Watts

Chris Taggart

Robin Trower: UK/European Tour - August/October 2011 - "The Playful Heart Tour"

Robin Trower is currently undertaking a UK & European tour during August - October 2011. Some dates and venues remain to be confirmed. It will be interesting to see the full list of venues and the songs that comprise the set list. A revamped set would be invigorating for Robin and his legion of loyal fans. It would be great to hear live: 'Into Dust', 'Blue For Soul', 'This Old World' (great riffs and vibe), Living Out Of Time (classic song).

Personally I'm glad to see Robin tour as a power rock/blues "trio" again. While Livingston Brown is not on bass guitar and vocals, I'm pleased "the duties" are undertaken by Richard Watts; another fine musician, great vocalist and bass player, who has previously collaborated and toured with Robin. The trio is completed by the exceptional, flamboyant drummer, Chris Taggart, who played on two tracks of Go My Way & on three tracks of What Lies Beneath. Catch Robin while you can; a truly amazing musician, songwriter and guitar player.

A couple of dates in Ireland would have been great. I suggest The Spring & Airbrake in Belfast and Whelan's in Dublin. Both venues have hosted Michael Schenker, Peter Green and Jan Akkerman, and the crowds have been warm and appreciative. Maybe this tour will be extended, or Robin plans to tour in 2012? There is definitely a strong case for Robin to tour the UK/Europe & the US in 2012 with this line-up.

I'm attending the Edinburgh concert on 25 September and hope to post a review.

Tour Dates

28 Aug - The Stables, Milton Keynes
29 Aug - Festival, Colne
03 Sep - Weyfest Music Festival, Tilford, Surrey 
15 Sep - Assembly Rooms, Derby
16 Sep - O2 Academy Sheffield
17 Sep - Brewery Arts Centre, Kendal
22 Sep - Band On The Wall, Manchester
23 Sep - ABC Glasgow
24 Sep - The Lemon Tree, Aberdeen
25 Sep - The Caves, Edinburgh 
05 Oct - Robin 2, Wolverhampton 
06 Oct - The Brook, Southampton
07 Oct - Cheese & Grain, Frome
08 Oct - Princess Pavilion, Falmouth (Blues in the Bay from 3.00 p.m.)
12 Oct - The Spirit of 66, Verviers, Belgium
13 Oct - Mezz, Breda, NL
14 Oct - The Boerderij, Zoetermeer, NL
15 Oct - Laki, Helmond, NL
16 Oct - Gigant, Apeldoorn, NL

  

Robin Trower Official Web Site

 Robin Trower Official YouTube Channel

Robin Trower Tour Page 

'Concert for Killing Cancer' - Hammersmith Apollo, London - 13 January 2011

A charity fund-raising concert will be held at the Hammersmith Apollo, London, on 13 January 2011. The current line-up includes The Who, Jeff Beck, Richard Ashcroft, Debbie Harry, and Bryan Adams.

The event is being organized by promoter Harvey Goldsmith and Bill Curbishley, manager of The Who and Robert Plant. The concert will raise funds to benefit the Killing Cancer charity, specifically, to raise awareness of Photodynamic Therapy (PDT). 

The inspiring commitment and generosity of those involved in making the event feasible - Harvey G. and Bill C., the artists, the Hammersmith Apollo, and others - are to be warmly applauded. Their vision and passion will ensure valuable funds are raised for cancer research.

I am attending the concert and hope to write a review.

Harvey Goldsmith - News & Press Release 15/11/10

Robin Trower - "The Playful Heart" - Studio CD - Release Date: 7 December 2010



The latest studio album from Robin Trower is certainly intriguing and compelling. I would recommend the album to anyone who enjoys classic rock, blues, and jazz. The musicianship from Robin, Pete, Glenn, and Davey is outstanding, as is the production by Livingston Brown. The songs are diverse, and most are weaved in magic.

Track Listing:

1. The Playful Heart
2. Don't Look Back
3. The Turning
4. Dressed In Gold
5. Find Me
6. Song For Those Who Fell
7. Maybe I Can Be A Friend
8. Prince Of Shattered Dreams
9. Camille
10. Not Inside - Outside
11. And We Shall Call It Love

Further details of album and ordering: Amazon and The Official Robin Trower Store

Robin Trower Official Youtube Channel

trowerpower.com

Concert Review: Jeff Beck - Brighton Centre, Brighton - 16/10/10

Concerts this inspiring don't come along too often. Some guitarist's flaunt their technical skill with fast playing, fast tempos, clichéd licks, have little interaction with their fellow-musicians on stage, and forget they are supposed to connect truthfully and emotionally with their audience. I see no point in grading guitar players as better or worse among themselves. The concept of who is/was the 'best' guitarist seems vacuous to me. All 'great' guitar players are born with a gift and I respect their genuine differences.

I guess Jeff's music and playing has a deep meaning for me and makes a genuine difference to my life; similar to other musicians I admire. Tonight, Jeff and his band exceed my expectations and give a performance rich in sound, delivery, creativity, emotion and inventive agility. When you watch and listen to Jeff playing live you hear each note he plays, the melody, the music. He constantly moves about the stage as if searching for fresh inspiration, new sounds.  His movements fixate the audience's attention. Tonight, Jeff shows breathtaking dexterity on the guitar in a wide range of musical styles. His excellent band never waver during the performance; kicking rhythmically in unison on each song while highlighting their individual artistic prowess.

From the opening track "Plan B" of the Jeff album (2003) it is evident this concert holds no false promises. The sound balance and Jeff's guitar tone are excellent. Also apparent is Jeff's willingness to give his group room to highlight their exceptional individual musicianship. When "Plan B" fully kicks in - an electronic, funky, haunting mix of beauty and steel - it enables Jeff to fire his powerful turbine of riffs over Rhonda's powerful, funky, bass lines, Narada Michael Walden's colourful, intuitive drumming, and Jason's exceptional, rich-sounding keyboard playing.

"Corpus Christi Carol" was as captivating and atmospheric 'live' as on the Emotion and Commotion CD, which didn't surprise me. What surprised me was that it didn't seem out of place on the set list. In fact, it sounded simultaneously mysterious and wonderful. If you were still enough, and concentrated on the music, the musicians, you felt part of it. A magnificent tenderness. The mood takes a powerful turn when Jeff hits the wah-wah pedal for the intro to "Hammerhead", a track that burns with passion, amazing soloing over hypnotic rhythms and riffs. Magical music with power and energy.

Jeff's rendition of "'Mná na h-Éireann" (Women of Ireland) composed by Seán Ó Riada, was moving and breathtaking. Jeff's soloing, on this song, was one of the highlights of the concert, as was Rhonda's bass solo. I prefer the 'live' version without violin. It felt, to me - and the audience, by their reception at its conclusion - that Jeff and the band delivered a haunting, evocative, and unforgettable version of the song. Truly wonderful.

Rhonda performed a stunning bass solo which included harmonics, bending the strings behind the nut of her bass guitar, hitting (caressing?!) its body, finger tapping, string bending, and then getting into some serious, eloquent, and powerful funky bass playing which had the crowd totally enthralled. Rhonda's playing was formidable and sexy. Am I allowed to state that? Hell, yes. Perhaps you should be over a certain age to witness Rhonda's compelling stage presence and musical talent!

Tonight, the music range is wide; embracing everything from blues to funk to jazz to classic British rock, and much more. The band play a wonderful version of "People Get Ready" and the vocals aren't missed. In fact, Jason plays some wonderful keyboards in the outro section of the song which create a strong groove. Then the concert goes up another notch; this time with a great version of "Big Block". Jeff's guitar soloing - alternating between light and shade - reaches a different level. In the hands of a master his guitar wails and sings with melody, riffs, single notes, harmonics, finger tapping, volume swells, whammy bends, and most of all, feel.  

"Brush With The Blues" lasts for about five minutes and is a complete masterclass in how to play music that connects with an audience, and why Jeff deserves to be placed high in the canon of musical geniuses. He plays with a lyrical beauty, spirit, and charisma that few guitar players, at present, can hope to reach.

The slow tempo of ""A Day In The Life" sounds rich, textured, melodious, and is a revelation - full of character, magic, exhilaration, sadness. Music that lingers in the memory. (Is that "Purple Haze" I hear? Is that a tribute to 'Jimi at the Monterey Pop Festival' at the end of the song?). John Lennon composed the beautiful, memorable song, and Jeff has reconfigured it to be heard in a different, and perhaps, for some, in a more powerful way.

Jeff and the group deserve the boisterous standing ovation at the close of the set. During the encores they preform a rousing, energetic version of "I Can Take You Higher" which highlights Rhonda's talent as a vocalist, as well as a musician. Jeff and the group are joined on stage by the leader of the support act, "Trombone" Shorty, which helps create a party feel. Jeff then pays tribute to the late "Great" Les Paul by adorning a Les Paul guitar and playing a rendition of "How High the Moon". Jeff and the group play in sync with a pre-recorded vocal tape. I believe the recording featured the vocalist, Imelda May.

Jeff reaches for his white, fender stratocaster and plays a beautiful, haunting version of "Nessun Dorma". He may not have played the songs everyone wanted to hear tonight, but no-one was left in any doubt they had witnessed an incredible show. A show performed by an outstanding group led by one of the greatest guitar players of our time. Music and guitar playing which tends to stay in the memory for a long, long time afterwards.



 

Jeff's set list signed by Rhonda

Postscript: Even though it was freezing outside the venue I'd like to thank Rhonda Smith and Narada Michael Walden for taking time to talk to fans outside the venue and signing memorabilia. The following photograph didn't come out as I hoped. I believe it was too cold and the flash decided not to work properly! It is still a good photograph and a great memento - along with the set list - of an outstanding concert.

Ronnie and Rhonda - post concert in chilly, cold Brighton 

Rhonda Smith Official Site 

Jeff Beck Official Site   

Jeff Beck - Official YouTube Channel

Jeff Beck UK Tour Dates - October 2010 / Live at Tokyo International Forum -12 & 13 April 2010 / Les Paul’s 95th Birthday

Jeff Beck and his band are undertaking a short UK tour during October 2010. Anyone who has never witnessed Jeff playing 'live' - and is attending one of the following concerts - will witness an amazing guitar player and a mind-blowing concert. I am disappointed Jeff is unable to include Belfast in his schedule. Perhaps Jeff will include the Ulster Hall, Belfast on a future tour.

I am attending the Brighton concert and will be posting a review.

UK Tour Dates 2010

15 Oct 2010 - Bournemouth International Centre [BIC] - Bournemouth
16 Oct 2010 - Brighton Centre - Brighton 
17 Oct 2010 - Symphony Hall - Birmingham
19 Oct 2010 - Guildhall - Preston
20 Oct 2010 - Clyde Auditorium - Glasgow
21 Oct 2010 - Apollo - Manchester
22 Oct 2010 - City Hall - Sheffield
24 Oct 2010 - Colston Hall - Bristol
25 Oct 2010 - St David's Hall - Cardiff
26 Oct 2010 - Royal Albert Hall - London
27 Oct 2010 - Royal Albert Hall - London

The line-up of Jeff's band includes bassist Rhonda Smith (played with Prince and Little Richard); keyboard player Jason Rebello (CV includes stints with Sting and Chaka Khan); and drummer Narada Michael Walden (a Grammy Award-winning producer who worked with Jeff on the 1976 album Wired).

Rhonda in full flight

 Videos of Jeff & Co. "live" at Tokyo International Forum -12 & 13 April 2010

Jeff Beck commemorated 'Les Paul’s 95th Birthday'  at the Iridium Jazz Club. Click on link for details, photos: Jeff beck Live at The Iridium, NYC June 8th & 9th 2010

Jeff Beck - Official YouTube Channel

Robin Trower - UK and European Tour - Sep & Oct 2010

Robin Trower and his band will be undertaking a UK and European tour during September and October 2010. Don't miss the opportunity to witness 'live' a truly creative guitarist with a distinctive sound and inspired song writing ability.

Some talented musicians grow into maturity and then decline swiftly or slowly. Robin isn’t one of those – he continues to mature musically, play with creativity and passion, and is an inspiration to musicians, fans and music lovers alike.

I am attending two concerts and will be posting a review of one of the shows.

Concert Dates:

03/09/10 - De Boerderij in Zoetermeer, Holland 

05/09/10 - Paradiso, Amsterdam

08/09/10 - The Globe, Cardiff

09/09/10 - Robin 2, Bilston

10/09/10 - Pacific Arts Centre, Birkenhead

11/09/10 - Academy, Glasgow

12/09/10 - Picturedrome, Holmfirth

15/09/10 - Waterfront, Norwich

16/09/10 - Academy, Newcastle

17/09/10 - Assembly Rooms, Derby

18/09/10 - Shepherds Bush Empire, London
19/09/10 - The Brook, Southampton 

22/09/10 - Komedia, Bath (Review)

23/09/10 - Featival, St. Ives, Cornwall

25/09/10 - The SoundHouse, Otford

26/09/10 - Komedia, Brighton

29/09/10 - Spirit of 66, Verviers, Belgium

01/10/10 - Café Hahn,  Koblenz, Germany

02/10/10 - Music Theatre Rex, Lorsch, Germany

03/10/10 - Musiktheater Piano Dortmund, Germany

05/10/10 - The Quasimodo, Berlin, Germany

06/10/10 - Barby, Magdeburg, Germany

08/10/10 - La Poudrière, Leffrinckouckel,  France 

09/10/10 - Bobino, Paris
10/10/10 - Le 112, Terville, France

12/10/10 - Aarburg, Switzerland

14/10/10 - TBA, Monaco

15/10/10 - International Blues Festival, Barcelona 

An important aspect of the tour will be the set list. Robin says it will include some new songs and [perhaps] restoration of some old favourites that are truly atmospheric live, for example, "Daydream" - a classic song.

Best wishes to Robin and the band for an enjoyable and successful tour in 2010.

This footage is dedicated to Robin, Pete, Davey, and Glenn. Thanks for the music and the vibe.

Robin Trower Official Youtube Channel

trowerpower.com

Concert Review: Robin Trower - Komedia, Bath - 22/9/10

I've attended good concerts and great concerts. Myself and my wife, and others whom we meet afterwards, agree we have witnessed an outstanding one. A compelling performance from beginning to end; a terrific triumph for Robin, Pete, Davey and Glenn (who astound with their energy, passion and musicianship) and for the audience an emotional, unbeatable, roller coaster ride.

I glance at Robin's set list and believe it is one of the strongest Robin has put together for recent tours in the UK. The strong riffs and rhythm of "Confessin' Midnight" followed by "Lady Love" will enable Robin to solo with a degree of aggression and passion right from the start and for the band to hit a tight rhythmic groove early in the show. I'm pleased a deep favourite of mine "Daydream" is included in the set. The first time on this tour. The gods have fortuitously shone down on me once again. Somehow I feel this is the right place, one of the right gigs to be at.

As the number of people flocking into the auditorium grows there is an increasing air of excitement and anticipation, and the slight electricity of whispering that occurs before such events. When Robin and his band appear on stage the audience give them a warm boisterous welcome.

"Confessin' Midnight" sounds razor sharp. The band come together and the song goes off like a flashbulb. Robin's guitar tone sounds amazing, especially when he hits the wah-wah pedal. Davey's vocals are superb and distinct tonight. In fact, his singing is a revelation and he wins many plaudits. Robin's soloing bites, twists and turns, and is pleasantly aggressive. A problem with a monitor is soon fixed by Laurie at the end of the song. Without losing ground the band launch into "Lady Love" which keeps the crowd energized. It says something about Robin's unique guitar style that songs from early in his career still retain a freshness and vitality on each hearing. Pete on drums and Glenn on bass combine to provide a sweeping, smoldering, strong rhythm which delights and catches hold of your spirit at the same time.  

The hypnotic, funky rhythm of "Somebody Calling" is particularly noteworthy powered by Robin's lead guitar work. Combined with Davey's vocals and enthusiastic backing by Pete and Glenn this song sounds better live than I expected. Robin's vibrato is used to killer effect alongside beautiful rhythmic chording and chord changes.

It's obvious that Robin loves to continually write and record new music. The inclusion of three "new" songs in the 14 song set, "Find Me," "The Turning," and " Not Inside - Outside" are well received by the audience. "Find Me" really kicks in when Davey sings in sync with Robin's guitar. During the song Robin plays beautiful understated solos which rise to a crescendo. This should be an interesting composition to listen to on Robin's forthcoming CD regarding the guitar parts and overdubs.

"Extermination Blues" has been dropped from tonight's show; a slow song which I believe can lose an audience no matter how great the guitar playing may be. I'm pleased it's been replaced by the classic "Daydream." Tonight "Daydream" is haunting and unforgettable due to Davey's outstanding vocal and Robin's graceful guitar playing and lush sound. The bass and drums sound just right and combine to make this one of the highlights of the show.

Robin's mastery of the guitar is highlighted to great affect on "Bridge of Sighs". He improvises with great feeling; moving from soulful tenderness to moving aggression. I'm glad this version was captured on film. Another new song, "The Turning" sounds excellent. The main riff, chord sequencing, rhythm - and the slow coda - make this a finely-crafted composition. The haunting beat from the outset creates an intoxicating sound. A truly memorable riff weaves its way through the song and make it impossible to remain still until the coda. A coda which is soft, beautiful, and gets large cheers from the audience.

Pete in full flow

Robin's Set List

The people I spoke to post-concert agreed this was one of the finest performances by Robin, Davey, Pete and Glenn they had witnessed. A great set list enabled Robin to ply his exceptional monster bends, licks, and classic vibrato with incredible energy for the whole concert. At 65, Robin deserves high praise for continuing to create music and play guitar at a level second to no other living guitarist.

Davey's singing was top notch and the sound mix was great for the audience. Pete's heart, soul and finesse shone in his drumming and Glenn's funky bass lines were a revelation. A truly superb performance by Robin and the band which produced many great musical moments to cherish. "Daydream" was the icing on the cake.

Postscript: The venue was great and all the staff were friendly and supportive. This helped to make the concert superb and unforgettable.

Davy Smith, Alan Howard, Ronnie Kerrigan (post concert)

trowerpower.com

 

Robin Trower Official Youtube Channel 

Robin Trower at: Amazon

Concert Review: Robin Trower & Jack Bruce - The Music Hall, Worpswede, Germany - 1 March 2009

The venue for the concert is 25km north of Bremen. The village of Worpswede is intimate, quite and beautiful. As my brother and I walk towards the The Music Hall I am intrigued that such a  music venue exists so far from noisy, densely populated towns and cities. It is 5.30pm and the band are going through a sound check. The songs are "Seven Moons" and "Lives of Clay" and sound great. At the rear entrance to the hall there are a number of vans with cables running from the stage area. The performance is being recorded for broadcast on Radio Bremen.

I meet a music journalist from Hamburg and we talk about the broadcast and the venue. My brother and I talk to a number of people from different parts of Germany and Sweden who are big Jack Bruce fans. It's good to see Laurie Brace (Road Manager/Sound Engineer for Robin Trower) and Steve Russell (responsible for Jack Bruce's instruments and amplification). We talk about tonight's gig, the previous night's performance in Nijmegen, Holland and exchange a few pleasantries and jokes. Two great guys kept busy making sure all the musical equipment is working, in the right place and ready for the musicians to perform. Also, ensuring that the sound balance is as close to perfection as possible given the restraints of the venue.

Steve Russell, Ronnie, and Laurie Brace

The program and posters outside and inside the venue intrigue me. The only musician displayed is Jack Bruce. It appears Jack is the main act and Robin and Gary are supporting musicians. I understand this is the way the music industry sometimes works. Two formidable musicians collaborate on three albums, organize a short tour in Europe, and only one musician is given recognition and billing. When I discovered the set list included the entire Seven Moons album I tried to curtail judgment, but couldn't. The album has a number of great songs, but also has its share of average, unmelodic tracks.

I notice Robin's Deja Vibe is absent from his pedals. This rules out the possibility of the trio inserting other songs in the set to provide contrast: up-tempo, funkier rhythms; the chance to hear Jack playing bass and singing on "Bridge of Sighs" or "Day of the Eagle."  A view shared by numerous Robin Trower devotees and musicians at the front of the stage. Indeed, the absence of songs from earlier collaborations - BLT & Truce - is a major talking point before, during and after the concert with fans. Tracks such as: "Into Money," "No Island Lost," "Won't Let You Down," "Gonna Shut You Down," "Gone Too Far," "Fall In Love," "Little Boy Lost" would have enhanced the set and experience.

Frankly, I despair of CD/DVD/concert reviews which make you wonder if the person was at the concert. or has listened to the music on disc. Some reviews on the internet, and in magazines appear to be “cut & pasted” and follow a familiar pattern with comparisons of Robin to ... well, you know who. A review bereft of originality and sincerity does a disservice to any impassioned and skilled musical artist. 

The show started around 9:00 pm to a hall packed with eager fans. At the outset Robin's guitar sound seems low in the mix. This fails, however, to make "Seven Moons" or "Lives of Clay" any less engaging. Two powerful tracks back to back. Robin's soloing is a revelation. In fact, it is noticeable that Robin and Jack are enjoying playing together.

The sound is uncluttered and Robin's guitar sound becomes more visible during the pedestrian "Distant Places Of The Heart". During the song Robin uses his considerable vibrato and guitar voicings to great effect. A wonderful, creative journey. A masterclass in sensitive, passionate soloing. The outro solo is stunning. Jack Bruce at the finish of the song says, “Life isn't so bad after all ...”  I believe, for the moment, he's right.

Tonight Robin's Strat is plugged into a 100-watt custom built Cornell amp. I prefer his guitar tone when he uses Marshall. In fact, towards the end of the set Robin's guitar sound appears to oscillate in volume; a combination of amp and faulty connections, perhaps.

After a passionate and enthusiastic version of “Sunshine of Your Love” the tempo slows for a rendition of “Carmen.” The live version misses the guitar overdubs and outstanding vocal Jack produced on the original recording. Not an easy song to sing, whatever your age, or state of health.

At some point I begin to feel Gary Husband is prone to over-drum - a la Buddy Miles - and the sensitivity of some songs, while still moving, are executed with undue rigidity.

Following “We're Going Wrong,” “So Far To Yesterday,” “ Just Another Day” the infectious rhythm of “Perfect Place” enables Robin to use the wah pedal to create haunting, biting, riffs that make the song seem too short. During the song the trio create a wondrous groove which the audience share with vocal enthusiasm.

I'm grateful that supreme musicians such as Robin Trower and Jack Bruce still grace this planet, share their music, their gift, and voice wherever, and whenever, possible. Both musicians have enriched my life and those of numerous others. I hope they tour together again without constraints and a different set list. I acknowledge they call the shots. Me? I'm someone who enjoys music played "live" with passion, vigor and creativity. So who am I to talk? I knew you would understand.

Link to photographs of the performance on 'The Music Hall' site: Photos + Videos

The concert was recorded and broadcast by Radio Bremen. Click on the following link for the whole concert: Robin Trower & Jack Bruce 

Set list signed by Robin Trower and Jack Bruce

trowerpower.com

Robin Trower Interview - Cornell

JackBruce.com

Rock And Roll Hall Of Fame 25th Anniversary Shows - 29/30 October 2009 - New York City: Jeff Beck & Billy Gibbons play "Foxy Lady" as a tribute to Jimi Hendrix

It was great to see Jeff Beck and Billy Gibbons performing "Foxy Lady" by Jimi Hendrix on the second night of this event with images of Jimi emblazoned on a large screen above the stage. Jeff and Billy both play solos, each sounding fantastic, highlighting their own guitar style, tone and licks. Jeff preformed a second song with Billy Gibbons: "Rough Boy" - (some of the finest soloing and guitar tone recorded - Eliminator, 1983) - beautiful song and solos (available on YouTube - embedded by request).

Jeff's set list included: "Drown in My Own Tears", "People Get Ready", "Freeway Boogie", "Cause We've Ended as Lovers", "Let Me Love You", "Big Block", "Rice Pudding", and "A Day in the Life".

On the first night Jeff Beck accompanied Stevie Wonder on "Superstition".

Album Review: "Valleys of Neptune" - Jimi Hendrix - Released March 2010

Everyday in the week I'm in a different city
If I stay too long people try to put me down
They talk about me like a dog
Talkin' about the clothes I wear
But they don't realise they're the ones who's square

                                                                  - Jimi Hendrix

I'm always cautious of posthumously released material from any artist. This album, however, confirms that Jimi Hendrix's music and art still has power, a story to tell, and will resonate for generations to come.  Jimi's premature death in London on Friday, September 18, 1970 sadly deprived the world of a musical genius.

While Jimi's career lasted less than four years, his music and guitar playing remain inspirational, unique, soulful, and relevant. Jimi pushed the boundaries of music creation, guitar playing, and performance to a limit which has never been surpassed by any other musician. Jimi remains the greatest, most innovative, and iconic guitarist of all time.

Eddie Kramer engineered most of Jimi's authorized recordings from Are You Experienced? to Hendrix in the West, and I'm glad to see he's involved in producing this album, together with John McDermott.

Track Listing:

Stone Free

Recorded: Record Plant, New York, April & May 1969

Vocal, Guitar: Jimi Hendrix

Bass: Billy Cox

Drums: Mitch Mitchell  

This reworking of "Stone Free" is intriguing for the hypnotic rhythmic variations Jimi uses to drive the song. The use of sliding octaves, pull-offs, string bending and Jimi's inventive approach to playing segments of songs differently throughout the recording enrich the take/recording. Jimi's vocals and phrasing are beautiful. His guitar tone is incredible. Words can't describe his explosive solo - full of melodic expression, passion, fire. Billy Cox's bass playing and tone is refreshing. I'm not surprised this is the first track on the album. The recording flows and Jimi sounds at ease and inspired.

Valleys Of Neptune

Recorded: Record Plant, New York, September 23, 1969; May 15, 1970

Vocal, Guitar: Jimi Hendrix

Drums: Mitch Mitchell

Bass: Billy Cox  

Beautiful chords, melody and Jimi in fine vocal form. It's such a great song that the absence of a solo, or further guitar parts, overdubs are not missed. The track has a transcendental feeling and is testament to Jimi's artistic gifts and his development as a songwriter. Love the fadeout.

Bleeding Heart 

(Elmore James)

Recorded: Record Plant, New York, April 24, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Billy Cox

Drums: Rocky Isaac 

This up-tempo version of " Bleeding Heart" is a revelation. Jimi's singing and rhythm playing are only eclipsed by his electrifying solos; his use of wah is electrifying. Jimi and Billy dig deep into their R&B and blues roots to create an exceptional sound, vibe. A wonderful track.

Hear My Train A Comin'

Recorded: Record Plant, New York, April 7, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

The definitive version remains the superb 'live' version recorded/filmed at the Berkeley Performance Centre, California, on May 30, 1970. However, this version is also memorable. The soloing is a source of tremendous melodic inventiveness. Also, Jimi incorporates some scat singing. Great bass and drum sound. 
 

Mr Bad Luck (Look Over Yonder)

Recorded: Olympic Studios, London, May 5, 1967

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

The driving rhythm ensures a memorable musical journey.  In addition to some clowning from Jimi his soloing is magical, upbeat and inspired -  'See that? - I've just broke a guitar string.' While it is well documented Jimi was a perfectionist this track still sounds exceptional.

Sunshine Of Your Love
(Jack Bruce/Pete Brown/Eric Clapton)

Recorded: Olympic Studios, London, February 16, 1969

Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

Jimi's energetic version of Cream's "Sunshine of your Love" shows the breadth of his inventiveness. It makes the original version by Cream seem pedestrian, even though it remains an iconic song with a memorable riff.  While this version elapses into an elongated jam it still retains an infectious rhythm which tends to drag you in. A great groove.

Lover Man

Recorded: Olympic Studios, London, February 16, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

Slow version of this song enhanced by a great sound from the bass and drums. Great fill-ins and soloing by Jimi. The outro solo evolves into a free form jam full of superb licks and melody. Evidence, if needed, of Jimi's creative potential during spontaneous jam sessions in the studio. 

Ships Passing Through The Night (Night Bird Flying)

Recorded: Record Plant, New York, April 14, 1969

Guitar, Vocals: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

Engaging riffs, rhythms, melody and rendition of a song which shows great potential. Again, beautiful soloing. Despite its failings this song still contains the seeds of something beautiful: Night Bird Flying. Jimi's solo performance at the coda of the song highlights his prodigious talent and guitar magic.

Fire

Recorded: Olympic Studios, London, February 17, 1969

Vocal, Guitar: Jimi Hendrix

Bass & Backing Vocals: Noel Redding

Drums: Mitch Mitchell 

Difficult to improve on the 'live' version included on The Jimi Hendrix Concerts CD released in 1990 - truly an incendiary performance - great drumming by Mitch Mitchell, and Jim's guitar playing is stratospheric. This version still contains some great playing. What the atmosphere was like in the studio is/was only known by a few individuals.

 

Red House

Recorded: Olympic Studios, London, February 17, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

A 'live' performance favourite and one of the greatest blues songs composed. A launching pad for Jimi to give a strong vocal performance and show his soloing and improvisation skills.

Lullaby For The Summer (Ezy Rider)

Recorded: Record Plant, New York, April 7, 1969

Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell 

An instrumental which evolved into "Ezy Rider". This version contains some tantalizing moments. It displays the development of a song. The composition has a great groove and riffs over which Jimi improvises. Which take is this? How many patterns were changed? Was the band in disarray? I don't know, and frankly, I don't care. The music speaks for itself.

Crying Blue Rain (Blue Window)

Recorded: Olympic Studios, London, February 16, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

A slow blues that morphs to a faster groove. The band are jamming and Jimi colours the instrumental with beautiful chord voicings and licks.

The album is well produced and most of the tracks highlight a genius at work. Even though marred by patches of weakness there is creativity and passion in the raw material, and - more importantly - honesty.

Jimi Hendrix was a human being - not a god - whose unique personality continues to shine through in his music, lyrics and guitar playing. To rise from a poverty-stricken background, to be black, left-handed, shy, and become a musical genius - always evolving, taking risks - and conquer the musical world, is testament to Jimi's perseverance amid a myriad of unwanted distractions and pressures.

This album - while imperfect - is testament to the creative mind of an exceptional artist who will be remembered as long as music exists.

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Concert Review: Robin Trower - The Brook, Southampton - 28 May 2008

 

Sentimentality, or nostalgia, does not bring me back to listen to Robin Trower’s music or to witness his ‘live’ performances – it is his art, humility - and, above all, it is one of the joys in life. My brother, John, and I flew in from Belfast on the day of the concert.

The Brook is a great venue to see and hear a band.Tonight it was evident the sound system and stage monitors were operating at optimum level; the vocals and individual instruments were well balanced (Laurie Brace at the sound desk deserves praise). The venue was filled to capacity and tonight there was a wealth of smiles, shaking heads and clapping hands - and that was before the music started – must be the water in Portswood!

Robin's playing and soloing, the band - Pete, Glenn and Davey - the fans, the venue, and staff all contributed to one of the best concerts I've attended. After the Paris gig I thought the dizzy heights the band reached that night would not be attained again on this tour – I was, thankfully, mistaken. The RTB were given a great, warm welcome when they arrived on stage, and from the sound of Twice Removed From Yesterday you knew it was going to be an exceptional night. The whole band seemed to be in great spirits; each number in the set was played with enthusiasm and zest.

Robin played like only a virtuoso can, accompanied by an excellent band that generated warmth and intensity. I believe when Huddie William Leadbetter “Leadbelly” said “No white man ever had the blues” he was mistaken. Robin is a blues guitarist of the highest calibre, capable of creating music that touches your soul - most fans tonight, I’m sure, felt totally connected to the music. Performances this magical never leave the memory. Pete and Glenn provided a superb rhythm section for Robin to fly above with his solos. Tonight Davey’s vocals could be heard clearly and were great on Shame the Devil, Day of the Eagle, No Time and For Earth Below. Robin seems to be playing with greater zeal during the solos on this tour – how he achieves it at 63 is beyond me? – long may it continue.

The vibe and soloing during The Fool And Me, No Time and Rise Up Like The Sun was exceptional. A welcoming cheer and clapping always accompanies the trill at the beginning of Bridge of Sighs – tonight it is a roar. The band and the crowd are as one. Robin’s playing is so spontaneous; he just feels the vibe and goes with it. During the solo he indicated to the band to take it up a notch and he began to make his guitar wail for a few minutes gradually falling to a whisper - enthralling.

While it’s great to listen to the studio version, or one of the numerous recorded live versions, nothing beats hearing this song played live when you are there. I believe it only truly exists each time Robin plays it – when the sound is hitting you from the stage, and Robin is completely lost in his art. To me great music and guitar playing – as evidenced tonight - provides release from conscious thought, engenders tranquility, and has a wonderful therapeutic value.

Thanks to Robin, Pete, Davey and Glenn for a truly riveting concert. Also, thanks for enhancing the evening after the performance by your friendliness. It was the icing on the cake. Also, Laurie for being Laurie. Some great photographs and memories. It was great to meet up with Angie again – hope you enjoyed the Guinness? Also, Alan Howard, Jim Pearce and John Waters.

Thanks also to Dylan Clarke, Manager at The Brook,whose kindness and co-operation helped to make the concert special for my brother, John, and I. It’s a great venue with great staff and facilities. Just wish it wasn’t so far away. It will be hard to beat tonight’s concert, atmospheric crowd and venue.

Setlist: Twice Removed From Yesterday, Shame The Devil, For Earth Below, No Time, The Fool And Me, Roads To Freedom, Islands, Day Of The Eagle, Bridge Of Sighs, Rise Up Like The Sun, Victims Of The Fury, Gonna Be More Suspicious, Hannah, Little Bit Of Sympathy, , Too Rolling Stoned,Go My Way Another Time Another Place,