Tuesday, April 26, 2016

Robin Trower UK Tour Dates 2016 & New Studio Album "Where You Are Going To"


Robin Trower's creative and unique guitar playing powers are still in evidence with each concert tour and album. His musical vision, abilities and passion continue to astound me. Just when I think Robin may run out of stamina and ideas - the guy is seventy-one: yes, yes, but how does he do it? - along comes 2016. A year which finds Robin in the middle of a US tour, releasing a new studio album "Where You Are Going To", and undertaking a UK tour in the autumn. On another level, some reviewers and critics of Robin Trower and his music are so rapt in nostalgia and comparisons with other musicians' that their writing shows an inability to think deeply, to pay attention, to listen. Perhaps 'they' should grow a pair of ears, or get a job at a local theatre selling ice cream: doing something they may have an inkling about.

Robin Trower opened his current US tour in Fort Lauderdale, Florida on 30 March 2016. Customarily his many fans were out in force to welcome and witness a great musician and gifted guitar player in live performance. It is gratifying to read that Robin and his band - Richard Watts (bass and vocals) and Chris Taggart (drums) - are getting a great reception at each concert and that Robin is still playing with passion, spirit, power and eloquent phrasing. Music should move you to the core of your soul and I - like many others - prefer an artist who plays with sheer emotional power over an artist who plays with technical perfection. It helps your brain to breathe. The tour will help to promote the new studio album "Where You Are Going To".


Track List

When Will The Next Blow Fall
Where You Are Going To
Back Where You Belong
Jigsaw
The Fruits of Your Desire
We Will Be Together Someday
Ain’t No Use To Worry
In Too Deep
I’m Holding on to You
Delusion Sweet Delusion


Robin's new album is steeped in history, emotions, the human soul, reflection and introspection. The music is finely blended, as it has been since the early 70's, and goes down easy. Undoubtedly, Robin is going through a powerfully creative phase in his career and I believe that the new studio recordings deserve critical praise. The music, melodies, arrangements, lyrics, guitar parts/tones, solos, drummer Chris Taggart and the production combine to create a fresh emotional soundscape. Any reservations I may have had regarding Robin's vocal and harmony abilities have been dispelled on this record. "Where You Are Going To" has all the resonances of Robin Trower's best work. Buy the album and catch him in concert while you still can.  



Monday, August 24, 2015

Taste: What's Going On - Live At The Isle Of Wight Festival 1970 - Release Date: 18 September 2015 (DVD, Blu-ray, Vinyl & CD), I'll Remember (Taste: Four CD Box Set) & The Final Split

Rory Gallagher's comprehensive story is finally being brought up to date. I'm pleased that Taste's performance at the The 1970 Isle Of Wight Music Festival is being released on DVD, Blu-ray, double-disc vinyl & CD formats on 18 September 2015. Any review of Rory's life, music and unique guitar playing would remain imbalanced and incomplete without footage of the seminal and inspirational music Rory created and performed at the outset of his career with Taste. I was fortunate at sixteen years old to be at the festival with my older brother and witness Taste's performance. From the opening riff of "What's Going On" Rory and Taste (Richard McCracken on bass and John Wilson on drums) had the crowd enthralled.
The extraordinary power, dynamism and breathtaking improvisation created by Taste, and Rory's magnificent and emotional guitar playing, was a shot in the arm - mid-afternoon - after some uninspiring performances from preceding artists. Taste were buoyant and their stellar performance generated a spirited and sincere rapport with the large crowd. Each song of their set was followed by a storm of applause. I'm disappointed that no footage of Taste performing 'I Feel So Good' is available. Rory's innovative and singing guitar sound reached a 'peak' on this song during their performance. Moreover, the bass and drum solos by Richard McCracken and John Wilson are sadly absent from the film. The fact that the tracks asterisked below contain incomplete, duplicated, or mostly crowd footage during the performance is also a disappointment.   

 Tracklisting DVD / Blu-Ray
What’s Going On
Sugar Mama
Morning Sun*
Gambling Blues
Sinner Boy
Same Old Story*
Catfish Blues

Tracklisting CD / Vinyl
What’s Going On
Sugar Mama
Morning Sun
Gambling Blues
Sinner Boy
I’ll Remember
I Feel So Good
Catfish Blues
Same Old Story
Blister On The Moon 

Fans of Taste and Rory Gallagher will welcome the bonus features which include a film on the history of Taste and three tracks from the German TV series Beat Club: 'Morning Sun', 'It’s Happened Before, It’ll Happen Again' and 'If The Day Was Any Longer.' I believe, however, that the P3 music promo videos for 'I’ll Remember', 'What’s Going On' and 'Born On The Wrong Side Of Time' are artistically banal in visual & narrative style, and, instead of enhancing the music, get in the way of it.


The successful performance of Taste at the Isle of Wight in 1970 established Rory Gallagher as a prodigious talent and a charismatic and passionate guitar player. Just as the popularity and fame of Taste was increasing with audiences, record buyers and critics, only an "inner circle" knew that the atmosphere within the blues/rock trio and its management was beset with dissatisfaction and sustained tensions. Given that Taste were still producing memorable live performances, receiving rave reviews in the music press, most of their fans had no knowledge, or reason, to think that disharmony was tearing the group apart. 

Rory was just twenty two years old in 1970. Taste had achieved considerable success in Europe and were attracting a growing audience with each passing gig and day. I remember reading the cover of Melody Maker in September 1970 and trying to take in the shock announcement: "TASTE SPLIT". What had caused the early disintegration of a supreme rock and blues trio led by Rory Gallagher, a rare talent and musical genius?
 
The vast majority of Rory's fans were not privy to the anxieties and problems that beset Taste, their management, agents, record company, or the mindset of group members on the cusp of success. What I do know is that the unpredictable demise of Taste ended with a short lap of honour which included concerts in Belfast and Dublin. The music and magic were still present. Fans watched and listened to "three" gifted musicians playing to the point of physical and emotional exhaustion.

The burden of leading a band brings great physical and psychological demands and can be exhausting to a passionate, sensitive artist whose own life places great value on integrity, honesty and commitment. I'm just glad that Taste existed and, in Rory Gallagher, produced a genuine musical legend who played in his own unique style with grace and passion, and enriched the lives of so many people worldwide. Moreover, Rory remains an inspiration for successive generations of guitar players. Daniel A. Muise's book: 'Gallagher, Marriott, Derringer and Trower: Their Lives and Music' provides, through interviews, a kaleidoscope of memories of Rory's life, music, and premature death which, at times, is difficult to read without experiencing profound sadness.

A four CD Box Set titled I'll Remember containing 'remastered' versions of Taste's studio albums Taste and On The Boards (as well as bonus tracks) will be released on 28 August 2015. The box set contains previously unreleased 'live' recordings from Stockholm’s Live at Konserthuset (1970), "Off-Air" recording at the Paris Theatre, London (1970) which includes blistering and dynamic renditions of 'I'll Remember' and 'Railway and Gun', and the Woburn Abbey Festival (1968); also, demos recorded in Belfast (1967) and sleeve notes with rare and previously unseen photographs. I'm thankful to have the 'original' vinyl albums of Taste I purchased in Belfast in the late '60s and early '70s and which still take 'pride of place' in my record collection. 
I believe that Rory Gallagher's musical career, at times, lost impetus and direction (similar to all established musicians), and his singing voice periodically wavered in its emotional resonance (due in part, to relentless tour schedules, long set lists, and the impassioned and organic nature of each performance). Sadly there was never to be the likelihood of Rory performing, during his solo career, any of the classic, timeless songs he composed and recorded with Taste which still touch the emotions in profound and unexpected ways.    

Re-issuing and re-packaging Rory's music is to be welcomed and will undoubtedly attract new listeners to his music and guitar playing. Words cannot do justice to Rory's looser live performances where the magic and the music really happened.

Tuesday, June 02, 2015

Robin Trower: CD Review "Something’s About To Change" & USA Concert Tour in 2015

 Photograph © Michael Leach


Robin Trower is an engaging musician and guitarist much undervalued in his own country. His music is direct and soulful in its intensity, especially live. Robin creates a lyrical, ethereal sound quite unlike any other guitarist alive or dead. Frankly, the constant comparisons of Robin's guitar playing and music to other musicians is damn tiring to read never mind listen to. The comments and prejudices expressed by mulish music critics, reviewers and music aficionados about Robin Trower's solo work are depressingly predictable. I see no point in grading musicians and guitarists as better or worse among themselves. I respect their genuine differences. Even at their least successful, the music created by a musician may be admired and have deep meaning to the listener.

It takes great physical, emotional and spiritual stamina to sustain a successful career through each different phase, each new studio album, and to continue to reach listeners and inspire other musicians. Robin Trower remains one of the most gifted electric guitar players of the twentieth century and thankfully he is still creating music and playing in performance today. I hope, and suspect, that someday Robin Trower's music and guitar playing will receive the recognition it genuinely deserves.

This summer Robin, with Chris Taggart on drums and Richard Watts on vocals and bass guitar, will be on tour in the USA starting with a concert in Tulsa on 2 June culminating with a gig in Seattle on 3 July. I'm sure the atmosphere at each concert will be highly charged with expectation and emotion. Also, that Richard and Chris will provide the perfect musical backcloth for Robin to solo with his unique guitar style and sound. I admit to disappointment, however, that the set list for 'recent' tours has remained virtually unchanged. It would be wonderful if Robin showcased other songs from his extensive musical catalogue in live performance. One of the great pleasures over the last decade has been the inclusion of songs from diverse periods of Robin's career which have invigorated his set. 
    
The variety and range of musical output by Robin Trower from his earliest work to the latest album, Something's About To Change, is to be admired for its spirit, soulfulness and quality. In interviews when Robin comments on his studio albums, long after they've been released, he acknowledges that some albums fall short of his own vision and artistic expectations. Each person has their own long-standing favourite Robin Trower albums and tracks. While I believe that some of his albums are uneven in quality, and contain songs which sound repetitious or simply vapid, I'm always pleasantly surprised by the magic generated by some of Robin's new material. The lyrics, music and guitar solos tend not to get lost and lie ingrained in the memory.

Tracklisting 
The title track 'Something's About To Change' opens Robin Trower's new album. The atmosphere and sound is Robin at his best. The drums and bass create a hypnotic "cooking" rhythm and the song contains Robin's best vocal and guitar soloing on the album. The song provides a great build-up to Robin's first and second solo where every note is made to tell. The brooding spirit of the blues, and Robin's airy, soulful guitar hang over the entire track. I wish the second solo had lasted longer and the track listing had been edited to exclude two or three of the undistinguished songs on the album.

'Riff No.7 (Still Alive)' is lyrical and funky with a tight groove. The changing chords and phrases build the tension and, once again, Robin's tone and soloing is excellent but way too short (track length 3:11?!). 

'Dreams That Shone Like Diamonds' has a potent and subtle emotional resonance. The chorus is haunting and memorable, catchy, reflective. The verses are mostly spoken by Robin Trower like a kind of prayer and the track contains some of Robin's most moving and eloquent playing.

'Strange Love' has a slow, flowing groove. Robin's vocals are gentle, yet passionate. His lead guitar shines on this song with extraordinary lyricism, feeling and spirit. Memorable lyrics. 

'The One Saving Grace' has a more pronounced sound than the other tracks on the album, except the title song. The drums and percussion have a more solid feel and Robin whips up the tension with his soloing. Robin's guitar tone is breathtaking and his playing is poetic and passionate (track length 3:06?!). Another song that deserved a longer solo and fade out. In terms of the overall sound of the album - dynamics, rhythms, performances - the inclusion of a talented and expressive bass player may have radically changed the pedestrian feel of some of the songs and added new and intense dimensions.     

The beauty of great (perhaps good) music is that you can listen to it many times with added pleasure, similar to rewatching a movie or rereading a novel. If Robin Trower's music continues to touch your mind and heart you are on a passionate and rewarding venture. 

Sunday, March 01, 2015

Rock Band Europe - Ireland/UK Tour Dates "Live and Loud in March 2015" - Ulster Hall, Belfast, 3 March 2015


Thank God for rock bands like Europe. The band are bringing their atmospheric, melodic and energetic music to the Ulster Hall, Belfast on 3 March 2015. Their superlative performance at the Sweden Rock Festival on 7 June 2013, in front of 30,000 people, is proof that the band have entered a highly creative and inspired musical phase.  

Most musicians and bands reach an impasse, sooner rather than later. It takes self-determination, spirit, vision and genuine talent to invigorate a career that alternates between highs and lows and the breakup of a band. Presently, Joey Tempest is singing with supreme range, power and stamina. And guitarist John Norum is a truly talented musician who plays with great artistry, superb tone and inspired phrasing.                
The 'Live and Loud' Tour coincides with the release of a new album "War of Kings" in the UK on 2 March 2015. The album is being hailed as Europe's strongest record in years and contains some of the band's best creative work. A powerful reminder that Europe are capable of rock-music making of the highest order. 



Joining Europe on the tour are Black Star Riders featuring Scott Gorham (Thin Lizzy) and Ricky Warwick (vocals/guitar) who was born in Newtownards, Northern Ireland. The Belfast date should be a memorable gig for Ricky. Black Star Riders set will include songs from their new release "The Killer Instinct" and Thin Lizzy. Special guests on the bill are all-girl rock band The Amorettes.

Europe Official Site

Postscript: Unfortunately, some artists and bands fail to include Belfast or Dublin on their gig schedule when touring Great Britain. This deprives music fans of witnessing their favourite group in performance. Travelling to a concert in England, Scotland or Wales may not always be possible for music fans by reason of financial or health issues.

I have been lucky to attend concerts in many wonderful indoor music venues in Ireland, the UK, Europe and the United States. I can honestly say that the Odyssey Arena in Belfast qualifies as one of the worst venues I have had the misfortune to experience. The acoustics, seating, and security personnel [sic] verge on the abysmal. The management encourage irresponsible drinking during concerts which is both disheartening and inappropriate. A venue to be avoided unless you're already inebriated or have complimentary admittance.

Friday, September 26, 2014

Robin Trower Tour Dates: United States 2014 & European/UK Dates 2015


It's inspiring news that Robin Trower is touring the United States in 2014 starting in St Louis on October, 4, and culminating with a concert in Fort Lauderdale on November, 14. North American fans will also be delighted that Robin is planning concerts in the Southern and Western states in the summer of 2015.


Following a short tour of the Netherlands beginning on March 11, 2015 in Arnhem, Robin will play concerts in England and Scotland. The following tour dates are confirmed and 'Presale tickets' are available.

Robin Trower: UK Tour Dates March/April 2015 

26 Mar - The Engine Shed, University of Lincoln, Lincoln 
27 Mar - The Apex, Bury St Edmunds
28 Mar - Birmingham Town Hall, Birmingham
29 Mar - The Lowry, Salford, Greater Manchester
02 Apr - The Live Rooms, Chester
03 Apr - The Sage Gateshead, Gateshead
04 Apr - The Arches, Glasgow
05 Apr - The Lemon Tree, Aberdeen
07 Apr - Arc (Stockton Arts Centre), Stockton-on-Tees
08 Apr - The York Barbican, York
09 Apr - Sheffield City Hall, Sheffield
10 Apr - Holmfirth Picturedrome, Holmfirth 
11 Apr - O2 Shepherds Bush Empire, London
14 Apr - Hawth Theatre, Crawley, West Sussex
15 Apr - Exeter Corn Exchange, Exeter
16 Apr - City Hall, Salisbury, Wiltshire
17 Apr - The Stables, Milton Keynes 

Robin Trower will be joined on the US & European tours by Richard Watts (bass and vocals) and Chris Taggart (drums). Robin has experimented, recorded and played concerts with this 'new' line-up, and appears to be satisfied that his music is best explored, created and delivered, at this stage of his career, with different musicians.

I hope Robin's 'present' musical vision is successful and, in terms of sound, quality, emotion, dynamics and group cohesiveness, that each concert on the United States & European tours highlight how revered Robin's guitar playing really is.



Saturday, April 05, 2014

Jeff Beck: New Band, New Three-track CD "Yosogai", UK/Ireland Tour Dates 2014, Rolling Stone Magazine Interview & "Hammerhead" (Live in Tokyo)


The next phase of Jeff Beck's musical career and vision incorporates changes to the personnel in his band. On his refreshed website Jeff reveals his wish to explore unique and fresh musical territory. Rehearsals, recording, and recent 'live' performances feature an interesting line-up of musicians: Rhonda Smith on bass, Jonathan Joseph on drums, Lizzie Ball on violin, and Nicolas Meier on guitar.

Jeff's follow up album to Emotion & Commotion (released in April 2012) has still to be finalised and a release date announced. However, to mark the beginning of Jeff's World Tour in Japan a three track CD titled Yosogai was released on 5 April. The tracklisting includes: "Loaded," "Why Give It Away" (featuring Sophie Delila), and "Danny Boy" (featuring Imelda May - recorded live at The Moody Theater, Austin, TX). Click on the album cover to listen to track samples.
http://www.cdjapan.co.jp/product/WPCR-15682

As part of his forthcoming 'World Tour' Jeff and his new line-up will play seven shows in the UK & Ireland. 

UK/Ireland Tour Dates 2014

13 May - Southend Cliffs Pavilion, Southend
14 May - Royal Albert Hall, London
16 May - Colston Hall, Bristol
17 May - New Theatre, Oxford
19 May - Bridgewater Hall, Manchester
20 May - Symphony Hall, Birmingham
21 May - Olympia Theatre, Dublin

I'm surprised that Jeff's 'new' band has a second guitarist albeit of the caliber of Nicolas Meier. No doubt Nicolas' guitar style and inventiveness will prove fruitful during the rehearsal and recording stages. I prefer Jeff with a rhythm section of drums, bass and keyboards - a line-up sound that has a different voice. One that suits Jeff's lyrical, graceful and compelling guitar virtuosity. 

I hope the music on the forthcoming album is inspirational and emotive and meets Jeff's expectations of producing a distinctive sound. Jeff recently talked to Rolling Stone magazine about the new album, his collaboration with Brian Wilson and the possibility of working with Jimmy Page.



Friday, October 04, 2013

CD Review: Robin Trower - 'State to State: Live Across America 1974-1980' (Audio CD) - Release Date: October 04, 2013


A two CD set released on October 04, 2013 includes twenty-four previously unissued 'live' performances by the Robin Trower band. The album includes performances recorded in Philadelphia and California (1974), Illinois (1976), Oklahoma (1977) and Missouri (1980).

The late and supremely gifted James Dewar sings on each track on the album, and plays bass guitar on all but two tracks on Disc 2: 'Somebody Calling' and 'Bluebird'. Robin was feeling his way into a new phase of his career and brought in Rustee Allen on bass guitar with the intention of exploring, to an extent, funkier rhythms and sounds. Robin believed this would enable Jimmy Dewar to concentrate on fresh ways of delivering his distinctive and expressive voice. Whether this experiment was successful, or not, is left to the listener to decide and those fortunate to see the different groups in performance. I believe the personnel change, while transforming the scope of Robin's music, left James Dewar both musically and personally exposed on stage without his bass guitar.
             
All of the tracks on Disc 1 feature the magnificent drumming of the late Reg Isidore. Disc 2 highlights a significant change to the group: Bill Lordan replacing Reg Isidore on drums. Both excellent musicians with different musical identities and style. I believe that Bill Lordan's musicianship and presence improved the sound of the group both in performance and in the studio. His drumming is inspired and dynamic and enabled Robin to explore different musical concepts. The version of 'Alethea' recorded in California in 1974 highlights the contrasting techniques and creative abilities of both drummers.  
    
This 'live' collection contains music of a high caliber (even where the recordings are of a low standard and Robin's guitar tone is adversely affected by feedback and malfunctioning effects pedals) played by superb musicians and fronted by a guitar player who pushes himself to the limit each time he takes to the stage.

The highlights of the performances are those recorded in Illinois during 1976. All of the tracks, especially: 'Daydream', the wonderful 'Same Rain Falls' and 'Too Rolling Stoned' contain some of Robin's most expressive, moving and inventive guitar playing. His excellent musicianship, guitar tone and use of effects confirm that Robin had arrived at an artistic peak. This, however, could not have been achieved without the evocative, subtle and tremendous James Dewar on vocals & bass and Bill Lordan on drums, who both combined to create a tight and superb rhythm section.

The track 'Sailing' is remarkable and atmospheric. Jimmy is in great voice and the melodic groove is of deep emotional depth. Robin's guitar tone on 'Long Misty Days' resembles a jet aircraft taking-off with its huge brooding sound. The live performance is magnificent, transcends the studio version, and contains some of Robin's most eloquent and emotive playing. It would be great to hear other songs from the Illinois performance. Robin, Jimmy and Bill are outstandingly cohesive and, in terms of sound and inspiration, generate a well of sublime music which doesn't fail to get the adrenaline flowing.   

A striking feature of the recordings is the power, texture and soulful voice of James Dewar. At times, the unique quality of Jimmy's voice elevates itself above the atmospheric music, and the listener is drawn to the magical and beautiful expressiveness of his vocals. Truly breathtaking music.        


Pre-order at Amazon 

Listen to MP3 samples at Amazon

Tuesday, July 30, 2013

CD Review: Robin Trower "Roots And Branches" Release Date: 19 February 2013

'An artist's first responsibility is to himself.' - Miles Davis

Most of the songs on Roots And Branches are created around tight formal structures. The drums, bass and keyboards create a fine and subtle steady pulse throughout, which allow Robin Trower to perform some passionate and thoughtful soloing. Five of the eleven tracks are original compositions by Robin. The remaining six tracks are Robin's versions of songs that have inspired his appreciation of music, guitar playing and song writing.

From the opening track 'Hound Dog' it is evident that Robin continues to explore fresh ways of making music. In a sense, making music which enables Robin to escape from repeating himself in the studio, with the aim of furthering his musical development and, just as important, change. It is refreshing to hear Paul Jones soloing on harmonica over an ensemble which includes Luke Smith on keyboards. Robin's vocals remain a moot point. On this album, however, he sings with increased confidence, richer phrasing, and the end result is in harmony with the music.

Robin is definitely 'on the prowl' both in terms of vocals and playing on 'Little Red Rooster.' His guitar playing is alive with short incisive phrases during the verses, which create a wondrous crying sound. His guitar tone complements the hypnotic atmosphere sustained throughout the track. During the soloing Robin's performance is inspiring and bears all his memorable hallmarks: wide string bends, vibrato, slurs, and brooding phrases steeped in the blues. When Robin hits high notes with incredible vibrato during this track the outcome is moving and soulful. Truly a track of depth and brilliance.     

The track 'Shape of Things to Come' (placed at the center of the album) is, for me, a 'classic' Robin Trower song due to its intensity, atmosphere, and strident pulse. The rhythm section of Livingston Brown (bass) and Chris Taggart (drums) drive the song along as Robin solos with sustained vitality and depth.

The presence of 'That's Alright Mama' and 'Save Your Love' fall short of the standard set by the other tracks on the album. On 'That's Alright Mama' the clarity of the performance is hindered by the continued dialogue between Robin's guitar, the harmonica, keyboards, and rhythm section. I would have preferred a stripped down version of the song with the same pulse, emotion and structure. The restraint of 'Save your Love', while exuding a smooth sound, doesn't rise above slow standard twelve-bar blues.

The track 'See My Life' is a great climax to the album. Robin's guitar soloing highlights his range of feeling and improvisational skills at their finest. The addition of wah-wah to the effects adds to the lyrical and passionate sound.

Overall Roots And Branches contains moments of genuine inspiration and passion combined with a wide emotional range. I hope that Robin will tour sometime in the future and include some of the tracks of this album in his set list.                 
  
Tracklisting

01. Hound Dog  (J. Leiber & M. Stoller)
02. The Thrill Is Gone  (R. Hawkins & R. Darnell)
03. When I Heard Your Name (Robin Trower)
04. Little Red Rooster  (Willie Dixon)
05. I Believe to My Soul  (Ray Charles)
06. Shape of Things to Come  (Robin Trower)
07. That's Alright Mama  (Arthur "Big Boy" Crudup)
08. Save Your Love  (Robin Trower)
09. Born Under a Bad Sign  (W. Bell & Booker T. Jones)
10. Sheltered Moon  (Robin Trower)
11. See My Life  (Robin Trower)

Musicians:

Robin Trower: Guitars and Vocals
Livingstone Brown: Bass Guitar
Richard Watts: Bass Guitar and Vocals
Chris Taggart: Drums
Luke Smith: Keyboards
Paul Jones: Harmonica 


 

Saturday, June 08, 2013

Beth Hart & Jeff Beck perform "I'd Rather Go Blind" at the 35th Annual Kennedy Center Honors 2012 for Blues Legend Buddy Guy


Jeff Beck has been one of Beth Hart’s most ardent supporters for years and asked her to sing with him at the 35th Annual Kennedy Center Honors held in December 2012. They performed the Etta James classic “I’d Rather Go Blind” as part of a musical tribute to honour the blues legend, Buddy Guy. The recording speaks for itself. In fact, Beth's rendition of the song is indescribable.

This video from the concert is one of the greatest recordings of a female vocalist singing live I have experienced. The rapport between Beth, Jeff, the band, and the audience is close, immediate and emotional. If it doesn't bring a tear to your eye I would be surprised.

 



Tuesday, April 09, 2013

Robin Trower: 'A Touch of Magic' - Guitar Interactive Magazine (Issue 16) & New CD Release: "Roots And Branches"


The current issue of this free "online" magazine contains a great feature (pages 8-17) on Robin Trower's extensive and successful musical career, his legendary guitar style and tone and the release of Robin's new album Roots & Branches.  The two video clips include interviews with Robin regarding his guitar playing techniques, sound and Fulltone effects.

I hope to post a review of Roots And Branches in the near future. In the meantime, enjoy the magazine feature and if you have the album give it a good listen. It is evident that Robin has put a lot of energy, time, thought and soul into its production. A task easier said than done. 

 

Tuesday, March 12, 2013

Michael Schenker's "Temple of Rock" UK/Ireland Tour Dates - April/July 2013


Michael Schenker's current group goes under the banner 'Temple of Rock' and includes ex-Scorpions Herman Rarebell (drums) and Francis Buchholz (bass); Wayne Findlay (keyboards/guitar) and Doogie White (ex Rainbow/Yngwee Malmsteen) on vocals.

The 'Temple Of Rock 2013' concerts will include hits spanning Michael Schenker’s artistic career such as UFOs 'Rock Bottom' and 'Doctor Doctor' (I hope Michael includes a few more), MSGs 'Armed and Ready' and 'Into the Arena' ('Desert Song' would be great), and the Scorpions classics 'Another Piece of Meat' and 'Rock You like a Hurricane.' Songs from the Temple of Rock album (released in September 2011) will be included in the set. So expect 'Before the Devil Knows You´re Dead', 'Miss Claustrophobia' and 'Hanging On.'

I've read reviews disparaging the quality of some of the songs, vocals, and production on the Temple of Rock album. I believe that most of the tracks will stand the test of time. As will Michael's guitar riffs, strong song melodies, guitar solos and guitar tone. Michael's past continues to shine in his music. Catch him in performance while you can. The guy's a genius. A truly magnificent guitar player.

No Belfast date: Am I surprised? No. Just another in a long list of artists who play shows in the Irish Republic but don't include Northern Ireland in their tour schedule. 

Temple of Rock Tour Dates:

09 April - Stockton ARC  
10 April - Aberdeen The Lemon Tree
11 April - Edinburgh HMV Picture House
12 April - Newcastle O2 Academy
13 April - Holmfirth, Picturedrome
14 April - Warrington Parr Hall
16 April - Falmouth Princess Pavilion
17 April - Bristol O2 Academy
18 April - Salisbury City Hall  
19 April - Oxford O2 Academy
20 April - Nottingham Rock City
21 April - Norwich The Waterfront
22 April - Vicar Street , Dublin
31 May - O2 Shepherd's Bush Empire, London 
19 July - 53 Degrees, Preston 
20 July - The Robin 2, Bilston, Wolverhampton
27 July - Sheffield Plug, Matilda Street, Sheffield  



Monday, February 04, 2013

The Who to play the Odyssey Arena, Belfast on 10 June 2013 as part of UK Tour


It's welcome news that The Who are coming to Belfast as part of their UK/Ireland tour in June 2013. Most of the concert will concentrate on performing the album Quadrophenia - The Who’s 1973 rock opera - in its entirety. The music and songs reveal the wealth of musical ideas Pete Townsend was capable of producing that contain extraordinary vision, considerable emotional range, passion and sound. As usual, the rhythm section of Keith Moon and John Entwistle is excellent and Roger Daltrey's vocals are buoyant and flow with great intensity and dynamism. I believe the album contains some of Pete Townsend's most inspired, remarkable and original guitar playing.

I was fortunate to see The Who perform at the Isle of Wight Festival in 1970 in what proved to be one of their most iconic performances. The sound was amazing and their marathon set - which included 'My Generation', 'Summertime Blues', 'Pinball Wizard', 'Young Man Blues', Substitute', and excerpts from Tommy - was incredible.

It's impossible to capture on vinyl, CD, or DVD, the atmosphere, power and emotion that a 'bona fide' rock band create during a 'classic' performance. The Who, however, came close with the release of Live at Leeds in 1970. It remains one of the greatest recordings of a 'live' concert by a rock band. The playing throughout the 'vinyl' version of the performance is inspiring and the group reach tremendous heights which allow the music to speak for itself. Truly exceptional.

Pete Townsend and Roger Daltrey will be supported in Belfast by Scott Devours on drums, Pino Palladino on bass, Pete’s brother Simon Townshend on guitar, a trio of keyboard players, and a brass section.

Set List

I Am the Sea
The Real Me
Quadrophenia
Cut My Hair
The Punk and the Godfather
The One
The Dirty Job
Helpless Dancer
Is It In My Head?
I’ve Had Enough
5:15
Sea and Sand
Drowned
Bell Boy
Doctor Jimmy
The Rock

Love, Reign O’er Me
Encores 
Who Are You
Behind Blue Eyes
Pinball Wizard
Baba O’Riley 
Won’t Get Fooled Again
Tea & Theatre



Tuesday, November 27, 2012

A Celebration of the 70th Anniversary of Jimi Hendrix's birth on November 27, 1942


Jimi Hendrix (Johnny Allen Hendrix) was born in Seattle, Washington on November 27, 1942. During his short life Jimi created, recorded and performed some of the twentieth century's most beautiful, innovative and memorable music.

Jimi was a human being, not a god, whose unique personality continues to shine through in his music, lyrics and guitar playing. To rise from a poverty-stricken background, to be black, left-handed, shy, and become a musical genius - always evolving, taking risks - and conquer the musical world, is testament to Jimi's perseverance amid a myriad of unwanted distractions and pressures.

During a career that lasted less than four years due to his untimely death on September 18, 1970, Jimi's own authorised album releases highlighted a 'unique' talent whose music varied in style from 'soul-searching' ballads to rhythms and sounds that remain startling, intense and profoundly original to this day. Jimi could conjure melodic guitar phrases out of thin air. A great number of guitarists attempt to emulate Jimi's guitar sound and style, but do not possess Jimi's musical genius, improvisational dexterity and spirit.

Jimi's many fans have their own opinion on the plethora of posthumously released albums, compilations, performances and documentaries. One of the most superb and memorable performances by Jimi, regrettably only 'partially captured' on film, was at Berkeley Performance Center, California on May 30, 1970. Jimi's magnificent rendition of 'Hear My Train A Comin' is sang with great conviction, and his guitar solos are dynamic and intricate. A truly flawless and hauntingly beautiful performance.



Jimi's music and guitar playing will continue to be explored whether it is re-edited, re-issued, or re-packaged. I just hope that the many musical masterpieces Jimi created remain untouched and available in their original format. Such creative and adventurous music should not be tampered with. 

The hundreds of hours of tapes of experimentation, exploration and unfinished ideas that Jimi left behind should, sooner rather than later, be locked in a vault. It's time to leave Jimi in peace and embrace the music released. When it comes to 'live' concert footage, performances that are of a high audio and visual standard, and that remain true to Jimi's art, should be released to show his outstanding talent. The official DVD release of one of Jimi's more looser and magical performances at the Royal Albert Hall, London on February 24, 1969 remains long awaited by his fans. It would be great to see decent footage of Jimi's remarkable rendition of 'Little Wing'.

For those fortunate to come of age during the 1960s Jimi Hendrix raised the bar and brought unparalleled power, sensuality, and sustained resurrection to guitar playing, song writing and performance. He exuded a contagious charisma and spirit seldom created by any musician, past or present.

Jimi Hendrix's art will continue to inspire musicians and be appreciated by his many fans and future listeners as long as music exists.

 Jimi Hendrix
November 27, 1942 – September 18, 1970

Monday, August 20, 2012

Robin Trower: UK/European Tour Dates - February/March 2013 (CANCELLED) & New Studio Album 'Roots And Branches' (Release Date: February 4, 2013 - Listen to song samples and Pre-order)


Please note that due to a serious family illness the following tour dates have been cancelled. The tour is being rescheduled, and details of dates and venues will be posted as they are confirmed.

UK/European Tour Dates - February/March 2013 

29 Mar - Waterside Arts Centre, Manchester 
30 Mar - Picturedrome, Holmfirth


Robin's new studio album Roots and Branches will be released on February 4, 2013. The tracks represent a bold, radical musical step given that it contains a mixture of original compositions and Robin's musical interpretations of several standard songs. I hope Robin's new musical vision gets the adrenaline of his many fans flowing, and attracts new listeners' to his music. 

Tracklisting

01 Hound Dog
02 The Thrill Is Gone
03 When I Heard Your Name
04 Little Red Rooster
05 I Believe to My Soul
06 Shape of Things to Come
07 That's Alright Mama
08 Save Your Love
09 Born Under a Bad Sign
10 Sheltered Moon
11 See My Life

A UK/European Tour in late 2013 by Robin would provide a valuable platform to promote the album.

Wednesday, May 16, 2012

Robin Trower: European Tour Dates 2012 & Set List


Tickets are on sale for upcoming concerts by Robin Trower in Germany & the Netherlands in March 2012. The following dates are confirmed and tickets are on sale. Robin will be joined on the tour by Richard Watts (bass and vocals) and Chris Taggart (drums).

European Tour Dates - March 2012

15 Mar - Luxor Live, Arnhem, Netherlands 
16 Mar - Downtown Blues Club, Hamburg, Germany
17 Mar - KJK Sandgasse, Offenbach, Germany
18 Mar - Hirsh, Nuremberg, Germany
19 Mar - Spectrum Club, Augsburg, Germany
20 Mar - T.B.A. Berlin, Germany
21 MarKulturscheune, Salzgitter, Germany
22 Mar - Heimathaus, Twist, Germany
23 Mar - Café Hahn, Koblenz, Germany  
24 MarDucsaal, Freudenburg, Germany
25 Mar - Harmonie, Bonn, Germany

  European Set List March 2012 

 

DAY OF THE EAGLE
BRIDGE OF SIGHS
INSIDE NOT OUTSIDE
SEE MY LIFE
LADY LOVE
FOR EARTH BELOW
SOMEBODY CALLING
RISE UP LIKE THE SUN 
CONFESSIN' MIDNIGHT
LITTLE RED ROOSTER
THE TURNING
TOO ROLLING STONED
A LITTLE BIT OF SYMPATHY
  (Encores)
THAT’S ALRIGHT MAMA
DAYDREAM


Robin Trower Official Web Site

Monday, April 30, 2012

Jeff Beck announces New Band & Album, Performing on 'SNL' (19/05/12) with Tal Wilkenfeld, Vinny Colaiuta & Mick Jagger. Also, with Sir Mick at The White House (21/12/12) performing 'Commit a Crime'


Some musicians find it hard to keep a group together and have to engage backing musicians who are sometimes not as good as their predecessors. Jeff Beck seems to attract the crème de la crème with each new project. Jeff has recently formed a new power-trio following a period of universal critical acclaim touring his Emotion and Commotion album, and numerous awards culminating in the 'Living Legend Award' at the '2011 Classic Rock Awards' at London’s Roundhouse in November.

Jeff's upward spiral in status as a musician, guitar player and innovator are, in part, due to his fans, the response of audiences, record buyers, the superlative musical talent of members of his group(s), critical acclaim, musical awards and management.

His musical vision and exploration for a fresh sound within the power-trio format culminates in Narada Michael Walden being replaced on drums by Veronica Bellino, who will record and tour with Jeff and bass player, Rhonda Smith, in 2012.



I hope the recordings produce an album hailed as innovative and imaginative, and reveal fresh depths to Jeff's guitar playing and music. No doubt Jeff opened a highly creative and productive phase with the four-piece unit incorporating Tal Wilkenfeld (bass), Vinnie Colaiuta (drums) and Jason Rebello (keyboards). Numerous recorded and filmed performances are testament to the inspired music created; the qualities of classic, precision and eloquence, come to mind.

I admit to disappointment when Jeff announced a new touring band in 2010: Narada Michael Walden (drums) and Rhonda Smith (bass) to join Jason Rebello on keyboards. It proved, however, to be a successful collaboration. The music - like the rhythms - changed, as did the performances. Jeff is, once more, seeking out new creative territory. I trust it proves successful, both musically and emotionally. Finally, it would be great to see Jeff reuniting with Tal & Vinny for an album and tour.




Wednesday, February 29, 2012

CD Review: Robin Trower: "Farther On Up the Road - The Chrysalis Years (1977-1983)" [3 CD Box set] - Release Date: 27 February 2012


After the successful release in July 2010 of A Tale Untold: the Chrysalis Years 1973-1976 Chrysalis Records has issued a second compilation of albums by Robin Trower spanning the period 1977 to 1983. Similar to the first compilation this release comprises a 3 CD Box Set.

The set is titled: Farther On Up the Road - The Chrysalis Years (1977-1983) and contains six albums and two bonus tracks: a radio edit of 'Bluebird', and a b-side, 'One In A Million.' Again, most ardent fans of Robin's guitar playing and songwriting will have most, or, all, of the tracks on vinyl, CD and MP3. It is still, however, a compilation worth adding to a record collection.

It's gratifying to see a photograph of the late Reg Isadore included in the liner notes; he was an exceptional drummer and musician. I'm surprised there isn't a photograph of Bill Lordan. Bill played drums on four of the albums and isn't acknowledged with a photograph. I believe also that Bobby Clouter played drums on seven of the nine tracks on the album Back It Up, and Alan Clarke played drums on two tracks: 'Back It Up' and 'Islands'. Someone should meticulously proofread the credits before a record is released, and ensure that all the musicians' physically involved with the music are given due credit and respect.


Bill Lordan

Robin's good fortune in meeting James (Jimmy) Dewar can't be underestimated. Jimmy, as ever, connects with the listener in a way most vocalist's can only dream. His voice is beautiful, and brings a unique kind of greatness to the music. He was also an outstanding lyricist and tremendous bass player. If fate had been gracious, perhaps Jimmy and Robin would have collaborated again and produced music of profound power, passion and relevance. Robin and Jimmy's recorded work and 'live' performances are full of seminal masterpieces which bring unbridled joy to many fans worldwide, and continues to inspire and attract new admirers each day. A wonderful legacy.

James (Jimmy) Dewar - Bass, Vocals & Lyricist

Tracklisting

Choosing one song, one album, a compilation of tracks, or albums, cannot begin to encompass Robin Trower's gift and passion as a guitarist and musician, or the depth and variety of his extensive musical output. No doubt the album Bridge Of Sighs, and the track of the same name, provide a powerful introduction to his musical style and guitar playing. Nevertheless, Robin's musical output is remarkable in terms of its quality, melodic intensity and his mastery of the guitar. There are millions of 'gifted' guitarists in the world but few mature into musical artists who play with astounding virtuosity and are able to compose music of the highest quality with a plethora of masterpieces. 

I believe, in the main, that this collection contains music of the highest quality. It is music of exploration, intensity, variety and colours - and it produces its fair share of magic. Nevertheless, as far as recording is concerned, the album Truce remains a disappointment. It has its share of undistinguished studio tracks, and - apart from a few performances where the interplay of Robin, Jack Bruce and Reg Isadore (all extraordinary gifted musicians) reach the creative standards one would expect - the overall atmosphere is uninspiring. The shortcomings lie, in part, in the poor quality of the songwriting.

The release of Back It Up in 1983 showed a return to Robin's customary creative standards. The new rhythm section: bassist Dave Bronze (an expressive player with a vivid bass tone) on seven of the tracks, and drummers Bobby Clouter and Alan Clarke (players of great style and intuition), and the return of James Dewar on vocals (and bass for two tracks), seems to have spurred Robin to push himself, yet again, to high limits both creatively and musically. 



Jimmy Dewar (most importantly), Reg Isadore and Bill Lordan, played a 'crucial' part in forming the identity, mood and texture of Robin's vision and creativity, and to bring the end result to the record buying public and concert audiences. While some of the tracks instantly capture the listener's attention, the collection contains music waiting to be discovered, or rediscovered, as there is a sense of timelessness, and wonder, in most of the performances and guitar solos.



Track samples and order available at: Amazon's Robin Trower Store